Summary
Portrait of Carrier-Belleuse (1877) is recorded as the most famous painting of Fernand Cormon; it is held by the Petit Palais, Paris. Sketch for the Ceiling of the Wedding Hall of the Mairie of the 4ème: The Marriage (1878) and Murder in the Serail (1874) occupy the second and third entries. Of the 43 works by Fernand Cormon recorded in the catalogue, the 43 best known are listed below, each entry with its date, the holding museum and a note on the work.
Entries 1 to 10: the most famous Fernand Cormon paintings
Fernand Cormon, further entries: 11 to 43
Principal subjects in the work of Fernand Cormon
The four subjects most frequently represented among these works, each with its best-known example.
French history 2 works
Fernand Cormon: holding museums
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Fernand Cormon | Paintings from this list |
|---|---|---|---|
| Paris | 18 | Portrait of Carrier-Belleuse, Sketch for the Ceiling of the Wedding Hall of the Mairie of the 4ème: The Marriage, Sketch for the Hôtel de Ville de Paris: History of Writing, Modern Times | |
| Paris | 3 | Émile Loubet, NU, Cain | |
| Carcassonne | 2 | Return from a Bear Hunt, Beaux-Arts de Carcassone - Portrait de Madame Cormon - Fernand Cormon | |
| Albi | 2 | Portrait of Mademoiselle Rochefort de Woogt, Woman on a beach | |
| Bésonçon | 1 | Murder in the Serail | |
| Paris | 1 | The Satyr | |
| Narbonne | 1 | The Harem | |
| Quimper | 1 | Avant la pêche |
Decade index: the principal Fernand Cormon painting of each
Works per decade
Select a decade to display its principal painting.
Sketch for the Hôtel de Ville de Paris: History of Writing, Modern Times
Questions frequently consulted on Fernand Cormon's paintings
What is the best-known work of Fernand Cormon?Display the answer
Portrait of Carrier-Belleuse (1877), Petit Palais, Paris. The following entries are Sketch for the Ceiling of the Wedding Hall of the Mairie of the 4ème: The Marriage (1878) and Murder in the Serail (1874).
How old was Fernand Cormon in the year of Portrait of Carrier-Belleuse?Display the answer
32 years: Fernand Cormon was born in 1845 and Portrait of Carrier-Belleuse is dated 1877.
What are the ten best-known works by Fernand Cormon?Display the answer
Portrait of Carrier-Belleuse, Sketch for the Ceiling of the Wedding Hall of the Mairie of the 4ème: The Marriage, Murder in the Serail, Return from a Bear Hunt, The Satyr, Sketch for the Hôtel de Ville de Paris: History of Writing, Modern Times, Sketch for the Hôtel de Ville de Paris: History of Writing - Ancient Times, Beaux-Arts de Carcassone - Portrait de Madame Cormon - Fernand Cormon, Bronze and Iron, Sketch for the Paleontology Amphitheater of the Museum d'histoire naturelle de Paris and Sketch for the ceiling of the amphitheater of paleontology of the Museum d'histoire naturelle de Paris: The Human Races (Ceiling). The list above records the date and holding museum of each.
How many works by Fernand Cormon does the catalogue record?Display the answer
The catalogue records 43 works by Fernand Cormon, dated between 1874 and 1919.
Where are the principal works of Fernand Cormon held?Display the answer
Principally in Petit Palais (Paris), Musée d'Orsay (Paris) and Musée des Beaux-Arts (Carcassonne). The museum table above gives the full distribution.
During which period did Fernand Cormon produce the best-known works?Display the answer
In 1890s: 12 of the 43 works listed on this page are dated to that period, including Sketch for the Hôtel de Ville de Paris: History of Writing, Modern Times.
What are the earliest and latest best-known works by Fernand Cormon?Display the answer
The earliest dated work listed here is Murder in the Serail (1874); the latest is Sketch for the Mairie de Bois-Colombes: The Five Continents (1919).
Which paintings by Fernand Cormon does the Petit Palais hold?Display the answer
Portrait of Carrier-Belleuse, Sketch for the Ceiling of the Wedding Hall of the Mairie of the 4ème: The Marriage and Sketch for the Hôtel de Ville de Paris: History of Writing, Modern Times are among the 18 works on this page in the collection of the Petit Palais, Paris.
Biography of Fernand Cormon
Fernand Cormon: A Painter of Myth, History, and the Human Spirit
Fernand Cormon (1845-1924) wasn’t merely a painter; he was a chronicler of humanity's journey through time, a master of dramatic storytelling rendered in rich color and evocative detail. Born into an artistic milieu – his father, Eugène Cormon, was a celebrated playwright, and his mother, Charlotte Furais, a renowned actress – Fernand inherited a deep appreciation for performance and narrative. This theatrical sensibility profoundly shaped his approach to art, imbuing his historical scenes with a palpable sense of drama and immediacy. His early training at the studios of Alexandre Cabanel, Eugène Fromentin, and Jean-François Portaels provided him with a solid foundation in academic technique, but it was Cormon’s own distinctive vision that ultimately defined his legacy.
Cormon's artistic trajectory began with a fascination for the sensational. Early works like “Murder in the Seraglio” (1868) and “The Death of Ravana” (1875), depicting scenes of violence and bloodshed, garnered attention – some critical acclaim, but also controversy for their graphic realism. These pieces established his reputation as an artist unafraid to confront difficult subjects, a characteristic that would continue to inform his work throughout his career. However, Cormon’s artistic interests soon broadened beyond mere spectacle. He demonstrated a keen interest in mythology and the grand narratives of history, seeking to capture not just events but also the emotions and human dramas inherent within them.
The Salon Years and Artistic Development
Cormon's rise to prominence was inextricably linked to the prestigious Paris Salon, the dominant art exhibition of its time. He consistently exhibited at the Salon from 1863 onwards, gaining recognition for his powerful compositions and masterful brushwork. The Salon’s emphasis on historical painting provided Cormon with a vital platform to showcase his abilities and establish himself as one of France's leading historical artists. His early successes – medals in 1870 and 1873 – solidified his position within the artistic establishment.
A pivotal moment in Cormon’s career arrived with the commission for “Cain Fleeing Before Jehovah’s Curse” (1880), a monumental work that cemented his reputation for dramatic intensity. This painting, depicting the biblical story of Cain and Abel, demonstrated Cormon's ability to convey profound emotion through gesture, color, and composition. The sheer scale and emotional power of “Cain” established him as a major force in French art. He continued to explore themes of mythology and history, producing iconic works such as "A Forge" (1894) and "Anticipation," each imbued with his characteristic dramatic flair.
Beyond the Salon: Portraits and Institutional Commissions
While Cormon remained a committed participant in the Salon system, he also expanded his artistic practice beyond traditional historical painting. He became increasingly sought after as a portraitist, capturing the likenesses of prominent figures from Parisian society. His portraits were notable for their psychological depth and ability to reveal the inner lives of his subjects. He was particularly known for his evocative depictions of women.
A significant commission during this period came from the Musée de l'Homme (now part of the Natural History Museum), where he created a series of panels illustrating key stages of human development – birth, death, marriage, war, and peace. These grisaille murals, executed with remarkable skill and detail, offered a visual narrative of humanity’s journey through time and demonstrated Cormon’s versatility as an artist. His work on the museum's prehistoric collections, particularly his depictions of Stone Age life, showcased his commitment to exploring themes of human origins and evolution.
Legacy and Influence
Fernand Cormon’s career spanned several decades, witnessing significant shifts in the art world. Despite experiencing a period of relative obscurity after World War I, he remained a respected figure within the artistic community. His influence can be seen in the work of numerous artists who studied at his atelier, including Henri de Toulouse-Lautrec, Louis Anquetin, and Vincent van Gogh (who visited Cormon’s studio in 1888). Cormon's emphasis on dramatic storytelling, expressive brushwork, and a deep engagement with historical and mythological themes left an enduring mark on French painting.
His untimely death in 1924 – struck down by a taxi outside his studio – cut short a remarkable career. Today, Cormon’s paintings are housed in major museums across France and beyond, testament to the lasting power of his artistic vision. He remains a compelling figure in French art history, celebrated for his ability to capture the drama, emotion, and enduring spirit of humanity.






