Paper

Student Artwork Guide

Violette Heymann

Name Class Date

Odilon Redon, Violette Heymann (1910), Cleveland Museum of Art. Public domain.

The facts

Artist
Odilon Redon wikioo.org/en/artists/odilon-redon/
Artist’s dates
1840 – 1916
Painted
1910
Medium
Pastel Sticks of almost pure pigment drawn straight onto paper; the colour is bright but rubs off easily.
Original size
72 x 92 cm
Movement
Symbolic Surrealism
Period
Modern
Held at
Cleveland Museum of Art wikioo.org/en/museums/cleveland-museum-of-art-cleveland/
Artistic style
Romantic Symbolism
Influences
Romanticism
Notable elements or techniques
Dreamlike atmosphere; Floral composition
Subject or theme
Portraiture; Femininity

In context

Violette Heymann — Odilon Redon

How big is it?

The original measures 72 × 92 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Shaded: the lifetime of Odilon Redon (1840–1916) ▲ this work, 1910

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/odilon-redon-violette-heymann-D3YVKS-en/

Colours

Measured from the image

    Main colour

    Espresso #4e4b3f

    Catalogued palette

    • #4E4B3F
    • #AFAC9B
    • #36538D
    • #7E6F5B
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Violette Heymann — Odilon Redon

    A Dreamlike Portrait: Exploring Odilon Redon’s Violette Heymann

    Odilon Redon's "Violette Heymann," completed in 1910, transcends mere representation; it embodies a profound exploration of the subconscious and whispers tales of ethereal beauty. Commissioned by Marcel Kapferer, this pastel portrait captures not just a young woman’s likeness but also an arresting glimpse into her inner world—a realm rendered with meticulous detail and imbued with symbolic resonance. The painting depicts Violette Heymann seated gracefully in a chair, gazing intently towards the viewer as if lost in contemplation amidst a vibrant tapestry of blossoms.

    Style and Technique: Embracing Pastel's Delicate Embrace

    Redon’s masterful use of pastel distinguishes “Violette Heymann” from the prevailing artistic conventions of his time. Unlike oil paints which offer bold hues and textural richness, pastel allows for unparalleled subtlety and luminosity—qualities perfectly suited to conveying the dreamlike atmosphere Redon sought to achieve. The artist skillfully blends pigments onto paper with soft brushes, layering delicate washes of color to create an impressionistic effect that prioritizes tonal gradations over sharp outlines. This technique captures the diffused light filtering through petals and casts a gentle glow upon Violette’s face, enhancing her serene expression.

    Historical Context: Symbolism Within Impressionism

    Redon emerged as a significant figure in the late Romantic and early Modern movements, inheriting influences from artists like Gustave Moreau and Edvard Munch while forging his own distinctive path. The painting reflects the broader artistic preoccupation with psychological landscapes prevalent during this period—a fascination with exploring inner states of mind and tapping into primal emotions. Flowers, particularly lilies and roses, hold considerable symbolic weight in Western art history, representing purity, love, and remembrance. Their placement around Violette subtly underscores themes of innocence and contemplation.

    Emotional Impact: Capturing Inner Tranquility

    Violette Heymann” succeeds in evoking a palpable sense of tranquility and introspection. The woman’s gaze—directed outwards yet simultaneously absorbed in her surroundings—suggests a state of meditative awareness, inviting the viewer to share in her quiet contemplation. Redon's palette—dominated by muted blues, greens, and pinks—contributes to this calming effect, mirroring the serenity of the floral setting. The composition itself is carefully balanced, creating an image that feels both harmonious and subtly unsettling – a hallmark of Redon’s artistic vision.

    A Legacy of Dreamlike Vision

    More than just a portrait, “Violette Heymann” stands as testament to Odilon Redon's unwavering commitment to capturing the elusive beauty of the subconscious. Its enduring appeal lies in its ability to transport us beyond the surface appearance into a realm where imagination reigns supreme—a realm that continues to inspire artists and collectors alike. A reproduction of this captivating artwork offers an opportunity to experience firsthand the profound emotional depth and artistic brilliance of one of France’s most enigmatic masters.

    Artist and museum

    Artist

    Odilon Redon

    Born in Bordeaux, France

    A World Beyond the Visible: The Enigmatic Art of Odilon Redon

    Odilon Redon, born Bertrand-Jean Redon in 1840 in Bordeaux, France, was an artist perpetually drawn to translate the unseen realms of imagination and dream into tangible form. His artistic journey began not with grand ambition but with quiet observation; at just ten years old he won a drawing prize—a foreshadowing of the visual sensitivity that would define his life’s work. Though initially steered towards architecture by familial expectations, Redon's true calling lay elsewhere, illuminated by instruction from Jean-Léon Gérôme and, crucially, Rodolphe Bresdin, who guided him in the intricate arts of etching and lithography. These techniques became foundational to his early explorations, allowing him to delve into a world of shadowy figures and ambiguous forms that would soon captivate those seeking an alternative to academic realism. The interruption of the Franco-Prussian War saw Redon briefly serving in the military, but it was upon his return to Paris that his artistic vision truly began to coalesce.

    The Birth of Symbolism: ‘Noirs’ and Early Visions

    Redon's early career was marked by a deliberate withdrawal from prevailing artistic trends. He didn’t seek to replicate the visible world, but rather to evoke its hidden currents—the anxieties, desires, and spiritual longings that lay beneath the surface of everyday life. This led to his famed series of “noirs,” monochromatic works executed in charcoal and lithography. These weren't merely studies in darkness; they were explorations of the subconscious, populated by strange creatures, disembodied eyes, and haunting figures emerging from swirling mists. The influence of writers like Edgar Allan Poe and Charles Baudelaire is palpable here—a shared fascination with the macabre, the mysterious, and the power of suggestion. These works weren't immediately embraced; Redon remained largely unknown for years. However, a pivotal moment arrived in 1884 with Joris-Karl Huysmans’ novel À rebours (Against Nature), where the decadent aristocrat Des Esseintes championed Redon’s drawings, instantly elevating his status within avant-garde circles. This recognition opened doors and allowed Redon to further develop his unique artistic language. He described his work as ambiguous and undefinable, stating they should “place us, as does music, in the ambiguous realm of the undetermined.”

    A Palette Awakens: From Monochrome to Vibrant Expression

    While the “noirs” established Redon as a significant force in Symbolism, his art underwent a remarkable transformation in the 1890s. He began to embrace color—first pastels, then oils—infusing his compositions with a newfound vibrancy and luminosity. This shift wasn’t merely technical; it reflected an evolving emotional landscape within the artist himself. The earlier works often carried a sense of melancholy and isolation, but the later paintings reveal a growing interest in mythology, Buddhism, and Japanese art – Japonism was a significant influence. Works like The Death of the Buddha (1899) demonstrate this fascination with Eastern spirituality, while pieces commissioned by Baron Robert de Domecy for his château showcase Redon’s ability to blend decorative elements with symbolic imagery. The portraits of Baroness de Domecy and her daughter Jeanne are particularly striking examples of this period, capturing not just physical likeness but also a sense of inner life and psychological depth. Redon explored his internal feelings and psyche through his art, aiming to “place the visible at the service of the invisible.”

    Legacy and Influence: A Precursor to Surrealism

    Odilon Redon’s impact on the art world extends far beyond his own lifetime. He was awarded the Legion of Honor in 1903, and his work gained wider recognition with exhibitions at the New York Armory Show in 1913. However, it wasn't until after his death in 1916 that his true significance became fully apparent. Redon’s exploration of dreams, the subconscious, and irrationality paved the way for Surrealism, inspiring artists like Marcel Duchamp and Max Ernst to delve into similar territories. His emphasis on subjective experience and emotional expression also resonated with Expressionist painters. He wasn't simply depicting what he saw; he was visualizing what he felt, a principle that continues to inspire artists today. Redon’s legacy is one of artistic courage, a willingness to embrace the ambiguous, and a profound belief in the power of art to reveal the hidden dimensions of human experience. His drawings defied classification, ushering in a unique type of fantastic imagery born of sickness and delirium, yet always imbued with a haunting beauty.

    Key Characteristics & Themes

    Symbolism: Redon is considered a central figure in the Symbolist movement, prioritizing emotional and spiritual expression over realistic representation.

    Dreamlike Imagery: His works are often characterized by fantastical creatures, ambiguous landscapes, and scenes that evoke the atmosphere of dreams.

    Exploration of the Subconscious: Redon delved into themes of anxiety, desire, and the hidden depths of the human psyche.

    Influence of Literature & Mythology: He drew inspiration from writers like Poe and Baudelaire, as well as Eastern religions and mythology.

    Technical Innovation: Redon’s mastery of lithography and his innovative use of color in pastels and oils were crucial to his artistic vision.

    Museum

    Cleveland Museum of Art

    On show in Cleveland, United States of America

    A Legacy Forged in Light: Exploring the Cleveland Museum of Art

    Nestled within University Circle’s vibrant heart, the Cleveland Museum of Art isn't merely a repository of artistic treasures; it’s an immersive journey through human creativity spanning millennia and continents. From its remarkably accessible free admission policy to its breathtaking architectural evolution—a harmonious blend of neoclassical grandeur, modernist boldness, and contemporary innovation—the CMA offers an experience that transcends the traditional museum visit. Founded on a bedrock of philanthropic vision in 1913, it has consistently championed inclusivity, inviting all to engage with art’s profound power to illuminate our world. The museum's story is inextricably linked to Cleveland itself, reflecting the city’s dynamic growth and its enduring commitment to cultural enrichment.

    The collection’s breadth is truly astonishing. While renowned for its unparalleled holdings in Asian and Egyptian art – imagine standing before the serene beauty of a Ming dynasty screen or the imposing majesty of an ancient sarcophagus – the CMA's narrative extends far beyond these iconic areas. European masterpieces, from the delicate brushstrokes of Monet to the revolutionary canvases of Van Gogh and Picasso, form a cornerstone of its legacy. Contemporary works pulse with vitality, challenging perspectives and reflecting the complexities of our time. Recent exhibitions like “Rose Iron Works,” a powerful exploration of Cleveland’s industrial heritage through the lens of contemporary sculpture, demonstrate the museum's commitment to both historical significance and engaging dialogue. The CMA doesn’t simply display art; it fosters understanding, sparking curiosity and inviting contemplation on its cultural context.

    Architectural Echoes: A Conversation Across Time

    The physical structure of the Cleveland Museum of Art is as captivating as its collection. Its initial 1916 building, a magnificent example of neoclassical design rendered in pristine white Georgian Marble and adorned with Beaux-Arts flourishes, exudes an aura of timeless elegance – a testament to the vision of Hinman Hurlbut, John Huntington, and Horace Kelley. However, the museum’s story doesn't end there. In 1971, Marcel Breuer’s strikingly modern North Wing dramatically countered this classical foundation with its angular granite facade, creating a dynamic dialogue between eras. The most recent transformation, completed in 2013 under Rafael Viñoly, represents a masterful synthesis of past and present. This ambitious project doubled the museum's size, culminating in a breathtaking glass-roofed atrium that floods the interior with natural light, dissolving boundaries and fostering a sense of airy spaciousness. The atrium isn’t simply an expansion; it’s a deliberate orchestration of architectural styles—a visual embodiment of the CMA’s commitment to bridging cultures and time periods through art.

    A Living Institution: Beyond the Walls

    The Cleveland Museum of Art is far more than just a collection housed within walls. It's a vibrant hub for engagement, education, and community building. Interactive exhibits invite visitors to delve deeper into artistic techniques and cultural contexts, while dedicated educational programs cater to audiences of all ages and backgrounds. The museum actively fosters a sense of belonging through lectures, artist talks, and hands-on workshops—transforming the experience from passive observation to active participation. Notably, Transformer Station, a dynamic center for visual and performing arts located in Cleveland’s vibrant Hingetown neighborhood, extends the CMA's reach beyond its physical boundaries, showcasing emerging artists and fostering creative dialogue within the city. This commitment to accessibility, education, and community engagement solidifies the museum’s position as a vital force shaping the artistic landscape of Ohio and beyond.

    A Foundation Built on Vision: Enduring Support

    The story of the Cleveland Museum of Art is inextricably linked to the unwavering generosity of its founders and the continued support of the Cleveland community. Hinman Hurlbut, John Huntington, and Horace Kelley envisioned an institution that would be accessible to all—a radical idea at the time—and this spirit of inclusivity remains central to the CMA’s mission today. The museum's substantial endowment – exceeding $920 million as of 2023 – allows it to maintain its free admission policy and invest in ambitious acquisitions and innovative programming, ensuring that future generations will have access to these invaluable cultural treasures. The ongoing dedication to preserving and expanding the collection stands as a testament to the enduring power of art to inspire, educate, and enrich lives—a legacy firmly rooted in the vision of those who first conceived this extraordinary institution.

    Useful Links:

    Cleveland Museum of Art

    Wikipedia - Cleveland Museum of Art

    Reynolds Morse Foundation

    Additional Research:

    Cleveland Museum of Art

    Cleveland Museum of Art - Wikipedia

    Museum of Contemporary Art Cleveland - Wikipedia

    Cleveland - Wikipedia

    Where to read more

    Find this online

    QR code linking to the download page for Violette Heymann

    wikioo.org/en/art/download/odilon-redon-violette-heymann-D3YVKS-en/

    Cite this artwork

    MLA
    Redon, Odilon. Violette Heymann. 1910, Cleveland Museum of Art. https://wikioo.org/en/art/odilon-redon-violette-heymann-D3YVKS-en/
    APA
    Redon, Odilon (1910). Violette Heymann [Painting]. Cleveland Museum of Art. https://wikioo.org/en/art/odilon-redon-violette-heymann-D3YVKS-en/
    Chicago
    Odilon Redon. Violette Heymann. 1910. Cleveland Museum of Art. https://wikioo.org/en/art/odilon-redon-violette-heymann-D3YVKS-en/
    Harvard
    Redon, Odilon (1910) Violette Heymann. Cleveland Museum of Art. Available at: https://wikioo.org/en/art/odilon-redon-violette-heymann-D3YVKS-en/

    Look closely

    Violette Heymann — Odilon Redon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: floral composition, dreamlike atmosphere, female figure. Do you agree? What would you add, or take away?
    4. Look back at Young Girl in a Blue Bonnet, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Odilon Redon was about 70 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Violette Heymann — Odilon Redon

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic medium did Odilon Redon primarily utilize during his early career?

      • A Oil Painting
      • B Watercolor
      • C Black and White Lithography
    2. 2. Who commissioned Redon to create this pastel portrait?

      • A Jean-Léon Gérôme
      • B Rodolphe Bresdin
      • C Marcel Kapferer
    3. 3. What is the young woman in Violette Heymann gazing towards?

      • A A Landscape View
      • B The Artist Himself
      • C Colorful Blossoms
    4. 4. Which technique did Redon use extensively during his formative years, allowing him to explore shadowy figures and ambiguous forms?

      • A Sculpture
      • B Ceramic Art
      • C Etching
    5. 5. The painting evokes a dreamlike state due to what characteristic of Redon's artistic style?

      • A Realistic Representation
      • B Bold Color Palette
      • C Symbolic Imagery

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C