Paper

Student Artwork Guide

Abstraction

Name Class Date

Stuart Davis, Abstraction (1937). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Stuart Davis wikioo.org/en/artists/stuart-davis/
Artist’s dates
1892 – 1964
Painted
1937
Original size
45 x 59 cm

In context

Abstraction — Stuart Davis

How big is it?

The original measures 45 × 59 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Painted when the artist was 45. The artist lived to 72. 14 of the 26 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Stuart Davis (1892–1964) ▲ this work, 1937 every dated painting, decade by decade

First works: up to 1924 Main working years: 1924–1942 Late works: from 1942

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Odol wikioo.org/en/art/stuart-davis-odol-8LT7WX-en/
  • Rocks, Gloucester, 1915 wikioo.org/en/art/stuart-davis-rocks-gloucester-D4QFBD-en/
  • The Mellow Pad wikioo.org/en/art/stuart-davis-the-mellow-pad-8LT7Z3-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/stuart-davis-abstraction-AS7UQP-en/

Colours

Measured from the image

    Main colour

    Putty #e0d5b2

    Catalogued palette

    • #E0D5B2
    • #894E28
    • #2C2A34
    • #A79253

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Stuart Davis over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 81.0%
    2. 2 Sweden 7.1%
    3. 3 United States of America 4.8%
    4. 4 Croatia 2.4%
    5. 5 South Korea 2.4%
    6. 6 Netherlands 2.4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Stuart Davis

    1. 1 Visa 1 6.7%
    2. 2 Garage No. 1, 1917 4.4%
    3. 3 Study for ''Blips and Ifs'' 4.4%
    4. 4 Odol 2.2%
    5. 5 The Mellow Pad 2.2%
    6. 6 Impression of the New York World's Fair (mural study, Communications Building, World's Fair, Flushing, New York), 1938 2.2%
    7. 7 Waterfront Landscape, 1936 2.2%
    8. 8 Composition, 1935 2.2%
    9. 9 Hot Still-Scape for Six Colors. Seventh Avenue Style 2.2%
    10. 10 T View, 1951 2.2%
    11. 11 The Terminal, 1937 2.2%
    12. 12 Newark, 1910 2.2%
    13. 13 Int'l Surface No. 1, 1960 2.2%
    14. 14 Ana 2.2%
    15. 15 Gloucester Terraces 2.2%
    16. 16 Flying Carpet, 1942 2.2%
    17. 17 Studio interior 2.2%
    18. 18 Textile with Liquor and Prohibition Motifs 2.2%
    19. 19 Report from Rockport 2.2%
    20. Abstraction, 1937 this painting 0.0%

    Together these works take 50.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 167 works by this artist, of which 41 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Abstraction — Stuart Davis

    Stuart Davis, a prominent American artist, created the captivating painting Abstraction in 1937. This watercolor and gouache on paper artwork measures 45 x 59 cm and is a testament to Davis' unique style, which blends geometric abstraction with vibrant colors. The painting features a colorful collage of various objects, including chairs, ladders, and clocks, creating an interesting visual experience for viewers.

    Understanding the Art Movement

    Abstractism, the art movement that Abstraction belongs to, is a visual language that uses shape, form, color, and line to create compositions independent from visual references in the world. This movement emerged in Europe during the 19th century, with artists seeking to encompass fundamental changes taking place in technology, science, and philosophy. As a professional expert in Art and https://AllPaintingsStore.com salesman, I can appreciate the significance of this artwork in the context of Abstractism Art Movement.

    Key Elements of the Painting

    The painting features at least 13 chairs, with some placed closer to the foreground while others are further back. A ladder is also visible near the center of the painting, adding depth and complexity to the composition. Two clocks are present in the artwork, one located towards the top left corner and another at the bottom right side, creating a sense of timelessness and abstraction. The use of geometric shapes and vibrant colors creates a dynamic visual experience, drawing the viewer's attention to the intricate details of the painting.

    Conclusion

    Abstraction by Stuart Davis is a masterpiece that showcases the artist's unique style and technique. As part of the Smithsonian American Art Museum collection, this painting is a testament to the significance of abstract art in the modern era. For those interested in learning more about abstract art, I recommend exploring https://AllPaintingsStore.com's collection of hand-made oil paintings reproductions, including works by Harvey Quaytman and Chapter 29: Haqaq.

    By examining the works of these artists, one can gain a deeper understanding of the abstract art movement and its significance in the world of modern art.

    Visit https://AllPaintingsStore.com to explore our collection of hand-made oil paintings reproductions.

    Learn more about Abstractism and its key elements.

    Discover the works of prominent abstract artists, including Stuart Davis and Harvey Quaytman.

    Artist and museum

    Artist

    Stuart Davis

    Born in Philadelphia, United States of America

    Stuart Davis: A Pioneer of American Modernism

    Early Life and Training

    Born on December 7, 1892, in Philadelphia, Stuart Davis was immersed in an artistic environment from a young age. His father, Edward Wyatt Davis, served as the art editor for the Philadelphia Press, while his mother, Helen Stuart Davis, was a sculptor. This familial background undoubtedly fostered his early interest in visual arts.

    Davis received formal training at the Robert Henri School of Art in New York City from 1909 to 1912 under the guidance of Robert Henri. During this period, he formed lasting friendships with fellow painters John Sloan, Glenn Coleman, and Henry Glintenkamp.

    Early Career and the Armory Show

    Davis quickly gained recognition as one of the youngest exhibitors at the pivotal Armory Show in 1913. He presented five watercolor paintings that reflected the style of the Ashcan School, marking an early step in his artistic journey.

    Artistic Development and Style

    Throughout the 1920s, Davis developed his distinctive mature style. He began creating abstract still lifes and landscapes characterized by a proto-pop art element, incorporating contemporary subject matter like cigarette packages and spark plug advertisements into his compositions.

    His work is known for its bold, brash, and colorful nature. Davis’s artistic expression was profoundly influenced by his love of jazz music, which became increasingly evident in his paintings from the 1940s and 1950s. The Ashcan School movement also played a crucial role in shaping his early aesthetic sensibilities.

    Influences and Inspirations

    Robert Henri: Provided foundational training and encouraged direct observation of life.

    Ashcan School: Influenced his initial focus on urban realism and everyday subjects.

    Cubism: Inspired his exploration of abstract forms and fragmented perspectives.

    Jazz Music: Contributed to the rhythmic energy and improvisational quality of his paintings.

    Notable Works

    Odol (Modernism), completed in 1928, stands as a prime example of Davis’s unique style. This painting exemplifies his ability to blend abstract forms with recognizable imagery from popular culture.

    Other significant works include Rocks, Gloucester (1915), The Mellow Pad, and Tropes de Teens (1956).

    Legacy and Historical Significance

    Stuart Davis’s contributions to American Modernism are undeniable. He paved the way for future generations of artists by challenging traditional artistic conventions and embracing contemporary themes.

    As a pioneer in abstract art, he helped establish a distinctly American voice within the broader context of modern art history. His work continues to inspire and influence artists today, solidifying his place as a significant figure in 20th-century art.

    Where to read more

    Find this online

    QR code linking to the download page for Abstraction

    wikioo.org/en/art/download/stuart-davis-abstraction-AS7UQP-en/

    Cite this artwork

    MLA
    Davis, Stuart. Abstraction. 1937, https://wikioo.org/en/art/stuart-davis-abstraction-AS7UQP-en/
    APA
    Davis, Stuart (1937). Abstraction [Painting]. https://wikioo.org/en/art/stuart-davis-abstraction-AS7UQP-en/
    Chicago
    Stuart Davis. Abstraction. 1937. https://wikioo.org/en/art/stuart-davis-abstraction-AS7UQP-en/
    Harvard
    Davis, Stuart (1937) Abstraction. Available at: https://wikioo.org/en/art/stuart-davis-abstraction-AS7UQP-en/

    Look closely

    Abstraction — Stuart Davis

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Odol, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Stuart Davis was about 45 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How is "Abstraction" by Stuart Davis proportioned, and how big is it?

    "Abstraction" by Stuart Davis is a panoramic composition measuring 45 x 59 cm in the original.

    What are the author and date of "Abstraction"?

    The author of "Abstraction" is Stuart Davis, and the work is dated 1937.

    What was Stuart Davis's age when "Abstraction" was created?

    When "Abstraction" was created in 1937, Stuart Davis - born in 1892 - was 45 years old.