The most famous painting in the Centre Pompidou is Wassily Kandinsky's Yellow, Red, Blue (1925). The next four in this ranking are Otto Dix's Portrait of the Journalist Sylvia Von Harden (1926), Henri Matisse's Blue Nude III (1952), Robert Delaunay's The City of Paris (1912) and Wassily Kandinsky's On White II (1923).
Below, the 8 paintings of the Centre Pompidou that are most widely known — painted from 1912 to 1952 by 6 painters — with their date, medium and size.
Ranked list
The 8 most widely known paintings in the Centre Pompidou
For each entry: painter, date, medium, dimensions of the original, and an excerpt of the catalogue entry.
- Yellow, Red, Blue by Wassily Kandinsky, 1925
- Portrait of the Journalist Sylvia Von Harden by Otto Dix, 1926
- Blue Nude III by Henri Matisse, 1952
- The City of Paris by Robert Delaunay, 1912
- On White II by Wassily Kandinsky, 1923
- Composition IX by Wassily Kandinsky, 1936
- Self Portrait - the Frame by Frida Kahlo, 1938
- Black Cross by Kazimir Malevich, 1915
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Wassily Kandinsky (1866–1944)
1. Yellow, Red, Blue by Wassily Kandinsky, 1925
1925Oil on canvas127 × 200 cmCentre Pompidou, Paris
This dynamic composition captures the essence of modernism through its bold use of color, geometric shapes, and expressive lines. The Bauhaus philosophy emphasized the unity of art, craft, and technology, influencing Kandinsky's approach to abstract painting. While "Yellow, Red, Blue" is purely abstract, it carries deep symbolic meaning.
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Otto Dix (1891–1969)
2. Portrait of the Journalist Sylvia Von Harden by Otto Dix, 1926
1926Oil and tempera on wood panel89 × 121 cmCentre Pompidou, Paris
Dix was a key figure in the Neue Sachlichkeit (New Objectivity) movement, which emerged in Germany during the 1920s as a reaction against Expressionism. "Portrait of the Journalist Sylvia Von Harden" exemplifies this approach, showcasing Dix's ability to capture the psychological depth and social context of his subjects.
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Henri Matisse (1869–1954)
3. Blue Nude III by Henri Matisse, 1952
1952Cut-paper collage on paper112 × 73 cmCentre Pompidou, Paris
This piece exemplifies Matisse's mastery of abstract art, showcasing his ability to convey the essence of the human figure through simplified shapes and bold lines. The artwork depicts a seated figure in a relaxed, contemplative pose, with legs crossed and arms resting on the knees. The figure is rendered in a minimalistic yet expressive style, emphasizing introspection and solitude. The simplicity and abstraction of the form in Blue Nude III symbolize universal themes such as introspection, solitude, and the essence of humanity stripped down to its most basic elements.
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Robert Delaunay (1885–1941)
4. The City of Paris by Robert Delaunay, 1912
1912Oil on canvas267 × 406 cmCentre Pompidou, Paris
The artwork presents a fragmented scene centered around figures interacting with an abstracted chariot pulled by horses. These forms aren’t rendered realistically; instead, Delaunay breaks them down into geometric shapes, suggesting motion and energy within a fractured architectural setting. This painting is deeply rooted in the principles of Orphism, an abstract art movement co-founded by Delaunay himself. The influence of both Cubism (in the fracturing of forms) and Futurism (in the depiction of speed and dynamism) is readily apparent.
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Wassily Kandinsky (1866–1944)
5. On White II by Wassily Kandinsky, 1923
1923Oil on canvas105 × 98 cmCentre Pompidou, Paris
“On White II” (1923) by Wassily Kandinsky is a pivotal work in the evolution of abstract art, representing a mature expression of his lifelong exploration into the spiritual power of color and form. Created during Kandinsky’s influential tenure at the Bauhaus school in Weimar, Germany, this painting exemplifies his shift towards a more geometric style. Departing from earlier, freer abstract expressionism, “On White II” features a complex interplay of triangles, rectangles, circles, and lines arranged against a luminous off-white background. The painting resided in Kandinsky’s dining room at Bauhaus Dessau, highlighting its personal significance to him.
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Wassily Kandinsky (1866–1944)
6. Composition IX by Wassily Kandinsky, 1936
1936Oil on canvas113 × 195 cmCentre Pompidou, Paris
Kandinsky's Composition IX is a riot of color and form, featuring a bold palette of yellows, reds, blues, greens, and purples. The artwork is divided into several distinct sections, each filled with a variety of abstract shapes and lines that create a sense of depth and complexity. Kandinsky's technique in Composition IX is a mix of brushwork and other tools to create texture and depth. Created in 1936, Composition IX reflects Kandinsky's mature style, influenced by his time at the Bauhaus school of art and architecture.
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Frida Kahlo (1907–1954)
7. Self Portrait - the Frame by Frida Kahlo, 1938
1938Glass painting29 × 21 cmCentre Pompidou, Paris
In this arresting work, Kahlo presents herself against a stark, minimalist background, yet her presence is anything but simple.
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Kazimir Malevich (1879–1935)
8. Black Cross by Kazimir Malevich, 1915
1915Oil on canvas80 × 80 cmCentre Pompidou, Paris
A single black cross rests upon a field of aged, off-white parchment. The shape is a Greek cross, its four arms extending with equal weight from a central intersection. There is no depth here, only the flat collision of dark pigment and light ground. Two rectangular bars, one vertical and one horizontal, lock into a heavy, symmetrical presence. Created in 1915, this work emerged from a period when the artist abandoned all traces of representation. It was first presented at The Last Futurist Exhibition 0,10.
Statistics
The holdings of the Centre Pompidou in this catalogue
373 paintings and works on paper, distribution by century
The list in figures
- 8 paintings, ranked by recognition, 6 painters, Robert Delaunay – Henri Matisse.
- Painters by number of entries: Wassily Kandinsky (3), Otto Dix (1), Henri Matisse (1).
- Robert Delaunay's The City of Paris (1912) – Henri Matisse's Blue Nude III (1952).
- Robert Delaunay's The City of Paris (1912), 267 × 406 cm – Frida Kahlo's Self Portrait - the Frame (1938), 29 × 21 cm.
- 384 recorded works of the Centre Pompidou: 373 paintings and works on paper by 60 artists, 1885–2008.
Painters by country of birth
Painters by number of works held at the Centre Pompidou
Comparison
The Centre Pompidou and the Louvre
The Centre Pompidou
- Catalogued works
- 384
- Date range
- 1885 – 2008, most from the 20th century
- Most recognised paintings
- Yellow, Red, Blue, Portrait of the Journalist Sylvia Von Harden, Blue Nude III
- Largest holdings by
- Wassily Kandinsky, Henri Matisse, Robert Delaunay
The Louvre
- Catalogued works
- 2,833
- Date range
- 1180 – 1913, most from the 17th century
- Most recognised paintings
- Mona Lisa (La Gioconda), Liberty Leading the People, The Raft of the Medusa
- Largest holdings by
- П'Єр-Анрі Де Валансьєн, Етюш Ле Сюр, Ежен Делакруа
Frequently asked
Frequently asked questions on the paintings of the Centre Pompidou
Select a question to display the answer.
What is the best-known painting of the Centre Pompidou?
Wassily Kandinsky's Yellow, Red, Blue (1925) is the most famous painting in the Centre Pompidou and No. 1 of this ranking, ahead of Otto Dix's Portrait of the Journalist Sylvia Von Harden (1926), Henri Matisse's Blue Nude III (1952) and Robert Delaunay's The City of Paris (1912).
What are the five best-known paintings in the Centre Pompidou?
In order: Yellow, Red, Blue by Wassily Kandinsky, Portrait of the Journalist Sylvia Von Harden by Otto Dix, Blue Nude III by Henri Matisse, The City of Paris by Robert Delaunay and On White II by Wassily Kandinsky.
Are there any Wassily Kandinsky paintings in the Centre Pompidou?
3 of the 8 paintings of this ranking are by Wassily Kandinsky: Yellow, Red, Blue (No. 1), On White II (No. 5) and Composition IX (No. 6). Our catalogue lists 178 records of Kandinsky's works at the Centre Pompidou.
How many Otto Dix paintings are in the Centre Pompidou?
1 of the 8 paintings of this ranking are by Otto Dix: Portrait of the Journalist Sylvia Von Harden (No. 2). Our catalogue lists 1 records of Dix's works at the Centre Pompidou.
How many Henri Matisse paintings are in the Centre Pompidou?
1 of the 8 paintings of this ranking are by Henri Matisse: Blue Nude III (No. 3). Our catalogue lists 26 records of Matisse's works at the Centre Pompidou.
What are the three must-see works of the Centre Pompidou?
the Musée National d’Art Moderne, the Public information library and the IRCAM music research centre are the three works everyone comes to the Centre Pompidou for; the museum's record also names its other highlights.
In which city is the Centre Pompidou?
In Paris, France. The Centre Pompidou holds 384 works of our catalogue by 60 artists (1885–2008), among them the 8 paintings ranked here.
What is the difference between the Centre Pompidou and the Louvre?
They cover different centuries. The 373 paintings of The Centre Pompidou in our catalogue are dated 1885 to 2008, most of them from the 20th century; the 2,692 of the Louvre are dated 1180 to 1913. The best-known paintings of the Louvre are Mona Lisa (La Gioconda), Liberty Leading the People and The Raft of the Medusa.
Which is the earliest painting of this ranking?
The earliest is Robert Delaunay's The City of Paris (1912) (1912); the latest, Henri Matisse's Blue Nude III (1952) (1952).
Which of these paintings is the biggest?
Robert Delaunay's The City of Paris (1912), 267 × 406 cm. The smallest is Frida Kahlo's Self Portrait - the Frame (1938), 29 × 21 cm.
How was this list of the paintings of the Centre Pompidou ranked?
By recognition: Wikipedia articles in the most languages (Wikidata sitelinks), our manual ranking and page visits, over the paintings of the Centre Pompidou in our catalogue. Several records of one painting count once; details, copies and studies are excluded.
Can I buy a reproduction of a painting from the Centre Pompidou?
7 of these 8 paintings are available hand-painted in oil, from $177, and 7 as a canvas print, from $42.
Institution
The Centre Pompidou, Paris: history, building and collections
The Centre Pompidou (Beaubourg, Centre Georges Pompidou, Centre Pompidou-Metz) — cultural complex — in Paris, France. Its highlights: Musée National d’Art Moderne, Public information library, IRCAM music research centre. Our catalogue lists 373 of its paintings and works on paper, by 60 artists, dated 1885 to 2008.
The Origins and History of Centre Pompidou
The presence of the Centre Pompidou in the Beaubourg area of the 4th arrondissement of Paris is the result of a specific political and cultural ambition. The project emerged from the ideas of France's first Minister of Cultural Affairs, André Malraux, who sought to redefine the relationship between the public and modern creation. This vision was later championed by President Georges Pompidou, who held office from 1969 until his death in 1974. The institution was designed to occupy a space where art, literature, and music could coexist within a single urban complex. The construction of this landmark transformed the historic district. It was officially opened on 31 January 1977 by President Valéry Giscard d'Estaing. The building arrived as a response to the need for a large-scale public library and a dedicated space for the evolution of modern art. Its placement in the heart of Paris ensured that the center of the city would host a multifaceted ecosystem of intellectual and creative exchange.
The Revolutionary High-Tech Architecture
The architectural identity of the Centre Pompidou emerged from a selection of 681 competition entries. A jury including Oscar Niemeyer and Philip Johnson chose the design that would fundamentally alter the urban fabric of Paris. The resulting eight-story structure, conceived by the architectural partnership of Richard Rogers, Renzo Piano, and Gianfranco Franchini, operates on a principle of radical transparency. It rejects the traditional, enclosed museum façade in favor of an "inside-out" philosophy. This approach deliberately exposes the building's internal mechanics to the street. Structural elements, ducts, and pipes are moved to the exterior, rendered in large, colorful forms that define the building's silhouette. External escalators move through the glass skin, turning the movement of people into a visible part of the architecture. This exposure of industrial engineering transforms the utility of the building into its primary aesthetic. The presence of these mechanical systems creates a sense of constant motion within the Beaubourg district.
The Musée National d’Art Moderne Collection
The Musée National d’Art Moderne holds the largest collection of modern art in Europe. It spans a vast chronological landscape, organized into two primary movements: the period from 1905 to 1960 and the era from 1960 to the present day. As of 2019, the institution held 113,675 works, creating a dense archive of human expression. This collection extends far beyond the traditional canvas, encompassing sculptures, photography, and graphic arts. It also integrates the more ephemeral and technical aspects of creativity, including cinema, new media, architecture, and design. To walk through these halls is to encounter the physical evolution of the twentieth and twenty-first centuries. The presence of these objects provides a tangible record of how visual language has shifted over decades. One finds the weight of sculpture alongside the precision of graphic works and the experimental nature of new media. The breadth of the holdings ensures that the dialogue between different mediums remains constant.
A Multifaceted Cultural Ecosystem
The institution functions as a complex where diverse forms of expression intersect. Within its structure, the Bibliothèque publique d’information provides a vast space for reading and research. This public library exists alongside IRCAM, a centre dedicated to music and acoustic research. Such proximity allows for a continuous exchange between the visual arts and the science of sound. This space connects the museum to the surrounding urban fabric of Paris. The site also includes the Atelier Brancusi, adding another layer to the site's creative offerings. The presence of these distinct entities creates a space where literature, music, and sculpture coexist.
Recent Projects and Future Renovations
On 2 March 2025, the institution entered a phase of major renovation, a necessary evolution to modernize its technical systems and improve accessibility. This extensive project is being led by the architectural firm Moreau Kusunoki in collaboration with Frida Escobedo. The full reopening is slated for completion in 2030. While the primary site in Paris undergoes these essential updates, the institution is actively expanding its reach beyond the borders of France. A significant part of this global movement involves the establishment of a new satellite space. This expansion includes a planned opening in Foz do Iguaçu, Brazil, scheduled for 2027. Such initiatives allow the collection to exist in multiple geographic contexts simultaneously, ensuring its presence remains felt even during the periods of physical transition in Paris.
5 facts on record about the Centre Pompidou
- Which architectural partnership designed the Centre Pompidou?Richard Rogers, Renzo Piano, and Gianfranco Franchini
- What is the name of the museum located within the Centre Pompidou?Musée National d'Art Moderne (MNAM)
- The 'inside-out' design of the building features which of the following on its exterior?Pipes, ducts, and escalators
- Which institution is integrated into the Centre Pompidou complex alongside the museum and the public library?IRCAM
- When is the Centre Pompidou expected to complete its current renovation?2030
See also
Three related entries
Ranking method
The paintings of the Centre Pompidou recorded in this catalogue are ordered by recognition: the number of Wikipedia language editions with an article on the painting (Wikidata sitelinks), the editorial rank, and the page visits on WikiOO.org. Duplicate records of one painting are merged; details, copies and studies are excluded. Dates, dimensions and media are those recorded for each painting.
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