Paper

Student Artwork Guide

Springtime

Name Class Date

Walter Elmer Schofield, Springtime (1920), Payne Gallery. Public domain.

The facts

Artist
Walter Elmer Schofield wikioo.org/en/artists/walter-elmer-schofield/
Artist’s dates
1867 – 1944
Painted
1920
Medium
Watercolor
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Period
19th Century
Held at
Payne Gallery wikioo.org/en/museums/payne-gallery-bethlehem-pennsylvania/

In context

Springtime — Walter Elmer Schofield

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Shaded: the lifetime of Walter Elmer Schofield (1867–1944) ▲ this work, 1920

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/walter-elmer-schofield-springtime-D9HJSY-en/

Colours

Measured from the image

    Main colour

    Espresso #474523

    Catalogued palette

    • #474523
    • #726F41
    • #BAB58D
    • #A69953
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Walter Elmer Schofield

    Born in Philadelphia, United States of America

    The Spirit of the Open Air

    Walter Elmer Schofield was a master of the American Impressionist movement, a painter whose soul seemed inextricably linked to the raw, unyielding vitality of the natural world. Born in Philadelphia, he possessed a rugged, outdoorsman's temperament that defined his approach to the canvas. Standing as a tall and commanding figure, Schofield did not merely observe nature from the safety of a studio; he engaged with it, often painting en plein air amidst the most biting winter winds and turbulent weather. This direct communion with the elements allowed him to capture the true essence of motion—the way wind moves through a landscape or how dark rivers surge between snowy banks.

    His artistic journey was shaped by a transatlantic existence, bridging the landscapes of the United States and Europe. After studying at the Pennsylvania Academy of the Fine Arts under Thomas Anshutz, he traveled to Paris to refine his craft at the Académie Julian. There, he absorbed the light and color of the French Impressionists, an influence that would later merge with his own robust, masculine style. His life was a rhythmic movement between the American Northeast and the coast of England, specifically St Ives in Cornwall, where he lived much of his life with his wife, Muriel. This dual heritage brought an international sweep to his work, blending the seasonal rhythms of Pennsylvania and New England with the maritime beauty of the English coast.

    A Mastery of Light and Season

    Schofield’s technical evolution is a fascinating study in the transition from soft Tonalism to a bold, vibrant Impressionism. His early works often featured a more romanticized palette, utilizing muted greens, grays, and browns to create atmospheric, quiet scenes. However, as his career matured, his brushwork grew increasingly vigorous and thick. He became renowned for his ability to use heavy, expressive strokes to convey energy, particularly in his celebrated series of winter landscapes. These works, often depicting the rural beauty of Bucks County and the Delaware River Valley, are far more than mere depictions of snow; they are visceral experiences of cold, light, and movement.

    Beyond the frozen landscapes of Pennsylvania, Schofield’s repertoire expanded to include:

    Marine Landscapes: Capturing the serene and bustling essence of harbor life, such as his nostalgic depictions of sailboats at dockside.

    Summer Vistas: Vibrant, sun-drenched scenes inspired by his time in England and France.

    American Southwest: Later in his career, he explored the vivid, warm colors of the American West.

    The significance of his contribution to American art is cemented by the presence of his works in the world's most prestigious institutions. From the National Gallery of Art and the Metropolitan Museum of Art to the Musée d'Orsay in France, Schofield’s legacy resides in collections that celebrate the power of the Impressionist vision. He remains a pivotal figure of the Pennsylvania Impressionists, remembered not just for his technical skill, but for his ability to paint the world exactly as it feels—dynamic, breathing, and eternally vital.

    Museum

    Payne Gallery

    On show in Bethlehem, Pennsylvania, United States of America

    A Beacon of Pennsylvania Impressionism: Exploring The Frank E. & Seba B. Payne Gallery

    The Frank E. & Seba B. Payne Gallery at Moravian University stands as a testament to the enduring power of art and its connection to place—specifically, the rich artistic heritage of Pennsylvania. Situated in Bethlehem, Pennsylvania, this unassuming gallery houses an extraordinary collection focused on American Art (19th & 20th Century), with a particular devotion to Pennsylvania Impressionism, a movement that captured the sublime beauty of the region’s landscapes and fostered a distinctive visual language. Founded in 1742, Moravian University itself is one of America's oldest educational institutions, creating an environment where art isn’t merely observed but actively nurtured—a fact beautifully reflected in the gallery’s mission to educate, engage, and inspire.

    Collection Highlights:

    The Payne Gallery’s core strength lies in its impressive assemblage of Pennsylvania Impressionist paintings. Artists like Reuben O. Luckenbach skillfully rendered scenes from the Lehigh Valley, mirroring the stylistic influences of Gustav Grunewald's iconic Isenheim Altarpiece—a masterful fusion of religious symbolism and naturalistic observation. Notable pieces include “Landscape with Large Tree,” showcasing Luckenbach’s meticulous attention to detail and capturing the essence of Pennsylvania’s serene countryside.

    Steve Tobin Sculptures:

    Adding a striking visual counterpoint to the gallery's paintings is Steve Tobin’s monumental sculptures, prominently displayed in the forecourt. These works—particularly “Moravian Roots I” and “Moravian Roots II”—represent a profound dialogue between art and science. Tobin utilizes steel and bronze to explore fractal patterns and organic forms, mirroring the geological formations of Pennsylvania and prompting contemplation on our relationship with the natural world.

    Rotating Exhibitions:

    Recognizing that artistic appreciation thrives on fresh perspectives, The Payne Gallery consistently presents temporary exhibitions featuring both established masters and emerging talents. These showcases ensure visitors return to discover new artists and interpretations—a dynamic element vital to maintaining engagement within the art community.

    Visiting Information:

    Admission is free at Moravian University’s Payne Gallery, located in Bethlehem, PA. Explore its website at

    https://www.moravian.edu/art/payne-gallery/

    to plan your visit and delve deeper into the gallery's educational programs.

    Architectural Context & Historical Significance

    The Payne Gallery’s building itself contributes significantly to its artistic aura. While precise architectural records are scarce, it embodies Moravian University’s commitment to fostering a vibrant campus culture—a space where art and scholarship converge. Its location within the university setting underscores the gallery's role as an incubator for creativity and intellectual curiosity.

    Community Engagement:

    Beyond its academic focus, The Payne Gallery actively cultivates connections with Bethlehem’s broader community through workshops, outreach initiatives, and collaborative projects.

    Exploring Pennsylvania Impressionism

    Pennsylvania Impressionism emerged as a distinctive regional style in the late 19th century, responding to the burgeoning influence of European Impressionism while grounding its aesthetic sensibilities in the unique character of Pennsylvania’s landscape. Artists like Grunewald skillfully blended religious iconography with naturalistic observation—a technique that continues to inspire artists today.

    Notable Artwork:

    Priscilla Payne Hurd, a benefactor who championed the gallery's vision, gifted Moravian University with “Landscape with Large Tree” by Reuben O. Luckenbach – a stunning example of Pennsylvania Impressionism’s ability to convey emotion and capture the sublime beauty of the region.

    A Legacy of Artistic Inspiration

    The Payne Gallery stands as more than just an art museum; it represents Moravian University's enduring dedication to artistic excellence and its role in shaping cultural understanding. Its free admission policy ensures that this invaluable resource remains accessible to all, fostering a spirit of discovery and enriching the lives of visitors for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Springtime

    wikioo.org/en/art/download/walter-elmer-schofield-springtime-D9HJSY-en/

    Cite this artwork

    MLA
    Schofield, Walter Elmer. Springtime. 1920, Payne Gallery. https://wikioo.org/en/art/walter-elmer-schofield-springtime-D9HJSY-en/
    APA
    Schofield, Walter Elmer (1920). Springtime [Painting]. Payne Gallery. https://wikioo.org/en/art/walter-elmer-schofield-springtime-D9HJSY-en/
    Chicago
    Walter Elmer Schofield. Springtime. 1920. Payne Gallery. https://wikioo.org/en/art/walter-elmer-schofield-springtime-D9HJSY-en/
    Harvard
    Schofield, Walter Elmer (1920) Springtime. Payne Gallery. Available at: https://wikioo.org/en/art/walter-elmer-schofield-springtime-D9HJSY-en/

    Look closely

    Springtime — Walter Elmer Schofield

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: landscape painting, stream scene artwork, forest watercolor. Do you agree? What would you add, or take away?
    4. Look back at Lily pond, godolphin, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.