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West — Carmen Herrera
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Carmen Herrera

West

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Discover Carmen Herrera's captivating abstract & minimalist paintings! A late-career sensation, this Cuban-American artist created bold geometric works recognized for their vibrant colors & precision. Explore her legacy and iconic pieces like 'Iberic
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Between 1948 and 1953, Carmen Herrera lived in Paris, where she began to develop her artistic production of concrete style. The artist recalls that it was during those years when she was finally able to feel free from academic restrictions and started to perceive pictorial space in a different way. In New York, where she lived from 1954 until her death, she strengthened the basis of a pictorial style in which the creation of distinct color fields prevails. West belongs to a stage when her work stands out for the use of acute angles, the cancellation of hierarchies between planes, and the combination of only two colors. This cobalt blue and white painting shows two isosceles triangles meeting at a specific point near the center of the canvas. It is a precise composition which accounts for a thorough and methodical practice in line with the artist’s passion for architecture. Herrera stated: “I like straight lines, I like angles, I like order. In this chaos that we live in, I like to put some order. I guess that’s why I am a hard-edge painter, not a painter of geometric figures.”

Küsimused ja vastused

Kui vana oli Carmen Herrera, kui ta loos 1965 aastal teose "West"?

Carmen Herrera oli 50 aastane, kui ta lõi teose "West" aastal 1965. Empiiriline vanus on arvutatud kunstniku sünnaaasta põhjal, 1915.

Kas teos "West" on üldmuljeLT pigem hele või tumene?

Teose „West“, autor Carmen Herrera eregus on deep_shadow ja luminants on Dark.

Millist tooni suundub "West"?

"West" on kallutunud Green to Violet Spectrum toonile.

Sarnased teosed

Les Dieux Obscurs (tumedad Gods) — Mak Ernst, Sürrealism
Mak Ernst Les dieux obscurs (Tumedad gods)
Valguse Eraldamine Pimedusest — Michelangelo, Kõrgre Renessanss
Michelangelo Valguse eraldamine pimedusest
Supremtist Painting. Black Rectangle, Blue Triangle — Kazimirs Malevičius, Suprematism
Kazimirs Malevičius Supremtist Painting. Black Rectangle, Blue Triangle
The Separation Of Light And Darkness — Michelangelo, High Renaissance
Michelangelo The Separation of Light and Darkness
Head Of A Brabant Peasant Woman With Dark Cap — Vincent Van Gogh, Post-impressionist Realism
Vincent Van Gogh Head of a Brabant Peasant Woman with Dark Cap
Head Of A Peasant Woman With Dark Cap 6 — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Head of a Peasant Woman with Dark Cap 6
Separation Light Darkness — Michelangelo, High Renaissance
Michelangelo separation light darkness
Head Of A Peasant Woman With Dark Cap 2 — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Head of a Peasant Woman with Dark Cap 2
Light Conquers Darkness — Nikolai Rerih, Symbolism
Nikolai Rerih Light Conquers Darkness
Así Sigue (it Goes Like This) — Mercedes Clementina Marta Del Carmen Pardo Ponte, Geometric Abstraction
Mercedes Clementina Marta Del Carmen Pardo Ponte Así sigue (It goes like this)

Kunstniku biograafia

Early Life and Education

  • Born: Havana, Cuba (May 30, 1915)
  • Died: New York City, USA (February 12, 2022) – aged 106
  • Early artistic training began at age eight with private lessons from Federico Edelmann y Pinto.
  • Attended Marymount School in Paris in 1929, fostering an appreciation for art history and culture.
  • Studied architecture briefly at the Universidad de la Habana (1938-1939), influencing her later geometric style.

Artistic Development and Style

  • Developed a hard-edge, non-objective abstract style during her time in Paris in the late 1940s and early 1950s.
  • Experimented with various materials and techniques, including solvent-based acrylic paints.
  • Her work is characterized by geometric shapes, bold colors, and a focus on formal simplicity.
  • Influenced by movements such as Abstract Expressionism and Minimalism.
  • Explored themes of symmetry, asymmetry, movement, rhythm, and spatial tension in her paintings.
  • Later works incorporated three-dimensional sculptural elements ("estructuras").

Career and Recognition

  • Exhibited in Havana in 1950 but faced a lack of audience receptiveness.
  • Moved to New York City in 1954, where her work initially went largely unrecognized.
  • Despite facing challenges as a Latin woman artist, she continued painting consistently for decades.
  • Gained significant international recognition late in life, starting in the late 1990s.
  • First solo exhibition in New York City after many years was at Lisson Gallery in 2010.
  • Major retrospective, *Carmen Herrera: Lines of Sight*, at the Whitney Museum of American Art (2016-2017) brought her widespread acclaim.

Major Works and Exhibitions

  • Iberic (1949): A notable early work housed at the Metropolitan Museum of Art in New York City.
  • Blanco y Verde series (1959-1971): A significant body of work exploring figure/ground relationships and architectural principles.
  • Days of the Week: Series of seven vivid paintings.
  • Exhibitions at Stanhardt Gallery, numerous galleries in Europe, and major museums worldwide.
  • Public art installations, including Verde, que te quiero verde at the Blanton Museum of Art (2023).

Historical Significance

  • Carmen Herrera is considered a pioneering figure in abstract and minimalist art.
  • Her late-career recognition highlights the challenges faced by women artists and artists from underrepresented backgrounds.
  • Her work demonstrates a commitment to formal rigor, geometric abstraction, and a unique artistic vision.
  • She inspired new generations of artists and continues to be celebrated for her contributions to art history.
Carmen Herrera

Carmen Herrera

1915 - 2022 , Cuba

Kiired faktid

  • Full Name: Carmen Herrera
  • Nationality: Cuban-American
  • Date Of Birth: 1915
  • Date Of Death: 2022
  • Place Of Birth: Havana, Cuba
  • Notable Artworks:
    • Iberic
    • Cobalto y Blanco
    • West
  • Artistic Movement Or Style: Abstract, Minimalist
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