Paper

Student Artwork Guide

Composition

Name Class Date

yi eungro, Composition (1981), Lee Ungno Museum. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
yi eungro wikioo.org/en/artists/yi-eungro/
Artist’s dates
1904 – 1989
Painted
1981
Original size
33 x 3 cm
Held at
Lee Ungno Museum wikioo.org/en/museums/lee-ungno-museum-daegu/

In context

Composition — yi eungro

How big is it?

The original measures 33 × 3 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Shaded: the lifetime of yi eungro (1904–1989) ▲ this work, 1981

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/yi-eungro-composition-D6GERH-en/

Colours

Measured from the image

    Main colour

    Espresso #371a16

    Catalogued palette

    • #371A16
    • #D8D1C9
    • #B2A79C
    • #673324
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    yi eungro

    Born in Seoul, South Korea

    **early life and training**

    lee ungno, also known as yi eungro, was a korean-born french painter and printmaker born in séoul, south korea in 1904. his early life was marked by a brief stint at the hongseong botong hakyo (홍성보통학교, 홍城초등학교, 洪城普通學校), after which he dedicated himself to studying painting under yeomjae song tae-hoe from 1920.

    **artistic career in korea and japan**

    lee ungno's artistic career began in earnest when he moved to seoul in 1922, becoming an apprentice to celebrated calligrapher-painter-photographer haegang kim gyu-jin. he primarily learned to paint the four gentlemen in the 'haegang style.' notably, his inkwash painting of a bamboo, mukjuk (묵죽, 墨竹, ink bamboo), won a prize in the 3rd annual joseon art exhibition. lee ungno consecutively won prizes in the joseon art exhibition throughout the colonial period. however, he believed that eastern ink painters should modernize their style. in the early 1930s, lee began producing inkwash landscapes influenced by new, modern eastern ink painting styles and naturalistic renditions found in western-style paintings.

    **international recognition and later life**

    after training in traditional inkwash painting in korea from the 1920s to the 1930s, lee gradually experimented with western-style painting techniques in japan. his works from the 1950s showcase creative attempts at merging eastern medium and brushstrokes with western perspective and forms. lee ungno relocated to france in 1958, where he fully established his standing as an abstract artist. he is most known for his series of ink and paper collage, abstract letters, and crowd paintings that developed during his stay in france.

    view yi eungro's artworks on AllPaintingsStore: [https://AllPaintingsStore.com/@/yi-eungro](https://AllPaintingsStore.com/@/yi-eungro)

    explore the musée national jean-jacques henner, a museum featuring a vast collection of art pieces, including those inspired by eastern styles: [https://AllPaintingsStore.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia](https://AllPaintingsStore.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia)

    discover more about the ilkhanid art movement, which also blends eastern and western influences: /en/art/show/art-d3cq2m-en/

    *legacy* lee ungno is credited for forming part of the first generation of korean abstract artists and contributing to the diversification in the use of eastern material in modern and contemporary art. the lee ungno museum, opened in 2007 in daejeon, south korea, preserves, displays, and promotes artworks and materials related to the artist. *sources: [https://AllPaintingsStore.com/@/yi-eungro](https://AllPaintingsStore.com/@/yi-eungro) * [https://en.wikipedia.org/wiki/yi_eungro](https://en.wikipedia.org/wiki/yi_eungro)

    Museum

    Lee Ungno Museum

    On show in Daegu, South Korea

    A Symphony of Ink and Modernity: The Legacy of Lee Ungno

    In the heart of Daejeon’s cultural landscape, the

    Lee Ungno Museum

    stands as a profound testament to the transformative power of artistic vision. Established in 2007, this institution was born from a deep-seated desire to honor the extraordinary life and creative spirit of Yi Eungro—known globally as Lee Ungno (1904-1989). To step into this museum is to enter a space where the ancient traditions of Korean calligraphy meet the electric energy of European abstract expressionism. The collection serves as a bridge between eras, offering a rare glimpse into the soul of a man who successfully synthesized the meditative weight of Eastern ink wash painting with the bold, experimental frontiers of Western modernism.

    The museum’s collection is a captivating journey through a lifetime of stylistic evolution and personal resilience. Visitors are often first drawn to the

    Abstract Letter Series

    , perhaps Ungno’s most iconic contribution to the art world. In these works, the artist masterfully manipulates calligraphic forms, stripping them of literal meaning to reveal a rhythmic, dynamic interplay of line and space that resonates with contemporary sensibilities. Beyond the abstract, the museum holds deeply moving

    Prison Paintings

    , created during periods of incarceration. These pieces transcend mere historical documentation; they are visceral expressions of human endurance, where the themes of confinement and liberation are etched into every brushstroke, proving that even in the darkest moments, art can serve as a vessel for unwavering conviction.

    For those who appreciate the tactile and the experimental, the museum’s exploration of

    Collage Works

    offers a window into Ungno’s transformative years in Paris during the 1960s. Here, his willingness to challenge convention is on full display as he embraced mixed media to redefine the boundaries of Korean modernism. This spirit of innovation is further reflected in his early modernist works, which lay the foundational stones for Korea's emergence onto the international stage. Each piece in the museum acts as a vital thread in a larger tapestry, illustrating how Ungno’s formative years and his later Parisian sojourns converged to create a singular, inimitable aesthetic that continues to inspire collectors and designers alike.

    The architectural experience of the Lee Ungno Museum is as much a part of the art as the paintings themselves. Designed by the renowned French architect

    Laurent Beaudouin

    in close collaboration with the artist himself, the building is a masterpiece of structural harmony. It embodies the very philosophy of Ungno’s work: the seamless integration of disparate cultural traditions. The museum's fluid lines and expansive windows create an atmosphere of openness and tranquility, allowing natural light to dance across the textured surfaces of the canvases. This architectural synergy ensures that the space does not merely house art but actively participates in its dialogue, making it a sanctuary for contemplation.

    What truly distinguishes the Lee Ungno Museum is its commitment to presenting a comprehensive narrative of an artist's entire trajectory. It is not simply a repository of finished masterpieces but a living archive of experimentation and cultural exchange. Through immersive exhibitions and educational initiatives that delve into the nuances of Korean art history, the museum fosters a deep intellectual curiosity. For the art lover, it offers a profound connection to the roots of modernism; for the interior designer, it provides a source of timeless inspiration drawn from the balance of grace and energy; and for the scholar, it remains a beacon of excellence in the preservation of a global artistic legacy.

    Where to read more

    Find this online

    QR code linking to the download page for Composition

    wikioo.org/en/art/download/yi-eungro-composition-D6GERH-en/

    Cite this artwork

    MLA
    eungro, yi. Composition. 1981, Lee Ungno Museum. https://wikioo.org/en/art/yi-eungro-composition-D6GERH-en/
    APA
    eungro, yi (1981). Composition [Painting]. Lee Ungno Museum. https://wikioo.org/en/art/yi-eungro-composition-D6GERH-en/
    Chicago
    yi eungro. Composition. 1981. Lee Ungno Museum. https://wikioo.org/en/art/yi-eungro-composition-D6GERH-en/
    Harvard
    eungro, yi (1981) Composition. Lee Ungno Museum. Available at: https://wikioo.org/en/art/yi-eungro-composition-D6GERH-en/

    Look closely

    Composition — yi eungro

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The travels of Marco Polo Series (1980), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. yi eungro was about 77 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.