Paper

Student Artwork Guide

Post Mortem

Name Class Date

william crosbie, Post Mortem (1950). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
william crosbie wikioo.org/en/artists/william-crosbie/
Artist’s dates
1915 – 1999
Painted
1950
Original size
62 x 102 cm

In context

Post Mortem — william crosbie

How big is it?

The original measures 62 × 102 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Shaded: the lifetime of william crosbie (1915–1999) ▲ this work, 1950

Compare with

  • Inlet wikioo.org/en/art/william-crosbie-inlet-AQVC4H-en/
  • Landscape, 1943 wikioo.org/en/art/william-crosbie-landscape-AQVC3B-en/
  • Hate Poem, 1943 wikioo.org/en/art/william-crosbie-hate-poem-AQVC3D-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/william-crosbie-post-mortem-AQVC39-en/

Colours

Measured from the image

    Main colour

    Espresso #5d483a

    Catalogued palette

    • #5D483A
    • #2E2720
    • #A7A7BF
    • #807363
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Post Mortem — william crosbie

    The painting Post Mortem by William Crosbie is a thought-provoking artwork that evokes feelings of introspection and contemplation. Created in 1950, this oil on canvas piece measures 62 x 102 cm and is currently housed at the National Galleries of Scotland (United Kingdom).

    Analysis of the Painting

    The painting depicts a man lying on the ground with his arms outstretched, appearing to be in a relaxed state. There are two other figures in the scene, one of which is also naked and lying down next to the main figure. The background features a bed with a blanket on it, adding depth to the composition. Additionally, there are several leaves scattered throughout the image, possibly representing nature or symbolizing growth. Key Elements of the painting include the use of natural imagery and the emotional expression of the figures. The artist's use of oil on canvas creates a sense of texture and depth, drawing the viewer into the scene.

    Similar Works by the Artist

    William Crosbie has created several other notable works, including In Memoriam and Heart Knife, which can be found on /art/list/?Filter=AQVC3M-William-Crosbie-In-Memoriam and /art/list/?Filter=AQVC3P-William-Crosbie-Heart-Knife. These paintings showcase the artist's ability to evoke emotion and create complex, thought-provoking scenes.

    Post Mortem is a powerful example of William Crosbie's skill as an artist.

    The painting's use of natural imagery and emotional expression creates a sense of depth and complexity.

    Viewers can explore more of William Crosbie's work on /en/art/show/art-aqvc39-en/.

    The National Galleries of Scotland is home to a diverse collection of artworks, including pieces by William Crosbie and other notable artists. Visitors can explore the gallery's collection and learn more about the art and artists on display.

    Artist and museum

    Artist

    william crosbie

    A Life Immersed in the Scottish Landscape

    William Crosbie, often known as Bill Crosbie, was a painter deeply rooted in the artistic traditions of Scotland, though his life unfolded across much of the 20th century. Born in 1915 and passing away in 1999, Crosbie dedicated himself to capturing the essence of his homeland – its rugged landscapes, intimate portraits, and the quiet dignity of everyday life. While not a name immediately recognized alongside the giants of British art history, Crosbie’s work represents a vital continuation of the Arts & Crafts movement's principles, blended with a uniquely personal vision. His artistic journey wasn’t one of dramatic shifts or avant-garde experimentation; instead, it was a steady refinement of technique and a deepening connection to his subject matter. He spent much of his life quietly observing and translating the world around him onto canvas, building a body of work that speaks volumes about a particular time and place in Scottish art.

    Early Influences and Artistic Development

    Crosbie’s early artistic training remains somewhat shrouded in mystery; biographical details are sparse. However, it's clear his formative years were significantly influenced by the legacy of the Glasgow School painters – artists like John Lavery and Sir William Orpen, who championed realism and a direct engagement with life as subject matter. The emphasis on capturing light and atmosphere, so characteristic of these masters, is evident in Crosbie’s early works. He wasn't merely replicating scenes; he was striving to convey the feeling of being present within them. This pursuit led him towards a meticulous technique, characterized by careful brushwork and a subtle palette that prioritized nuance over bold statements. He eschewed the increasingly abstract trends emerging in the mid-20th century, choosing instead to hone his skills as a representational painter. The Arts & Crafts movement’s ethos – valuing craftsmanship, simplicity, and a connection to nature – also played a crucial role in shaping Crosbie's aesthetic. This is reflected not only in his subject matter but also in the tangible quality of his paintings; they possess a warmth and intimacy that suggests a deep personal involvement in their creation.

    Themes and Techniques: Portraits and Scottish Scenery

    Crosbie’s oeuvre can be broadly divided into two main areas: portraits and landscapes, though these often intersected. His portraiture wasn't about capturing social status or outward appearances; it was an attempt to reveal the inner lives of his sitters. He favored ordinary people – farmers, laborers, families – portraying them with a quiet dignity that elevated their everyday existence. His landscapes, meanwhile, are imbued with a sense of melancholy and reverence for the Scottish countryside. He frequently depicted scenes from around Walthamstow, where he spent much of his life, but also ventured further afield to capture the dramatic beauty of the Highlands and Islands. Crosbie’s technique was remarkably consistent throughout his career. He typically worked in oil paints, employing a layered approach that built up texture and depth. His brushwork is often described as delicate and precise, creating surfaces that are both richly detailed and subtly atmospheric. He had an exceptional ability to capture the play of light on water, the ruggedness of stone walls, and the changing moods of the Scottish sky.

    Recognition and Legacy

    Despite a long and productive career, William Crosbie remained relatively unknown during his lifetime. He exhibited regularly in local galleries and gained a loyal following among collectors who appreciated his quiet mastery and authentic portrayal of Scottish life. In recent years, however, there has been a growing recognition of his work’s significance. The William Morris Gallery holds a collection of his paintings, providing a valuable insight into his artistic vision.

    His paintings offer a compelling glimpse into the social and cultural landscape of post-war Britain.

    Crosbie's dedication to representational painting in an era dominated by abstraction is increasingly seen as a courageous act of artistic integrity.

    The enduring appeal of his work lies in its ability to evoke a sense of place and connect viewers with the beauty and tranquility of the Scottish countryside.

    Crosbie’s legacy isn't about groundbreaking innovation; it’s about quiet perseverance, meticulous craftsmanship, and a deep love for his subject matter. He stands as a testament to the enduring power of representational painting and the importance of preserving artistic traditions. His work continues to resonate with those who seek beauty in simplicity and authenticity.

    Where to read more

    Find this online

    QR code linking to the download page for Post Mortem

    wikioo.org/en/art/download/william-crosbie-post-mortem-AQVC39-en/

    Cite this artwork

    MLA
    crosbie, william. Post Mortem. 1950, https://wikioo.org/en/art/william-crosbie-post-mortem-AQVC39-en/
    APA
    crosbie, william (1950). Post Mortem [Painting]. https://wikioo.org/en/art/william-crosbie-post-mortem-AQVC39-en/
    Chicago
    william crosbie. Post Mortem. 1950. https://wikioo.org/en/art/william-crosbie-post-mortem-AQVC39-en/
    Harvard
    crosbie, william (1950) Post Mortem. Available at: https://wikioo.org/en/art/william-crosbie-post-mortem-AQVC39-en/

    Look closely

    Post Mortem — william crosbie

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Inlet, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. william crosbie was about 35 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.