Paper

Student Artwork Guide

Composition

Name Class Date

Yi Eungro, Composition (1964), Lee Ungno Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Yi Eungro wikioo.org/en/artists/yi-eungro/
Artist’s dates
1904 – 1989
Painted
1964
Medium
Oil
Original size
146 x 116 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
Modern
Held at
Lee Ungno Museum wikioo.org/en/museums/lee-ungno-museum-daegu/
Artistic style
Abstract landscape
Notable elements or techniques
Impasto, vertical brushstrokes
Subject or theme
Abstracted forest landscape

In context

Composition — Yi Eungro

How big is it?

The original measures 146 × 116 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 85 at death.

Painted when the artist was 60. The artist lived to 85. 4 of the 97 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Yi Eungro (1904–1989) ▲ this work, 1964 every dated painting, decade by decade

First works: up to 1974 Main working years: 1974–1980 Late works: from 1980

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wikioo.org/en/art/similar/yi-eungro-composition-D6GESG-en/

Colours

Measured from the image

    Main colour

    Walnut #8e5932

    Catalogued palette

    • #8E5932
    • #56342B
    • #AC7C37
    • #B4A152

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Yi Eungro over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 92.9%
    2. 2 Ukraine 7.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Yi Eungro

    1. 1 The travels of Marco Polo Series, 1980 7.1%
    2. 2 Composition, 1976 7.1%
    3. 3 The travels of Marco Polo Series, 1980 3.6%
    4. 4 The travels of Marco Polo Series, 1980 3.6%
    5. 5 Composition, 1977 3.6%
    6. 6 The travels of Marco Polo Series, 1980 3.6%
    7. 7 Hyangwonjeong, 1982 3.6%
    8. 8 People, 1985 3.6%
    9. 9 The travels of Marco Polo Series, 1980 3.6%
    10. 10 The travels of Marco Polo Series, 1980 3.6%
    11. 11 Composition, 1973 3.6%
    12. 12 Composition, 1968 3.6%
    13. 13 Face, 1964 3.6%
    14. 14 Composition, 1964 3.6%
    15. 15 I Ching 64 Hexagrams Sequence(重天乾), 1974 3.6%
    16. 16 Composition, 1974 3.6%
    17. 17 Composition, 1970 3.6%
    18. 18 I Ching 64 Hexagrams Sequence(地山謙), 1974 3.6%
    19. 19 I Ching 64 Hexagrams Sequence(風雷益), 1974 3.6%
    20. Composition, 1964 this painting 0.0%

    Together these works take 75.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 99 works by this artist, of which 26 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Composition — Yi Eungro

    A Symphony of Earth and Light

    In the evocative realm of mid-century abstraction, few works capture the primal essence of nature as tangibly as Yi Eungro’s Composition. Created in 1964, this masterpiece serves as a breathtaking window into a textured, primordial landscape where the boundaries between the physical world and emotional expression dissolve. At first glance, the viewer is enveloped by a dense, rhythmic grove of vertical forms that suggest a forest caught in a moment of eternal transition. The painting does not merely represent a scene; it breathes with a life force derived from its deep, warm earth tones and a masterful use of atmospheric perspective. As the eye travels from the shadowy, grounded depths of the base toward the lighter, more ethereal heights, one experiences a profound sense of ascent, as if witnessing the first light of dawn breaking through a thick canopy.

    The technical brilliance of this work lies in its extraordinary impasto technique. The oil paint is applied with such sculptural generosity that the canvas becomes a three-dimensional topography. Each vertical brushstroke acts as a structural element, building up layers of pigment that catch the light and cast soft, subtle shadows across the surface. This tactile quality invites the viewer to reach out and touch the movement within the piece, feeling the energy of the artist's hand. The interplay of light and shadow is not merely a visual trick but a fundamental component of the composition, creating a diffuse, glowing atmosphere that softens the edges of the organic shapes and lends the entire work an air of mystery and quiet awe.

    The Intersection of Tradition and Modernity

    To understand the profound impact of Composition, one must consider the artistic journey of Yi Eungro. A pivotal figure in Korean modern art, Yi was a master who bridged the gap between the delicate traditions of Eastern ink wash painting and the bold, expressive vigor of Western abstraction. While his early training focused on the disciplined "four gentlemen" style of calligraphy, his later works, like this 1964 composition, demonstrate a radical evolution. He moved away from literal representation toward an expressionistic language that prioritizes emotional resonance over anatomical accuracy. In this piece, the influence of his Korean heritage is felt in the rhythmic, calligraphic energy of the vertical strokes, while the heavy, textured oil application speaks to a global, modernist dialogue.

    For the discerning collector or interior designer, this artwork offers more than just aesthetic beauty; it provides a focal point of immense psychological depth. The warm, saturated palette of ochre, sienna, and deep umber creates an atmosphere of warmth and stability, making it an ideal centerpiece for spaces designed for contemplation or sophisticated gathering. Because the work lacks a singular, distracting focal point, it possesses a unique ability to integrate seamlessly into diverse environments—from contemporary minimalist galleries to richly textured, classical studies. It is a piece that does not demand attention through noise, but rather commands it through a silent, powerful presence, offering an enduring sense of energy, mystery, and the timeless beauty of the natural world.

    Artist and museum

    Artist

    Yi Eungro

    Born in Seoul, South Korea

    **early life and training**

    lee ungno, also known as yi eungro, was a korean-born french painter and printmaker born in séoul, south korea in 1904. his early life was marked by a brief stint at the hongseong botong hakyo (홍성보통학교, 홍城초등학교, 洪城普通學校), after which he dedicated himself to studying painting under yeomjae song tae-hoe from 1920.

    **artistic career in korea and japan**

    lee ungno's artistic career began in earnest when he moved to seoul in 1922, becoming an apprentice to celebrated calligrapher-painter-photographer haegang kim gyu-jin. he primarily learned to paint the four gentlemen in the 'haegang style.' notably, his inkwash painting of a bamboo, mukjuk (묵죽, 墨竹, ink bamboo), won a prize in the 3rd annual joseon art exhibition. lee ungno consecutively won prizes in the joseon art exhibition throughout the colonial period. however, he believed that eastern ink painters should modernize their style. in the early 1930s, lee began producing inkwash landscapes influenced by new, modern eastern ink painting styles and naturalistic renditions found in western-style paintings.

    **international recognition and later life**

    after training in traditional inkwash painting in korea from the 1920s to the 1930s, lee gradually experimented with western-style painting techniques in japan. his works from the 1950s showcase creative attempts at merging eastern medium and brushstrokes with western perspective and forms. lee ungno relocated to france in 1958, where he fully established his standing as an abstract artist. he is most known for his series of ink and paper collage, abstract letters, and crowd paintings that developed during his stay in france.

    view yi eungro's artworks on AllPaintingsStore: [https://AllPaintingsStore.com/@/yi-eungro](https://AllPaintingsStore.com/@/yi-eungro)

    explore the musée national jean-jacques henner, a museum featuring a vast collection of art pieces, including those inspired by eastern styles: [https://AllPaintingsStore.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia](https://AllPaintingsStore.com/@@/a@d3cew9-il-museo-musee-national-jean-jacques-henner-di-parigi-francia)

    discover more about the ilkhanid art movement, which also blends eastern and western influences: /en/art/show/art-d3cq2m-en/

    *legacy* lee ungno is credited for forming part of the first generation of korean abstract artists and contributing to the diversification in the use of eastern material in modern and contemporary art. the lee ungno museum, opened in 2007 in daejeon, south korea, preserves, displays, and promotes artworks and materials related to the artist. *sources: [https://AllPaintingsStore.com/@/yi-eungro](https://AllPaintingsStore.com/@/yi-eungro) * [https://en.wikipedia.org/wiki/yi_eungro](https://en.wikipedia.org/wiki/yi_eungro)

    Museum

    Lee Ungno Museum

    On show in Daegu, South Korea

    A Symphony of Ink and Modernity: The Legacy of Lee Ungno

    In the heart of Daejeon’s cultural landscape, the

    Lee Ungno Museum

    stands as a profound testament to the transformative power of artistic vision. This institution serves as a bridge between eras, offering a rare glimpse into the soul of a man who successfully synthesized the meditative weight of Eastern ink wash painting with the bold, experimental frontiers of Western modernism. To step into this museum is to enter a space where the ancient traditions of Korean calligraphy meet the electric energy of European abstract expressionism, creating a dialogue that resonates across generations.

    The collection is a captivating journey through a lifetime of stylistic evolution and personal resilience. Visitors are often first drawn to the

    Abstract Letter Series

    , perhaps Ungno’s most iconic contribution to the art world. In these works, the artist masterfully manipulates calligraphic forms, stripping them of literal meaning to reveal a rhythmic, dynamic interplay of line and space. Beyond the abstract, the museum holds deeply moving

    Prison Paintings

    , created during periods of incarceration. These pieces transcend mere historical documentation; they are visceral expressions of human endurance, where the themes of confinement and liberation are etched into every brushstroke, proving that even in the darkest moments, art can serve as a vessel for unwavering conviction.

    Architectural Harmony and Artistic Innovation

    The architectural experience of the Lee Ungno Museum is as much a part of the art as the paintings themselves. Designed by the renowned French architect

    Laurent Beaudouin

    in close collaboration with the artist himself, the building is a masterpiece of structural harmony. It embodies the very philosophy of Ungno’s work: the seamless integration of disparate cultural traditions. The museum's fluid lines and expansive windows create an atmosphere of openness and tranquility, allowing natural light to dance across the textured surfaces of the canvases.

    For those who appreciate the tactile and the experimental, the museum’s exploration of

    Collage Works

    offers a window into Ungno’s transformative years in Paris during the 1960s. Here, his willingness to challenge convention is on full display as he embraced mixed media to redefine the boundaries of Korean modernism. This spirit of innovation is further reflected in his early modernist works, which lay the foundational stones for Korea's emergence onto the international stage. Each piece in the museum acts as a vital thread in a larger tapestry, illustrating how formative years and later Parisian sojourns converged to create a singular, inimitable aesthetic.

    What truly distinguishes the Lee Ungno Museum is its commitment to presenting a comprehensive narrative of an artist's entire trajectory. It is not simply a repository of finished masterpieces but a living archive of experimentation and cultural exchange. Through immersive exhibitions and educational initiatives that delve into the nuances of Korean art history, the museum fosters a deep intellectual curiosity. For the art lover, it offers a profound connection to the roots of modernism; for the interior designer, it provides a source of timeless inspiration drawn from the balance of grace and energy; and for the scholar, it remains a beacon of excellence in the preservation of a global artistic legacy.

    Where to read more

    Find this online

    QR code linking to the download page for Composition

    wikioo.org/en/art/download/yi-eungro-composition-D6GESG-en/

    Cite this artwork

    MLA
    Eungro, Yi. Composition. 1964, Lee Ungno Museum. https://wikioo.org/en/art/yi-eungro-composition-D6GESG-en/
    APA
    Eungro, Yi (1964). Composition [Painting]. Lee Ungno Museum. https://wikioo.org/en/art/yi-eungro-composition-D6GESG-en/
    Chicago
    Yi Eungro. Composition. 1964. Lee Ungno Museum. https://wikioo.org/en/art/yi-eungro-composition-D6GESG-en/
    Harvard
    Eungro, Yi (1964) Composition. Lee Ungno Museum. Available at: https://wikioo.org/en/art/yi-eungro-composition-D6GESG-en/

    Look closely

    Composition — Yi Eungro

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract landscape, forest scene, warm tones. Do you agree? What would you add, or take away?
    4. Look back at The travels of Marco Polo Series (1980), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the recommended use of a print of "Composition"?

    The suggested use for "Composition" by Yi Eungro is focal. It can serve other purposes as well.

    What is the creation date of "Composition" by Yi Eungro?

    "Composition" by Yi Eungro was created in 1964.

    What placement suits the format of "Composition" by Yi Eungro?

    The portrait format of "Composition" by Yi Eungro is recommended for a living room. Format and space together guide the placement of a reproduction.

    What does "Composition" by Yi Eungro depict, and in what mood?

    "Composition" shows abstract landscape, forest scene, warm tones, impasto texture, vertical brushstrokes, earthy palette, korean art, and its recorded mood is earthy.

    From which era does "Composition" date?

    The historical period of "Composition" by Yi Eungro is Modern. This classification situates the work in art history.

    Who created "Composition" and what style is it in?

    Yi Eungro created "Composition" within the Expressionism movement.

    Is "Composition" by Yi Eungro a portrait, landscape or square composition?

    The format of "Composition" is portrait. This is useful when planning where a reproduction will be placed.

    Who is the artist behind "Composition"?

    The artist behind "Composition" is Yi Eungro. The work is catalogued under Yi Eungro's name.