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David Hare

Cloud and Rain

An American sculptor known for Surrealism and works like Sunrise. Discover his unique biomorphic metal sculptures today.
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Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.

Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.

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Giclée / Umjetnički otisak

Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. ( Kupi ručno oslikano djelo Prebacite na digitalnu sliku)

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Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (20 Studeni)

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Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
Potpuno osiguranje dostave
Jamstvo povrata carine i uvoznih poreza
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Ukupna cijena

€ 55

Cloud and Rain

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 55

Srodna umjetnička djela

Untitled (9888) — Georges Braque, Cubism
Georges Braque untitled (9888), Georges Braque
Moses Is Saved From The Waters Of Nile By Pharaoh's Daughter (exodus Ii, 5 6) — Marc Chagall, Expressionism
Marc Chagall Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6) od Marc Chagall
René Jules Lalique, Art Nouveau
René Jules Lalique
Starry Night Over The Rhône, Pen Sketch (1888) — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Starry Night over the Rhône, Pen Sketch (1888) – zapis u katalogu od Vincent Van Gogh
American Neutrality Obverse — Karl Otto Götz, German Art Informel
Karl Otto Götz American Neutrality Obverse – zapis u katalogu
Potato Field Behind The Dunes — Vincent Van Gogh, Post-impressionism
Vincent Van Gogh Potato field behind the dunes – Post-Impressionism
Friar, Standing — Antoine Watteau, Rococo
Antoine Watteau Friar, standing – Rococo
St. Anthony — Albrecht Dürer, German Renaissance
Albrecht Dürer St. Anthony – zapis u katalogu od Albrecht Dürer
St. John Lamenting — Albrecht Dürer, Northern Renaissance
Albrecht Dürer St. John Lamenting od Albrecht Dürer, 1523
World War I Dutch Ivora Neutrality Plate — Pieter Van Der Want
Pieter Van Der Want World War I Dutch Ivora Neutrality Plate

Biografija umjetnika

The Sculptural Reality of David Hare

To look at the work of David Hare is to confront a deliberate fragmentation of reality. He was an American sculptor who did not merely represent dreams but reconstructed them through heavy, tangible materials. While his contemporaries often drifted into pure abstraction, Hare anchored his explorations in the weight of steel and bronze. His practice was defined by a refusal to let the image remain purely symbolic; instead, he forced it into a physical, biomorphic presence that demands attention through its very mass.

His development was shaped by an unusual proximity to the exiled French Surrealists during World War II. This connection provided him with a technical vocabulary of subversion. He utilized heatage, or brulage, in his photography—a process of melting photographic negatives to distort the subject. In works like his Untitled piece from the VVV portfolio, the technique strips away anatomical certainty, leaving only the contour of a female body amidst black and white masses that suggest burnt flesh. This was not an aesthetic choice made for decoration; it was a method to negate the photographic ability to reproduce an objective truth.

Materiality and Form

Hare’s transition toward metalwork allowed him to bridge the gap between Surrealist philosophy and the emerging energy of Abstract Expressionism. He moved away from the ephemeral nature of paper and film toward the permanence of bronze and steel. His sculptures often feature organic, biomorphic shapes that feel as though they possess an independent life. These forms do not rely on recognizable figures but instead use abstract compositions to trigger instinctive emotional responses.

The structural logic of his work can be seen in specific series and pieces:

  • Sunrise: A series from the 1950s utilizing steel rods, rock, and gilt bronze solder to create a sun-like form.
  • Magician's Game: A 1946 bronze cast that incorporates an egg-shaped object and comb-shaped elements.
  • The Swan's Dream of Leda: A sculpture composed of irregular bronze sheets mounted on a stone base, drawing from Greek mythology.

A Legacy of Disruption

Hare’s significance lies in his ability to use the tools of chance and intuition—such as automatic drawing and collage—to challenge the stability of the visual field. He did not seek to create a window into another world, but rather to break apart the existing one and reassemble it into something more complex. His work remains relevant because it avoids the trap of easy recognition. By manipulating negatives and melting surfaces, he mirrored the instability of a world undergoing profound political and physical transformation.

He remained a figure who straddled two distinct movements without being swallowed by either. His commitment to exploring human desire, death, and love through the lens of Surrealist technique persisted even when such themes lost their mainstream momentum. He proved that art could be both deeply psychological and physically undeniable.

David Hare

David Hare

1917 - 1992 , United States

Osnovne informacije

  • Artistic Movement Or Style: Surrealism, Abstract Expressionism
  • Artists Or Movements Influenced By This Artist: ['Abstract Expressionism']
  • Artists Who Influenced This Artist: ['French Surrealists']
  • Full Name: David Hare
  • Nationality: American
  • Notable Artworks:
    • Untitled (from VVV portfolio)
    • Magician's Game
    • Sunrise
    • The Swan's Dream of Leda
    • Cronus Grown
  • Date Of Birth: 1917
  • Date Of Death: 1992