Portrait of Dmitry Levitzky

Dmitry Levitzky: Catalogue of the 60 Most Famous Paintings

Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 60 works by Dmitry Levitzky in our catalogue

Summary

Portrait of Catherine II of Russia in red dress. (1782) is recorded as the most famous painting of Dmitry Levitzky; it is held by the National Museum in Warsaw, Warsaw. Portrait of Catherine II the Legislatress in the Temple Devoted to the Godess of Justice (1780) and Portrait of Countess Ursula Mniszek (1782) occupy the second and third entries. Of the 60 works by Dmitry Levitzky recorded in the catalogue, the 60 best known are listed below, each entry with its date, the holding museum and a note on the work.

1735 – 1822, Kyiv Rococo Most works: Tretyakov Gallery

Entries 1 to 10: the most famous Dmitry Levitzky paintings

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Portrait of Catherine II the Legislatress in the Temple  Devoted to the Godess of Justice (1780) by Dmitry Levitzky

Portrait of Catherine II the Legislatress in the Temple Devoted to the Godess of Justice

1780 · Oil · Tretyakov Gallery, Moscow

The work is the Portrait of Catherine II the Legislatress in the Temple Devoted to the Godess of Justice by the artist Dmitry Grigoryevich Levitsky. Created about 1780, this oil portrait presents the subject, Catherine II, within a specific architectural and symbolic framework. The composition places the Empress inside a temple dedicated to the goddess of Justice, a setting that defines the allegorical nature of the image.

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Portrait of Countess Ursula Mniszek (1782) by Dmitry Levitzky

Portrait of Countess Ursula Mniszek

1782 · Oil On Canvas · Tretyakov Gallery, Moscow

An elegant oval-format bust-length portrait, this work captures Countess Ursula Mniszek in a moment of poised serenity. The composition focuses on the subject's face and upper torso, set against a dark, indeterminate background that creates a strong chiaroscuro effect. Light enters from the upper left, illuminating her features and the shimmering textures of her attire. Her powdered hair is styled in voluminous curls, framing a face rendered with smooth skin…

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Portrait of A.I. Novikova (? ) (1794) by Dmitry Levitzky

Portrait of A.I. Novikova (? )

1794 · Oil On Canvas · Hermitage Museum, Saint Petersburg

The Subject and Composition Portrait of A.I. Novikova (? ) presents a middle-aged man in a three-quarter view, positioned slightly off-center against a dark, atmospheric background. The figure is depicted from the waist up, wearing a deep forest green coat accented by a vermilion red collar and a white cravat. His hair is light-colored and appears powdered, a common stylistic choice for the period. The subject's expression remains calm and…

Dmitry Levitzky, further entries: 11 to 60

11Portrait of Maria Dyakova (1778) by Dmitry LevitzkyPortrait of Maria Dyakova1778 · Tretyakov Gallery 12Portrait of E. N. Khruschova and Princess E. N. Khovanskaya by Dmitry LevitzkyPortrait of E. N. Khruschova and Princess E. N. KhovanskayaThe State Russian Museum 13Portrait of Mikhail Krechetnikov (1770) by Dmitry LevitzkyPortrait of Mikhail Krechetnikov1770 · Hermitage Museum 14Portrait of the Princesses Davidova and Rzevskaja (1771) by Dmitry LevitzkyPortrait of the Princesses Davidova and Rzevskaja1771 · The State Russian Museum 15Portrait of Catherine II (1782) by Dmitry LevitzkyPortrait of Catherine II1782 16Irina Vasilyeva (count) by Dmitry LevitzkyIrina Vasilyeva (count)Fine Arts Museum Kharkiv 17Portrait of Gubareva by Dmitry LevitzkyPortrait of Gubareva 18Portrait of Y. I. Bilibin by Dmitry LevitzkyPortrait of Y. I. BilibinHermitage Museum 19Portrait of A.-D.-L. Shmidt by Dmitry LevitzkyPortrait of A.-D.-L. Shmidt 20Portrait of Prokofiy Demidov by Dmitry LevitzkyPortrait of Prokofiy Demidov 21Portrait of E. I. Palmenbach by Dmitry LevitzkyPortrait of E. I. Palmenbach 22Portrait of A. P. Melgunov by Dmitry LevitzkyPortrait of A. P. Melgunov 23Portrait of E. I. Molchanova by Dmitry LevitzkyPortrait of E. I. Molchanova 24Portrait of A. P. Levshina by Dmitry LevitzkyPortrait of A. P. Levshina 25Portrait of M. A. Lvova by Dmitry LevitzkyPortrait of M. A. Lvova 26Portrait of Ekaterina Nelidova by Dmitry LevitzkyPortrait of Ekaterina Nelidova 27Portrait of Countess N. F. Vorontsova by Dmitry LevitzkyPortrait of Countess N. F. Vorontsova 28Portrait of I. V. Lopukhin by Dmitry LevitzkyPortrait of I. V. Lopukhin 29Portrait of Princess P. N. Repnina by Dmitry LevitzkyPortrait of Princess P. N. Repnina 30Portrait of Count I. G. Tchernyshov by Dmitry LevitzkyPortrait of Count I. G. Tchernyshov 31Portrait of I. K. Bilibin the Big by Dmitry LevitzkyPortrait of I. K. Bilibin the BigHermitage Museum 32Portrait of M. I. Mussar by Dmitry LevitzkyPortrait of M. I. Mussar 33Portrait of F. S. Rzhevskaya and Princess N. M. Davydova by Dmitry LevitzkyPortrait of F. S. Rzhevskaya and Princess N. M. Davydova 34Portrait of N. Y. Levitzkaya, Artist's Wife by Dmitry LevitzkyPortrait of N. Y. Levitzkaya, Artist's Wife 35Portrait of I. I. Dmitriyev by Dmitry LevitzkyPortrait of I. I. Dmitriyev 36Portrait of P. V. Bakunin by Dmitry LevitzkyPortrait of P. V. Bakunin 37Portrait of G. I. Alymova by Dmitry LevitzkyPortrait of G. I. Alymova 38Portrait of Countess Ekaterina Vorontsova as a Child by Dmitry LevitzkyPortrait of Countess Ekaterina Vorontsova as a Child 39Portrait of Countess A. S. Protasova by Dmitry LevitzkyPortrait of Countess A. S. Protasova 40Portrait of I. A. Igelstrom by Dmitry LevitzkyPortrait of I. A. Igelstrom 41Portrait of V. I. Mitrofanov and M. A. Mitrofanova by Dmitry LevitzkyPortrait of V. I. Mitrofanov and M. A. Mitrofanova 42Portrait of I. I. Bilibin by Dmitry LevitzkyPortrait of I. I. Bilibin 43Portrait of an Unknown Man by Dmitry LevitzkyPortrait of an Unknown Man 44Portrait of Count A. A. Bezborodko by Dmitry LevitzkyPortrait of Count A. A. Bezborodko 45Portrait of E. A. Bakunina by Dmitry LevitzkyPortrait of E. A. Bakunina 46Portrait of Grand Duchess Ekaterina Pavlovna as a Child by Dmitry LevitzkyPortrait of Grand Duchess Ekaterina Pavlovna as a Child 47Portrait of Grand Duchess Alexandra Pavlovna as a Child by Dmitry LevitzkyPortrait of Grand Duchess Alexandra Pavlovna as a Child 48Portrait of A. D. Levitzkaya, Artist's Daughter by Dmitry LevitzkyPortrait of A. D. Levitzkaya, Artist's Daughter 49Portrait of Nikolay Lvov, Architect, Painter and Poet by Dmitry LevitzkyPortrait of Nikolay Lvov, Architect, Painter and Poet 50Portrait of the Aide-de-camp A. D. Lanskoy by Dmitry LevitzkyPortrait of the Aide-de-camp A. D. Lanskoy 51Portrait of I. I. Shuvalov by Dmitry LevitzkyPortrait of I. I. Shuvalov 52Portrait of F. P. Makerovsky in a Masquerade Costume by Dmitry LevitzkyPortrait of F. P. Makerovsky in a Masquerade Costume 53Portrait of Grand Duchess Maria Pavlovna as a Child by Dmitry LevitzkyPortrait of Grand Duchess Maria Pavlovna as a Child 54Portrait of Grand Duchess Elena Pavlovna as a Child by Dmitry LevitzkyPortrait of Grand Duchess Elena Pavlovna as a Child 55Portrait of an Unknown Woman with a Rose (1788) by Dmitry LevitzkyPortrait of an Unknown Woman with a Rose1788 · Tretyakov Gallery 56Portrait of Alexander Kokorino by Dmitry LevitzkyPortrait of Alexander KokorinoThe State Russian Museum 57Portrait of E. A. Vorontsova by Dmitry LevitzkyPortrait of E. A. VorontsovaThe State Russian Museum 58Portrait of Anna Davia (D'Avia) Bernucci by Dmitry LevitzkyPortrait of Anna Davia (D'Avia) BernucciTretyakov Gallery 59Portrait of Catherine I by Dmitry LevitzkyPortrait of Catherine IThe State Russian Museum 60Portrait of Prokofiy Demidov (1773) by Dmitry LevitzkyPortrait of Prokofiy Demidov1773 · Tretyakov Gallery

Dmitry Levitzky: works by period

Principal subjects in the work of Dmitry Levitzky

The four subjects most frequently represented among these works, each with its best-known example.

Dmitry Levitzky: holding museums

The 7 museums that hold the most of the paintings on this page.

Museum City Works by Dmitry Levitzky Paintings from this list
Tretyakov Gallery, MoscowTretyakov Gallery Moscow 6 Portrait of Catherine II the Legislatress in the Temple Devoted to the Godess of Justice, Portrait of Countess Ursula Mniszek, Portrait of Maria Dyakova
Hermitage Museum, Saint PetersburgHermitage Museum Saint Petersburg 5 Portrait of A.I. Novikova (? ), Portrait of Nikolai Novikov, Portrait of Mikhail Krechetnikov
The State Russian Museum, St. PetersburgThe State Russian Museum St. Petersburg 5 Portrait of E. N. Khruschova and Princess E. N. Khovanskaya, Portrait of the Princesses Davidova and Rzevskaja, Portrait of Alexander Kokorino
National Museum in Warsaw, WarsawNational Museum in Warsaw Warsaw 2 Portrait of Catherine II of Russia in red dress., Catherine the Great
National Gallery of Armenia, YerevanNational Gallery of Armenia Yerevan 1 Portrait of B.V. Umsky
Hillwood Estate, Музей та Сади, Washington, D.C.Hillwood Estate, Музей та Сади Washington, D.C. 1 Portrait of Yekaterina Dashkova
Fine Arts Museum Kharkiv, KharkivFine Arts Museum Kharkiv Kharkiv 1 Irina Vasilyeva (count)

Decade index: the principal Dmitry Levitzky painting of each

Works per decade

Select a decade to display its principal painting.

Questions frequently consulted on Dmitry Levitzky's paintings

What is the best-known work of Dmitry Levitzky?Display the answer

Portrait of Catherine II of Russia in red dress. (1782), National Museum in Warsaw, Warsaw. The following entries are Portrait of Catherine II the Legislatress in the Temple Devoted to the Godess of Justice (1780) and Portrait of Countess Ursula Mniszek (1782).

How old was Dmitry Levitzky in the year of Portrait of Catherine II of Russia in red dress.?Display the answer

47 years: Dmitry Levitzky was born in 1735 and Portrait of Catherine II of Russia in red dress. is dated 1782.

What are the ten best-known works by Dmitry Levitzky?Display the answer

Portrait of Catherine II of Russia in red dress., Portrait of Catherine II the Legislatress in the Temple Devoted to the Godess of Justice, Portrait of Countess Ursula Mniszek, Portrait of A.I. Novikova (? ), Portrait of Maria Ivanovna Narychkine (1731-1807), formerly known as Portrait of Princess Maria Pavlovna Narychkine, Portrait of B.V. Umsky, La Maréchale d'Arseniev, Catherine the Great, Portrait of Yekaterina Dashkova and Portrait of Nikolai Novikov. The list above records the date and holding museum of each.

How many works by Dmitry Levitzky does the catalogue record?Display the answer

The catalogue records 60 works by Dmitry Levitzky, dated between 1770 and 1794.

Where are the principal works of Dmitry Levitzky held?Display the answer

Principally in Tretyakov Gallery (Moscow), Hermitage Museum (Saint Petersburg) and The State Russian Museum (St. Petersburg). The museum table above gives the full distribution.

During which period did Dmitry Levitzky produce the best-known works?Display the answer

In 1780s: 8 of the 60 works listed on this page are dated to that period, including Portrait of Catherine II of Russia in red dress..

What are the earliest and latest best-known works by Dmitry Levitzky?Display the answer

The earliest dated work listed here is Portrait of B.V. Umsky (1770); the latest is Portrait of A.I. Novikova (? ) (1794).

What subjects did Dmitry Levitzky treat most often?Display the answer

Portraits (33), 18th century (6) and Woman (5), out of the 60 works listed on this page.

What medium did Dmitry Levitzky employ most often?Display the answer

Oil On Canvas, in 5 of the 60 works listed on this page.

To which art movement is Dmitry Levitzky attributed?Display the answer

Rococo, as documented by the works on this page.

Which paintings by Dmitry Levitzky does the Tretyakov Gallery hold?Display the answer

Portrait of Catherine II the Legislatress in the Temple Devoted to the Godess of Justice, Portrait of Countess Ursula Mniszek and Portrait of Maria Dyakova are among the 6 works on this page in the collection of the Tretyakov Gallery, Moscow.

Can reproductions of Dmitry Levitzky's works be ordered?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Biography of Dmitry Levitzky

Early Life and Artistic Foundations

Dmitry Grigoryevich Levitsky, born in Kyiv in 1735, emerged from a family deeply rooted in the artistic traditions of Ukraine. His father, Grigory Kirillovich Levitsky-Nos, was not merely a priest but also an accomplished engraver and painter, serving as young Dmitry’s initial guide into the world of visual expression. This early tutelage laid a crucial foundation, instilling in him a reverence for detail and a nascent understanding of form. The family's move to St. Petersburg around 1758 marked a pivotal moment, opening doors to formal artistic training under the esteemed Aleksey Antropov. Antropov’s influence proved significant; he imparted an objectivity that would become a hallmark of Levitsky’s mature style.

Ascension and Academic Recognition

Levitsky's path wasn’t solely defined by apprenticeship. He absorbed knowledge from other masters, including Louis Lagrenée at the St. Petersburg Academy of Arts, further refining his technique. His breakthrough arrived in 1770 with an exhibition of six portraits at the Imperial Academy of Arts. These works didn’t simply showcase technical skill; they captured a distinct aristocratic sensibility that resonated deeply within the courtly circles of Catherine the Great's Russia. The portrait of Alexander Kokorinov, Director and First Rector of the Academy, proved particularly impactful, earning Levitsky academician status and a professorship in portrait painting at the very institution where he had once been a student. This appointment solidified his position as one of Russia’s leading artists.

The Smolny Institute Series: Portraits of Youth and Idealism

Perhaps Levitsky's most celebrated achievement lies within the series of portraits commissioned by Catherine II for the Smolny Institute for Young Ladies between 1772 and 1776. These weren’t merely likenesses; they were carefully constructed representations of youthful virtue, grace, and potential. Each portrait depicts a student engaged in various activities – dancing, music, dramatic performance – embodying the ideals of education and refinement that Catherine sought to promote through the Institute. The compositional structure, influenced by European formal portraiture, emphasized the dignity and importance of each sitter, while Levitsky’s masterful use of light and color brought a vibrant life to these scenes of aristocratic upbringing. These paintings are not just historical documents; they are windows into the aspirations and values of 18th-century Russian society.

A Refined Style and Lasting Legacy

Levitsky's artistry was characterized by a remarkable ability to capture both the physical likeness and the inner character of his subjects. He moved beyond mere representation, imbuing his portraits with a sense of psychological depth and social nuance. His technique blended meticulous detail with a delicate touch, creating images that were simultaneously realistic and idealized. While he enjoyed considerable success during his lifetime, financial hardship plagued his later years. Deteriorating eyesight forced him to curtail his painting activities in the 1790s, though he remained connected to the Academy as a council member. Despite these challenges, Levitsky left behind an enduring legacy as one of Russia’s foremost portrait painters, alongside contemporaries like Fyodor Rokotov and Vladimir Borovikovsky.

Historical Significance and Enduring Appeal

Levitsky's work provides invaluable insight into the lives and values of the Russian aristocracy during a period of significant social and political change. His portraits are not simply beautiful objects; they are historical artifacts that reflect the evolving tastes, aspirations, and self-perception of an elite class. His ability to balance realism with idealization, coupled with his technical mastery, established him as a defining figure in Russian portraiture. Today, Levitsky’s paintings continue to captivate audiences with their elegance, psychological depth, and enduring beauty. They offer a glimpse into a bygone era, reminding us of the power of art to capture not just appearances but also the spirit of a time.

All 60 works by Dmitry Levitzky →