Andrew
Plimer
Andrew Plimer: The Miniature Master of Victorian London The world of 18th and 19th-century portraiture was dominated by grand canvases depicting the wealthy and powerful, yet within this landscape flourished a quieter, more intimate art form – the miniature. Andrew Plimer (1763-1837) stands as one …
A portrait built from Andrew Plimer's own colours
Every 12 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.