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Surface 213

Writing, alphabet, glyphs, the teeth of a comb, forks, segmented tears, locks, chains, claws: the graphic figures of Capogrossi’s signic language express themselves on the canvas in ever-changing modulations. The sign is never repeated as an end unto itself, but is developed in a series of variations, which, as Argan noted in 1967, find a literary parallel in Raymond Queneau’s Exercises in Style, published in 1947, in that, using the same words, the French writer stages narrative situations whose content changes each time it is told. Surface 213 and its counterpart Surface 231 (1957, Simeoni Collection, Florence) are an example of this modulation, in that the variable consists in the positive-negative effect of the colour and the partitioning of the canvas like a card index.

Korduvad küsimused

Milline värv on teoses "Surface 213" kõige silmapaistvam?

Teose „Surface 213“, autor Giuseppe Capogrossi domineeriv värv on Bronze (#ccad2a).

Kas teos "Surface 213" on üldmuljelt pigem hele või tumene?

Teose „Surface 213“, autor Giuseppe Capogrossi eregus on bright ja luminants on Bright Balance.

Kas teoses "Surface 213" on nähtav tugev kerge-tume kontrast?

Teose "Surface 213" valgus-varjundite kontrast on Statement. Kontrast kirjeldab, kui teravalt erinevad heeled ja tumedad alad.

WikiOO.org toimetus

Giuseppe Capogrossi (1900 – 1972)

Discover Giuseppe Capogrossi: Italian painter blending Renaissance & modernism. Bold brushstrokes, abstract art, & key figure in Venetian & Roman art scenes.

Galleria Civica di Arte Moderna e Contemporanea Torino (Turin, Italia)

GAM Torino: avastage Itaalia modernse ja kaasaegse kunsti pärand Turinis, sealhulgas futuristlikud teosed, Arte Povera skulptuurid ja maailmaklassilised maalid.

Teose info