Paper

Student Artwork Guide

Charaf

Name Class Date

Rafic Charaf, Charaf (1975), American University of Beirut. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Rafic Charaf wikioo.org/en/artists/rafic-charaf/
Artist’s dates
1932 – 2003
Painted
1975
Original size
60 x 30 cm
Movement
Modernism The broad twentieth-century push to break with tradition and find forms that matched a changed world.
Held at
American University of Beirut wikioo.org/en/museums/american-university-of-beirut-beirut/

In context

Charaf — Rafic Charaf

How big is it?

The original measures 60 × 30 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 71 at death.

Painted when the artist was 43. The artist lived to 71. 2 of the 5 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Rafic Charaf (1932–2003) ▲ this work, 1975 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/rafic-charaf-charaf-DD2LGW-en/

Colours

Measured from the image

    Main colour

    Putty #d8d2c8

    Catalogued palette

    • #D8D2C8
    • #464442
    • #C29063
    • #85817C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Rafic Charaf over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Rafic Charaf

    1. 1 Charaf :, 1978 66.7%
    2. 2 Charaf : 1973 State Award, 1974 33.3%
    3. — Charaf, 1975 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Rafic Charaf

    Born in Beirut, Lebanon

    A Poetic Vision of Lebanon: The Life and Legacy of Rafic Charaf

    Rafic Charaf (1932–2003) stands as a pivotal figure in the development of modern Lebanese art, a painter whose work resonated deeply with both the social and political realities of his nation and the enduring spirit of its folklore. Born in Baalbek, a region steeped in ancient history and layered cultural traditions, Charaf’s artistic journey was shaped by a rich heritage that manifested in a distinctive style characterized by poetic abstractions. His canvases often blended sociopolitical commentary with elements of autobiography and vibrant folk art, offering a compelling narrative of an artist deeply connected to his roots and committed to portraying the complexities of Lebanese identity.

    His early years were spent in a modest village setting, far removed from the established artistic circles of Beirut. Despite this isolation, he cultivated a keen eye for observation, capturing scenes of daily life and the surrounding landscape on scraps of paper—a habit that would later inform his distinctive visual language. Crucially, his family’s background as blacksmiths instilled in him a profound respect for craftsmanship and an appreciation for the transformative power of materials. This early exposure to both manual labor and artistic expression laid the groundwork for his future explorations of form and texture, creating a bridge between the tactile reality of his upbringing and the ethereal nature of his later abstractions.

    Academic Foundations and European Influences

    Charaf’s formal education began at the Académie Libanaise des Beaux-Arts (ALBA) in Beirut, where he honed his technical skills and developed a foundational understanding of Western art traditions. His talent eventually earned him prestigious scholarships that allowed him to expand his horizons far beyond the Levant. From 1955 to 1957, he studied at the Real Academia de Bellas Artes de San Fernando in Madrid, an experience that significantly impacted his palette and perspective. During this Spanish period, his work often reflected a more somber, melancholic tone, featuring muted colors and landscapes crisscrossed by wires and dead trees—a reflection of a bleak perception of life rooted in his difficult childhood.

    The artist's pursuit of mastery continued in Italy, where he attended the Pietro Vanucci Academy in Perugia around 1960. This period of international study allowed him to synthesize various European influences with his Middle Eastern sensibilities. While his technical training was rooted in academic excellence, Charaf’s artistic heart remained tethered to the evocative depictions of mythology and folklore found in the works of Syrian artist Abou Subhi al Tinawi. This blend of Western technique and Eastern storytelling became the cornerstone of his mature style.

    The Evolution of a Signature Style

    As Charaf returned to Beirut, his work underwent a transformative evolution. During the vibrant 1960s, his paintings began to move away from the starker landscapes of his youth toward more expressive and whimsical forms. In many of these works, one can observe simple forms rendered with visible, expressive brushstrokes alongside large planes of flat color, foreshadowing the signature abstraction that would define his career. His art became a tapestry of memory and social observation, where the boundaries between the personal and the political often blurred.

    His contributions to the Lebanese art scene were both prolific and influential:

    Exhibition Presence: Charaf was a regular fixture in the prestigious art circles of Beirut, exhibiting annually at the Hotel Carlton and participating in the annual Salon du Printemps at the UNESCO Palace.

    Institutional Impact: He played a vital role in nurturing future generations of artists through his tenure as a teacher at the Faculty of Fine Arts at the Lebanese University from 1965 to 1982.

    Cultural Recognition: His works were frequently showcased at the Salon d’Automne at the Sursock Museum, cementing his status within the canon of modern Arab art.

    Ultimately, the work of Rafic Charaf remains a testament to the resilience of the human spirit and the power of art to navigate through periods of profound change. Through his poetic abstractions, he captured not just the landscape of Lebanon, but the very soul of its people, leaving behind a legacy that continues to inspire awe and reflection in the contemporary art world.

    Museum

    American University of Beirut

    On show in Beirut, Lebanon

    A Beacon of Antiquity: The Archaeological Museum of the American University of Beirut

    Nestled within the vibrant heart of Beirut, on the historic grounds of the American University of Beirut, lies a treasure trove of ancient history – the AUB Archaeological Museum. More than just a repository of artifacts, this institution stands as a testament to Lebanon’s enduring role as a crossroads of civilizations, a place where echoes of empires past resonate with compelling clarity. Founded alongside the university itself in 1866, the museum has organically grown over decades through dedicated excavations, generous donations, and careful acquisitions, becoming one of the oldest museums in the Near East – a distinction it proudly holds as the third-oldest of its kind in the region. Walking through its halls is akin to embarking on a journey through millennia, encountering tangible links to the societies that shaped our world. The museum’s very existence speaks volumes about AUB's commitment not only to academic excellence but also to preserving and sharing the cultural heritage of this pivotal corner of the globe.

    Collection Highlights:

    The museum’s remarkable diversity reflects the complex tapestry of cultures that have flourished in the Near East. Visitors can marvel at pottery shards whispering tales of ancient meals, tools hinting at sophisticated craftsmanship, and sculptures embodying the aesthetic sensibilities of bygone eras.

    Cypriot Pottery:

    These pieces are not merely functional objects; they are exquisite works of art, showcasing intricate designs and masterful techniques that reveal a vibrant artistic tradition on the island of Cyprus. Their delicate ornamentation speaks to a mastery of form and color unmatched in its time.

    Egyptian Relics:

    From funerary objects to everyday implements, these artifacts provide invaluable insights into one of history’s most enigmatic civilizations. The meticulous detail with which they were crafted underscores the profound spiritual beliefs of ancient Egypt.

    Syrian Historical Items:

    Further enriching its narrative of regional antiquity, this collection presents a panorama of Syrian artistic and cultural achievements spanning centuries.

    Architecture and Atmosphere: A Harmonious Blend

    The museum building itself is an integral part of the visitor experience. Housed within the stunning architectural landscape of the American University of Beirut campus, it seamlessly blends historical reverence with modern functionality. The architecture complements the university’s established aesthetic – a beautiful fusion of styles reflecting its long-standing academic tradition – while providing a secure and thoughtfully designed environment for the preservation and display of these delicate artifacts. Natural light filters through carefully positioned windows, illuminating the exhibits and creating an atmosphere conducive to contemplation and discovery. It is a space where history feels palpable, inviting visitors to connect with the past on a deeply personal level. The museum isn’t simply containing history; it's actively participating in its continued unfolding.

    A Legacy of Learning: What Sets AUB Apart

    What truly distinguishes the AUB Archaeological Museum from other institutions is its unique position within a leading academic institution. Benefiting directly from the university’s resources and expertise, the museum maintains exceptionally high standards in research, curation, and education. Guided tours, led by knowledgeable experts, are a cornerstone of the visitor experience, providing invaluable insights into the significance of each artifact and its place within the broader historical narrative. The museum also serves as a vital cultural hub, attracting scholars, students, and enthusiasts from around the world, fostering dialogue and promoting a deeper appreciation for the ancient history of the Near East.

    Resilience and Remembrance: A Museum Forged in History

    The story of the American University of Beirut, and by extension its museum, is inextricably linked to the tumultuous history of Lebanon itself. The campus, and the museum within it, has weathered periods of conflict and upheaval, demonstrating remarkable resilience in the face of adversity. This history adds another layer of depth and meaning to the museum’s collection, reminding us that these artifacts are not simply objects from a distant past but tangible reminders of civilizations that have endured – and sometimes overcome – immense challenges.

    Notable Exhibitions:

    Throughout its history, the museum has hosted groundbreaking exhibitions exploring themes of cultural exchange and artistic innovation. These events underscore AUB’s commitment to fostering intellectual engagement and disseminating knowledge about ancient civilizations.

    Concluding Thoughts

    The American University of Beirut Archaeological Museum stands as a powerful symbol of cultural preservation, intellectual freedom, and the enduring human spirit—a beacon of antiquity illuminating the path towards a more informed and interconnected future. Its dedication to scholarship ensures that these treasures continue to inspire generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Charaf

    wikioo.org/en/art/download/rafic-charaf-charaf-DD2LGW-en/

    Cite this artwork

    MLA
    Charaf, Rafic. Charaf. 1975, American University of Beirut. https://wikioo.org/en/art/rafic-charaf-charaf-DD2LGW-en/
    APA
    Charaf, Rafic (1975). Charaf [Painting]. American University of Beirut. https://wikioo.org/en/art/rafic-charaf-charaf-DD2LGW-en/
    Chicago
    Rafic Charaf. Charaf. 1975. American University of Beirut. https://wikioo.org/en/art/rafic-charaf-charaf-DD2LGW-en/
    Harvard
    Charaf, Rafic (1975) Charaf. American University of Beirut. Available at: https://wikioo.org/en/art/rafic-charaf-charaf-DD2LGW-en/

    Look closely

    Charaf — Rafic Charaf

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: arabic calligraphy, geometric abstraction, figurative art. Do you agree? What would you add, or take away?
    5. Look back at Palestinian woman, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Why is the copyright status of "Charaf" what it is?

    "Charaf" by Rafic Charaf is still protected by copyright. Copyright terms are measured from the artist's death, and Rafic Charaf died in 2003.

    What does the 1975 date of "Charaf" correspond to in Rafic Charaf's career?

    "Charaf", created in 1975, belongs to the Mature Period of Rafic Charaf's career.

    When was "Charaf" made?

    "Charaf" by Rafic Charaf was created in 1975.