Paper

Student Artwork Guide

Patchwork quilt

Name Class Date

Romare Bearden, Patchwork quilt. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Romare Bearden wikioo.org/en/artists/romare-bearden/
Artist’s dates
1911 – 1988

In context

Patchwork quilt — Romare Bearden

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Shaded: the lifetime of Romare Bearden (1911–1988)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/romare-bearden-patchwork-quilt-A25F5Y-en/

Colours

Measured from the image

    Main colour

    Midnight Blue #2c3c67

    Catalogued palette

    • #2C3C67
    • #8F7356
    • #222521
    • #B79974
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Midnight Blue
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Romare Bearden

    Born in Charlotte, United States of America

    A Life Immersed in Culture: The Journey of Romare Bearden

    Romare Howard Bearden, born in Charlotte, North Carolina, in 1911, was more than just an artist; he was a cultural architect, a visual storyteller whose work resonated with the rhythms and realities of African-American life. His early years were marked by constant movement, a childhood spent between the burgeoning artistic hub of Harlem, New York, and the quieter landscapes of Pittsburgh, Pennsylvania. This geographic fluidity instilled in him a unique perspective, an ability to observe and absorb the diverse experiences that would later fuel his creative vision. The Bearden home wasn’t simply a residence; it was a salon, a gathering place for luminaries of the Harlem Renaissance—writers, musicians, intellectuals—who shaped young Romare's understanding of art as a vehicle for social commentary and cultural preservation. His mother, Bessye Bearden, a prominent figure in New York City’s civic life and a journalist for the Chicago Defender, further nurtured this environment, instilling in him a sense of responsibility to his community and a deep appreciation for storytelling.

    From Social Realism to Abstract Exploration

    Bearden's formal education was equally diverse, encompassing studies at Lincoln University, Boston University, and ultimately New York University, where he earned a degree in science and education in 1935. However, his true calling lay in the realm of art, and he continued his training at the Art Students League under the tutelage of German artist George Grosz. His early artistic endeavors were rooted in social realism, depicting scenes from the American South with a keen eye for detail and a commitment to portraying the lives of ordinary people. These works often reflected the influence of Mexican muralists like Diego Rivera and José Clemente Orozco, whose powerful narratives and bold compositions resonated with Bearden’s own desire to address issues of social justice and human dignity. However, his experiences during World War II—serving in the US Army on the European front—profoundly impacted his artistic trajectory. The horrors he witnessed fueled a search for deeper meaning, leading him to explore more abstract forms of expression after the war. A period of study at the Sorbonne in Paris in 1950 further broadened his horizons, exposing him to new philosophical and art historical perspectives that challenged his previous assumptions and encouraged experimentation.

    The Power of Collage: A Defining Aesthetic

    It was in the late 1950s and early 1960s that Romare Bearden truly found his signature style—collage. He didn’t simply adopt collage as a technique; he elevated it to an art form, transforming humble materials like magazine clippings, fabric scraps, and photographs into vibrant, emotionally resonant compositions. This choice wasn't accidental. Collage allowed him to fragment and reassemble reality, mirroring the complexities of memory, identity, and experience. His collages weren’t merely representations of scenes; they were evocations of moods, atmospheres, and cultural narratives. He often drew inspiration from jazz music—its improvisational spirit, its layered harmonies, its ability to convey profound emotions through seemingly simple melodies. Bearden saw parallels between the artist's process and the musician's performance, both relying on intuition, spontaneity, and a deep understanding of their respective mediums. He became a founding member of the Spiral group in 1963, an organization of African-American artists grappling with their role in the Civil Rights Movement. This commitment to social justice remained central to his work throughout his career.

    Legacy and Enduring Influence

    Throughout his prolific career, Bearden received numerous accolades, including honorary doctorates from several prestigious universities and, in 1987, the National Medal of Arts. He was also a gifted writer and songwriter, co-writing the jazz standard "Sea Breeze" with childhood friend Dizzy Gillespie. But perhaps his most lasting legacy lies in his dedication to supporting emerging artists. Together with his wife, Nanette Rohan Bearden, he established the Bearden Foundation, providing financial assistance and mentorship to young creatives. The New York Times famously hailed him as “the nation’s foremost collagist” in its obituary following his death in 1988—a testament to his groundbreaking contributions to the art world. Romare Bearden's work continues to inspire and challenge audiences today, reminding us of the power of art to illuminate the human condition, celebrate cultural heritage, and advocate for a more just and equitable world. His ability to synthesize diverse influences—from African art and Byzantine mosaics to jazz music and personal memory—created a unique visual language that remains instantly recognizable and profoundly moving.

    Major Achievements & Recognitions

    1964: Appointed the first art director of the Harlem Cultural Council.

    1972: Elected to the American Academy of Arts and Letters.

    1987: Awarded the National Medal of Arts.

    Throughout his career: Received honorary doctorates from Pratt Institute, Carnegie Mellon University, Maryland Institute of Art, North Carolina Central College University, and Davidson College.

    Posthumously: Recognized as a pivotal figure in 20th-century American art, with works featured in major museum collections worldwide.

    Where to read more

    Find this online

    QR code linking to the download page for Patchwork quilt

    wikioo.org/en/art/download/romare-bearden-patchwork-quilt-A25F5Y-en/

    Cite this artwork

    MLA
    Bearden, Romare. Patchwork quilt. n.d., https://wikioo.org/en/art/romare-bearden-patchwork-quilt-A25F5Y-en/
    APA
    Bearden, Romare (n.d.). Patchwork quilt [Painting]. https://wikioo.org/en/art/romare-bearden-patchwork-quilt-A25F5Y-en/
    Chicago
    Romare Bearden. Patchwork quilt. n.d. https://wikioo.org/en/art/romare-bearden-patchwork-quilt-A25F5Y-en/
    Harvard
    Bearden, Romare (n.d.) Patchwork quilt. Available at: https://wikioo.org/en/art/romare-bearden-patchwork-quilt-A25F5Y-en/

    Look closely

    Patchwork quilt — Romare Bearden

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Pittsburgh Memory (1964), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.