Paper

Student Artwork Guide

Hands

Name Class Date

Mladen Stilinović, Hands (2006). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Mladen Stilinović wikioo.org/en/artists/mladen-stilinovic/
Artist’s dates
1947 – 2016
Painted
2006
Movement
Conceptual Art Work where the idea matters more than the object — sometimes there is barely an object at all.

In context

Hands — Mladen Stilinović

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 69 at death.

Painted when the artist was 59. The artist lived to 69. 2 of the 3 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Mladen Stilinović (1947–2016) ▲ this work, 2006 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/mladen-stilinovic-hands-D7C2P9-en/

Colours

Measured from the image

    Main colour

    Black #060606

    Catalogued palette

    • #060606
    • #EEEEEE
    • #494949
    • #929292

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Mladen Stilinović over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Estonia 100.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Mladen Stilinović

    1. 1 Dollar Without Value, 1993 100.0%100 visits
    2. — Hands, 2006 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Mladen Stilinović

    Born in Belgrade, Serbia

    Mladen Stilinović (1947–2016): A Conceptual Pioneer of Yugoslav Avantgarde

    Mladen Stilinović (born April 10, 1947, Belgrade, Serbia; died July 18, 2016, Pula) was a Croatian conceptual artist and one of the foremost figures of Yugoslavia’s “New Art Practice,” marking a pivotal moment in artistic expression during the Cold War era. His formative years were steeped in intellectual ferment—influenced by thinkers like Sartre and Camus—and fueled by an unwavering fascination with cinema and literature, particularly Rimbaud, Lautréamont, Saint-John Perse, Khlebnikov, Osip Mandelstam, Mayakovsky, T. S. Eliot, Tadeusz Róžewicz—a testament to his profound engagement with the artistic currents of his time. He honed his craft within Belgrade’s vibrant cultural landscape, absorbing inspiration from experimental film and actively participating in student cinema initiatives like Pan 69. This early immersion solidified his commitment to challenging conventional artistic boundaries and exploring new avenues for conveying complex ideas.

    Early Life & Influences: Stilinović's upbringing instilled a deep appreciation for intellectual discourse and artistic experimentation. His father, Marijan Stilinović—a respected editor of Borba newspaper, ambassador to Argentina, and later director of Zagreb Museum of Contemporary Art—provided him with an environment rich in cultural stimulation. This familial legacy profoundly shaped his worldview and nurtured his passion for art as a tool for critical reflection.

    The Group of Six Artists: Stilinović’s artistic trajectory gained momentum through collaboration with fellow Belgrade artists, forming the influential Group of Six Artists (Grupa šestorice autora). Alongside Vladimir Martek, Boris Demur, Željko Jerman, Sven Stilinović and Fedor Vučemilović, they established a collective dedicated to pushing the boundaries of Yugoslav art. Their activities centered around Zagreb from 1975 to 1979, fostering an environment of radical innovation and challenging prevailing artistic conventions.

    Experimental Film & Conceptual Engagement: Recognizing the transformative potential of cinema as both medium and concept, Stilinović dedicated himself to experimental filmmaking during the late 1960s and early 1970s. He embraced techniques pioneered by Dziga Vertov and Jean Vigo, delving into the realm of montage and exploring how visual language could convey profound philosophical ideas. This commitment to conceptual art solidified his position as a vanguard artist—one who prioritized intellectual rigor alongside aesthetic experimentation.

    The Exploitation of the Dead Series & Documenta Kassel: Stilinović’s artistic output reached its zenith with “Exploitation of the Dead” (1984–1990), a series that garnered international acclaim and cemented his reputation as a provocateur of ideas. Exhibited prominently at Documenta Kassel in 2007, this project interrogated notions of mortality and remembrance through meticulously crafted photographic compositions—a striking blend of documentary observation and conceptual reflection.

    Major Achievements & Recognition

    Stilinović’s contribution to Yugoslav art extended beyond individual projects; he spearheaded initiatives that fostered artistic dialogue and promoted critical engagement with societal issues. As director of the Extended Media Gallery (1981–1991), he championed innovative approaches to visual culture, fostering a space for experimentation and intellectual exchange. Furthermore, his involvement in establishing Podroom Gallery alongside fellow artists underscored his dedication to nurturing collaborative creativity—a cornerstone of Yugoslav avant-garde practice. His work was recognized globally through prestigious exhibitions and collaborations with prominent institutions like MoMA and Centre Georges Pompidou, securing his place as one of Croatia’s most celebrated artistic voices.

    Legacy & Influence

    Mladen Stilinović's influence resonates throughout contemporary art—particularly within the realm of conceptualism and photographic exploration. His unwavering commitment to challenging conventions and confronting uncomfortable truths continues to inspire artists today. The “Exploitation of the Dead” series remains a seminal work, prompting ongoing discussions about memory, loss, and the role of art in addressing existential questions. Stilinović’s legacy extends beyond his artistic output; he served as an educator and mentor—inspiring generations of Croatian artists to pursue innovative approaches to creative expression. His unwavering belief in the power of conceptual art to provoke thought and foster social critique ensures that his vision persists as a guiding force within the evolving landscape of global art history.

    Where to read more

    Find this online

    QR code linking to the download page for Hands

    wikioo.org/en/art/download/mladen-stilinovic-hands-D7C2P9-en/

    Cite this artwork

    MLA
    Stilinović, Mladen. Hands. 2006, https://wikioo.org/en/art/mladen-stilinovic-hands-D7C2P9-en/
    APA
    Stilinović, Mladen (2006). Hands [Painting]. https://wikioo.org/en/art/mladen-stilinovic-hands-D7C2P9-en/
    Chicago
    Mladen Stilinović. Hands. 2006. https://wikioo.org/en/art/mladen-stilinovic-hands-D7C2P9-en/
    Harvard
    Stilinović, Mladen (2006) Hands. Available at: https://wikioo.org/en/art/mladen-stilinovic-hands-D7C2P9-en/

    Look closely

    Hands — Mladen Stilinović

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 8 — do you agree?)
    4. Look back at Sing! (1980), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Conceptual Art: Work where the idea matters more than the object — sometimes there is barely an object at all. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Hands" by Mladen Stilinović in the public domain?

    Regarding copyright, "Hands" is still protected by copyright.

    Is there a slideshow for "Hands" by Mladen Stilinović?

    "Hands" by Mladen Stilinović can be viewed as a slideshow on the artwork's Diaporama page.

    Where can I buy a print of "Hands" by Mladen Stilinović?

    To get a print of "Hands" by Mladen Stilinović, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.