Paper

Student Artwork Guide

Sin título (Polyrythm Series 2)

Name Class Date

rodrigo lara bonilla, Sin título (Polyrythm Series 2) (2018), Museum of Contemporary Art Querétaro. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
rodrigo lara bonilla wikioo.org/en/artists/rodrigo-lara-bonilla/
Artist’s dates
1946 – 1984
Painted
2018
Original size
33 x 49 cm
Movement
Other
Held at
Museum of Contemporary Art Querétaro wikioo.org/en/museums/museum-of-contemporary-art-queretaro-queretaro/

In context

Sin título (Polyrythm Series 2) — rodrigo lara bonilla

How big is it?

The original measures 33 × 49 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Shaded: the lifetime of rodrigo lara bonilla (1946–1984) ▲ this work, 2018

Colours

Measured from the image

    Main colour

    White #e9e8e4

    Catalogued palette

    • #E9E8E4
    • #232728
    • #878D90
    • #4E5353
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    rodrigo lara bonilla

    Born in Neiva, Colombia

    Rodrigo Lara Bonilla: A Life Forged in Justice and Silenced by Darkness

    Rodrigo Lara Bonilla, a name inextricably linked to Colombia’s tumultuous struggle against the Medellín Cartel, remains a figure of profound complexity. Born in Neiva, Huila, in 1946, his life was tragically cut short at the age of 37, yet his legacy as a courageous prosecutor and symbol of integrity continues to resonate within Colombian history. Lara’s story is not simply one of political ambition; it's a testament to unwavering commitment to justice, a pursuit that ultimately cost him everything.

    Lara’s early life instilled in him a strong sense of civic duty. He studied law at the Universidad Externado de Colombia and quickly entered public service, rising through the ranks to become mayor of Neiva at just 23 years old. This initial foray into politics demonstrated his leadership qualities and established a foundation for his later career. However, it was his appointment as Minister of Justice under President Belisario Betancur in 1983 that truly cemented his place in Colombian history – and tragically, marked the beginning of his demise.

    The Architect of Resistance

    Upon assuming the role of Minister of Justice, Lara immediately confronted the escalating crisis posed by the Medellín Cartel. Recognizing the depth of corruption and influence wielded by Escobar and his organization, he launched a relentless campaign to dismantle their operations. Unlike many of his contemporaries, Lara refused to engage in political maneuvering or compromises that would undermine his commitment to justice. He understood that confronting the cartel required unwavering resolve and a willingness to expose its insidious reach into every facet of Colombian society.

    Lara’s actions were bold and strategically significant. He exposed the cartel's involvement in sports, politics, and even the entertainment industry through meticulous investigations and public denunciations. He successfully challenged Escobar’s attempts to gain political legitimacy by exposing his illicit dealings within Congress. Crucially, he initiated legal proceedings against the drug lords, securing convictions and laying the groundwork for future extradition efforts. Lara's determination to hold these criminals accountable was a direct challenge to Escobar’s power and a turning point in Colombia’s fight against organized crime.

    A Ceramic Voice: Exploring Lara’s Artistic Legacy

    While Lara is primarily remembered for his political career, his artistic output offers a fascinating counterpoint. Working under the pseudonym Rodrigo Lara, he created a series of ceramic sculptures known as the “Polyrythm Series.” These pieces, particularly "Sin título (Polyrythm Series 2)," are characterized by their abstract forms and vibrant colors—a deliberate departure from the stark realities of his political life. The use of clay, a material intimately connected to the earth and the process of creation, seems to reflect Lara’s desire to build something lasting and meaningful amidst chaos and destruction.

    The “Polyrythm” series is often interpreted as an exploration of rhythm, movement, and perhaps even the cyclical nature of violence. The fragmented forms and bold color palettes evoke a sense of tension and dynamism—mirroring the turbulent times in which he lived. These sculptures are not merely decorative objects; they serve as poignant reminders of Lara’s artistic sensibility and his ability to find beauty and expression even in the darkest circumstances. WahooArt's reproductions offer a unique opportunity to engage with this lesser-known facet of Lara’s life, providing insight into the man behind the political figure.

    A Tragic End and Lasting Impact

    Despite his successes, Lara’s unwavering commitment to justice ultimately led to his assassination on April 30, 1984. Pablo Escobar, enraged by Lara's relentless pursuit of his organization, orchestrated a meticulously planned ambush that resulted in Lara’s death. The event sent shockwaves through Colombia and marked a significant escalation in the conflict between the state and the drug cartels.

    Lara’s assassination served as a catalyst for further action against Escobar and the Medellín Cartel. His death galvanized the Colombian government, leading to increased efforts at extradition and a sustained military campaign against organized crime. While Lara's life was tragically cut short, his legacy endures as a symbol of integrity, courage, and unwavering dedication to justice—a reminder that even in the face of overwhelming adversity, one individual can make a profound difference.

    Further Exploration

    For more information about Rodrigo Lara Bonilla, we encourage you to explore the following resources:

    Sin título (Polyrythm Series 2)” – Discover this captivating ceramic sculpture.

    Rodrigo Lara Bonilla’s Artist Profile – Explore his life and work in detail.

    Rodrigo Lara on IMDb – Access biographical information from a reliable source.

    Rodrigo Lara on Historica Wiki - A detailed historical account of his life and career.

    Museum

    Museum of Contemporary Art Querétaro

    On show in Queretaro, Mexico

    A Sanctuary of Modernity in the Heart of Querétaro

    In the vibrant, colonial tapestry of Queretaro, there exists a profound dialogue between the historical past and the experimental future, anchored by the Museum of Contemporary Art Querétaro. This institution serves as more than just a repository for visual culture; it is a breathing, evolving space where the boundaries of perception are constantly tested. For the art lover, walking through its doors feels like entering a curated sanctuary where the echoes of tradition meet the bold, often disruptive voices of the present day. The museum stands as a beacon for those who seek to understand how contemporary identity is forged through color, form, and the raw expression of the human condition.

    The architecture of the museum itself acts as a silent protagonist in the visitor's journey. Designed to facilitate a seamless flow between thought and observation, the physical structure provides a neutral yet evocative backdrop that allows the artworks to breathe. The interplay of light and shadow within its galleries creates an ever-changing atmosphere, much like the transient nature of contemporary art itself. For interior designers and architects, the museum offers a masterclass in how space can be utilized to frame narrative, demonstrating how minimalist aesthetics can elevate the emotional weight of a painting or a sculptural installation.

    The collection highlights are a testament to the diverse landscape of Mexican and international contemporary movements. Visitors are often captivated by works that challenge the viewer's sense of scale and materiality, ranging from delicate, ethereal abstractions to heavy, politically charged installations. Each piece within its permanent collection is curated to provoke a visceral reaction, inviting collectors and enthusiasts to contemplate themes of memory, globalization, and social transformation. The museum’s ability to weave these disparate threads into a cohesive exhibition experience makes it a cornerstone of the region's cultural prestige.

    What truly distinguishes the Museum of Contemporary Art Querétaro is its commitment to being a living laboratory for artistic experimentation. Its rotating exhibitions are not merely displays but curated events that often feature emerging talents alongside established masters, fostering a sense of continuity in the art world. This dynamic programming ensures that the museum remains a vital node in the global art circuit, attracting those who crave the new and the unexpected. It is a place where the pulse of modern creativity can be felt, making it an essential pilgrimage for anyone dedicated to the enduring power of contemporary visual language.

    Where to read more

    Find this online

    QR code linking to the download page for Sin título (Polyrythm Series 2)

    wikioo.org/en/art/download/rodrigo-lara-bonilla-sin-titulo-polyrythm-series-2-D7X9DH-en/

    Cite this artwork

    MLA
    bonilla, rodrigo lara. Sin título (Polyrythm Series 2). 2018, Museum of Contemporary Art Querétaro. https://wikioo.org/en/art/rodrigo-lara-bonilla-sin-titulo-polyrythm-series-2-D7X9DH-en/
    APA
    bonilla, rodrigo lara (2018). Sin título (Polyrythm Series 2) [Painting]. Museum of Contemporary Art Querétaro. https://wikioo.org/en/art/rodrigo-lara-bonilla-sin-titulo-polyrythm-series-2-D7X9DH-en/
    Chicago
    rodrigo lara bonilla. Sin título (Polyrythm Series 2). 2018. Museum of Contemporary Art Querétaro. https://wikioo.org/en/art/rodrigo-lara-bonilla-sin-titulo-polyrythm-series-2-D7X9DH-en/
    Harvard
    bonilla, rodrigo lara (2018) Sin título (Polyrythm Series 2). Museum of Contemporary Art Querétaro. Available at: https://wikioo.org/en/art/rodrigo-lara-bonilla-sin-titulo-polyrythm-series-2-D7X9DH-en/

    Look closely

    Sin título (Polyrythm Series 2) — rodrigo lara bonilla

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: ceramic sculpture, abstract forms, minimalist design. Do you agree? What would you add, or take away?
    4. Themes that come back through the work of rodrigo lara bonilla: ceramic abstraction, minimalist form", colombian modernism. Which of them do you see here?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.