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David Hare

Cloud and Rain

An American sculptor known for Surrealism and works like Sunrise. Discover his unique biomorphic metal sculptures today.
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Sellel lehel kuvatav kunstiteos on kaitstud autoriõigusega, mis tähendab, et meil ei ole seaduslikku õigust luua või müüa identset reproduktsiooni. Seda kaitset rakendatakse rahvusvaheliste kokkulepete alusel, nagu näiteks Berne konventsioon ning riiklike seadustega, sealhulgas nendega, mida on sätestatud USA autoriõiguse seadus – 17. peatükk.

See meetod järgib täielikult autoriõiguse reegleid, kuna see ei põhine kaitstud kunstiteose kopeerimisel või dupliteerimisel. Selle asemel on tegu loova reinterpreetatsiooniga – uue maaldisega, mis on algteosest inspireeritud, kuid ei ole sellest identiline.

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Giclée / Kunstiprint

Muuseumikvaliteediga giclée- või kangasprint kiire tootmisega ja paindlikud viimistlusvõimalused. ( Osta käsitsi maalatud teos Lülita digitaalse pildi juurde)

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Ülemaailmne tarne () 2 nädala jooksul, tavalise 4/5 nädala asemel. (20 november)

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Kogu summa

€ 55

Cloud and Rain

Giclée / Kunstiprint

Reproduktsiooni suurus

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€ 55

Sarnased teosed

Untitled (9888) — Georges Braque, Cubism
Georges Braque untitled (9888), Georges Braque
Moses Is Saved From The Waters Of Nile By Pharaoh's Daughter (exodus Ii, 5 6) — Marc Chagall, Expressionism
Marc Chagall Marc Chagall teos Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6)
René Jules Lalique, Art Nouveau
René Jules Lalique
Starry Night Over The Rhône, Pen Sketch (1888) — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Starry Night over the Rhône, Pen Sketch (1888) – kataloogirekord – kunstnik Vincent Van Gogh
American Neutrality Obverse — Karl Otto Götz, German Art Informel
Karl Otto Götz American Neutrality Obverse – kataloogirekord
Potato Field Behind The Dunes — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Potato field behind the dunes – Post-Impressionism
Friar, Standing — Antoine Watteau, Rococo
Antoine Watteau Friar, standing – Rococo
St. Anthony — Albrecht Dürer, German Renaissance
Albrecht Dürer St. Anthony – kataloogirekord – kunstnik Albrecht Dürer
St. John Lamenting — Albrecht Dürer, Northern Renaissance
Albrecht Dürer Albrecht Dürer teos St. John Lamenting, 1523
World War I Dutch Ivora Neutrality Plate — Pieter Van Der Want
Pieter Van Der Want World War I Dutch Ivora Neutrality Plate

Kunstniku elulugu

The Sculptural Reality of David Hare

To look at the work of David Hare is to confront a deliberate fragmentation of reality. He was an American sculptor who did not merely represent dreams but reconstructed them through heavy, tangible materials. While his contemporaries often drifted into pure abstraction, Hare anchored his explorations in the weight of steel and bronze. His practice was defined by a refusal to let the image remain purely symbolic; instead, he forced it into a physical, biomorphic presence that demands attention through its very mass.

His development was shaped by an unusual proximity to the exiled French Surrealists during World War II. This connection provided him with a technical vocabulary of subversion. He utilized heatage, or brulage, in his photography—a process of melting photographic negatives to distort the subject. In works like his Untitled piece from the VVV portfolio, the technique strips away anatomical certainty, leaving only the contour of a female body amidst black and white masses that suggest burnt flesh. This was not an aesthetic choice made for decoration; it was a method to negate the photographic ability to reproduce an objective truth.

Materiality and Form

Hare’s transition toward metalwork allowed him to bridge the gap between Surrealist philosophy and the emerging energy of Abstract Expressionism. He moved away from the ephemeral nature of paper and film toward the permanence of bronze and steel. His sculptures often feature organic, biomorphic shapes that feel as though they possess an independent life. These forms do not rely on recognizable figures but instead use abstract compositions to trigger instinctive emotional responses.

The structural logic of his work can be seen in specific series and pieces:

  • Sunrise: A series from the 1950s utilizing steel rods, rock, and gilt bronze solder to create a sun-like form.
  • Magician's Game: A 1946 bronze cast that incorporates an egg-shaped object and comb-shaped elements.
  • The Swan's Dream of Leda: A sculpture composed of irregular bronze sheets mounted on a stone base, drawing from Greek mythology.

A Legacy of Disruption

Hare’s significance lies in his ability to use the tools of chance and intuition—such as automatic drawing and collage—to challenge the stability of the visual field. He did not seek to create a window into another world, but rather to break apart the existing one and reassemble it into something more complex. His work remains relevant because it avoids the trap of easy recognition. By manipulating negatives and melting surfaces, he mirrored the instability of a world undergoing profound political and physical transformation.

He remained a figure who straddled two distinct movements without being swallowed by either. His commitment to exploring human desire, death, and love through the lens of Surrealist technique persisted even when such themes lost their mainstream momentum. He proved that art could be both deeply psychological and physically undeniable.

David Hare

David Hare

1917 - 1992 , United States

Lühikest infot

  • Artistic Movement Or Style: Surrealism, Abstract Expressionism
  • Artists Or Movements Influenced By This Artist: ['Abstract Expressionism']
  • Artists Who Influenced This Artist: ['French Surrealists']
  • Full Name: David Hare
  • Nationality: American
  • Notable Artworks:
    • Untitled (from VVV portfolio)
    • Magician's Game
    • Sunrise
    • The Swan's Dream of Leda
    • Cronus Grown
  • Date Of Birth: 1917
  • Date Of Death: 1992