Paper

Student Artwork Guide

Redfields Learney

Name Class Date

Wilma Dunbar, Redfields Learney (1994), Nhs Lothian. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Wilma Dunbar wikioo.org/en/artists/wilma-dunbar/
Artist’s dates
1946 –
Painted
1994
Original size
30 x 36 cm
Held at
Nhs Lothian wikioo.org/en/museums/nhs-lothian-edinburgh/

In context

Redfields Learney — Wilma Dunbar

How big is it?

The original measures 30 × 36 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 48. 3 of the 4 dated works by this artist in our catalogue came earlier.

▲ this work, 1994 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/wilma-dunbar-redfields-learney-AR2CTU-en/

Colours

Measured from the image

    Main colour

    Putty #ddc4bb

    Catalogued palette

    • #DDC4BB
    • #5F4A43
    • #A75539
    • #BA9261

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Wilma Dunbar over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 United States of America 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Wilma Dunbar

    1. 1 Untitled 66.7%
    2. 2 Tuscany Hill, 1993 33.3%
    3. — Redfields Learney, 1994 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 5 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Wilma Dunbar

    Wilma Dunbar: A Southwest Soul Painted

    Wilma Dunbar, born in 1946 and still actively creating today, is a singular voice within contemporary American art—a painter deeply rooted in the landscapes and cultural narratives of the American Southwest. Her work isn’t merely representation; it's an immersive experience, a vibrant dialogue between observation, emotion, and a profound connection to the land. Dunbar’s journey began not in a formal studio, but within the bustling environment of Delaware State University’s dining hall at the tender age of fourteen – a formative period that instilled in her a keen awareness of human interaction and the rhythms of daily life.

    Her artistic education unfolded across several institutions, culminating in a degree in Psychology from Howard University followed by a Master's in Student Personnel Administration. However, it was her return to Gray’s School of Art in Aberdeen, Scotland, that truly ignited her creative fire. There, she honed her skills and developed the distinctive style that would become her hallmark: bold color palettes, dynamic compositions, and an evocative use of texture—all deeply informed by the Southwestern vistas she began to explore.

    The Southwest as Muse

    Dunbar’s artistic focus quickly settled on the American Southwest – a region she experienced firsthand during extended periods of travel. This wasn't simply a picturesque backdrop; it was a complex tapestry of Native American heritage, rugged landscapes, and a spirit of resilience. Her paintings aren’t static depictions of mesas and canyons; they pulsate with energy, capturing the heat, light, and sense of timelessness that define the region. Influences are evident in her work – from the vibrant hues of Georgia O'Keeffe to the expressive brushwork of Marsden Hartley, but Dunbar forged a unique path, imbuing her paintings with an intensely personal vision.

    She frequently depicts scenes of rural life—cattle drives, solitary figures against vast horizons, and glimpses into Native American communities. These aren’t romanticized portrayals; rather, they are honest explorations of the human condition within a challenging environment. Her use of color is particularly striking – deep reds and ochres evoke the earth itself, while brilliant blues and yellows capture the intensity of the Southwestern sky. The layering of paint creates a tactile quality, inviting the viewer to reach out and feel the texture of the landscape.

    Technique and Style

    Dunbar’s technique is characterized by an intuitive approach—a willingness to let the painting evolve organically. She often begins with loose washes of color, building up layers of paint until a sense of depth and movement emerges. Her brushwork is both expressive and precise, conveying not only the visual appearance of her subjects but also their emotional weight. She’s known for using an all-over composition style, avoiding traditional focal points and instead creating a unified field of color and form.

    Her work has been exhibited extensively throughout Scotland and in the United States, earning her numerous accolades including The Mobil Prize at Aberdeen Art Gallery and The Robert Gordon Purchase Awards. Her paintings are held in public collections across both countries, testament to their enduring appeal and artistic merit. Notably, her pieces reside within the Robert Gordon University Art & Heritage Collections, a significant recognition of her contribution to contemporary art.

    Legacy and Significance

    Wilma Dunbar’s legacy extends beyond her individual paintings; she represents a vital link between tradition and innovation in American art. Her work speaks to the enduring power of landscape, the importance of cultural heritage, and the capacity of art to capture the essence of a place and its people. She continues to paint with an unwavering commitment to her vision, ensuring that her voice—a vibrant echo of the Southwest—will resonate for generations to come.

    Her work is frequently featured in online databases such as Art UK and MutualArt, providing accessible avenues for art enthusiasts to explore her oeuvre. The Robert Gordon University Art & Heritage Collections offers a valuable resource for those seeking deeper insights into her artistic journey.

    Museum

    Nhs Lothian

    On show in Edinburgh, United Kingdom

    A Legacy of Care and Heritage in the Heart of Edinburgh

    Nestled within the historic fabric of Scotland’s capital,

    Nhs Lothian

    stands not merely as a pillar of modern healthcare but as a profound custodian of the city's enduring spirit. To wander through the spaces associated with this legacy is to experience a unique intersection where the rigorous demands of science meet the storied atmosphere of the United Kingdom’s historic landscapes. The institution’s presence is deeply intertwined with the architectural and social evolution of Edinburgh, offering a narrative that transcends simple utility to become a cornerstone of community identity. It is a place where the pulse of the present beats in rhythm with the echoes of the past, creating an environment where medical excellence and historical continuity coexist.

    The Architecture of Resilience and Innovation

    The essence of this institution lies in its ability to blend the functional with the monumental. The architecture surrounding its various sites reflects the layered history of Edinburgh itself, ranging from the sturdy, pragmatic structures of the industrial era to more contemporary designs that prioritize light, openness, and human connection. For those who appreciate the aesthetic appeal of heritage integrated with innovation, there is a quiet beauty found in the way these spaces have been adapted over decades to meet the changing needs of a growing population. The halls carry an atmosphere of resilience, much like the grand galleries of the city’s most famous landmarks, where every corridor tells a story of service, progress, and the relentless pursuit of human well-being.

    A Tapestry of Service and Community

    What truly distinguishes this collection of sites is the intangible art of care that permeates every corner. Beyond its clinical functions, Nhs Lothian serves as a vital network across the region, providing essential services through:

    Extensive Hospital Networks:

    Including four major teaching hospitals and various specialized units such as the Royal Infirmary of Edinburgh and St. John's Hospital.

    Community Integration:

    A vast reach encompassing GP practices, community pharmacies, and dental and ophthalmic practices throughout Edinburgh, East Lothian, Midlothian, and West Lothian.

    Commemorative Presence:

    The use of landscapes and installations to celebrate the triumphs of medical history and the evolution of healthcare within the Lothian region.

    For the historian and the observer alike, the institution offers a poignant reminder that progress is never isolated; it is built upon the foundations of those who came before. It remains a profound thread of human compassion woven through both the clinical and the monumental.

    Where to read more

    • The artist Wilma Dunbar wikioo.org/en/artists/wilma-dunbar/
    • The museum Nhs Lothian wikioo.org/en/museums/nhs-lothian-edinburgh/
    • Similar works More works to compare wikioo.org/en/art/similar/wilma-dunbar-redfields-learney-AR2CTU-en/

    Find this online

    QR code linking to the download page for Redfields Learney

    wikioo.org/en/art/download/wilma-dunbar-redfields-learney-AR2CTU-en/

    Cite this artwork

    MLA
    Dunbar, Wilma. Redfields Learney. 1994, Nhs Lothian. https://wikioo.org/en/art/wilma-dunbar-redfields-learney-AR2CTU-en/
    APA
    Dunbar, Wilma (1994). Redfields Learney [Painting]. Nhs Lothian. https://wikioo.org/en/art/wilma-dunbar-redfields-learney-AR2CTU-en/
    Chicago
    Wilma Dunbar. Redfields Learney. 1994. Nhs Lothian. https://wikioo.org/en/art/wilma-dunbar-redfields-learney-AR2CTU-en/
    Harvard
    Dunbar, Wilma (1994) Redfields Learney. Nhs Lothian. Available at: https://wikioo.org/en/art/wilma-dunbar-redfields-learney-AR2CTU-en/

    Look closely

    Redfields Learney — Wilma Dunbar

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Crowfields, Dunning (1993), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Wilma Dunbar was about 48 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color intensity does "Redfields Learney" by Wilma Dunbar have?

    "Redfields Learney" by Wilma Dunbar shows a vivid color intensity.

    How is the palette of "Redfields Learney" by Wilma Dunbar described?

    The palette of "Redfields Learney" by Wilma Dunbar is described as earthy. It is a compact description of the work's colors.

    Can I see an X-ray view of "Redfields Learney" by Wilma Dunbar?

    The X-Ray view of "Redfields Learney" by Wilma Dunbar is on the artwork's X-Ray page: an interactive examination of the image through eleven optical layers.