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Giulio Paolini

Untitled

Dimenzije
201.0 x 200.0 cm

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Giulio Paolini: Italian artist blending Arte Povera & conceptual art. Known for zeroing the image, referencing masters & exploring representation's complexities.
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Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.

Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.

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Giclée / Umjetnički otisak

Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. ( Kupi ručno oslikano djelo Prebacite na digitalnu sliku)

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Standardne dimenzije
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INCH

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Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (1 Studeni)

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Ukupna cijena

€ 54

Untitled

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 54

Giulio Paolini’s debut was accompanied by a reflection on the primary linguistic structures of painting; from “Geometric Drawing” in 1960, in which the squaring of the canvas does not comprise the subject of the painting, but tends rather to qualify its support, to the “Untitled” immediately afterwards, the artist’s intention was to create recognition of the constitutive elements of the painting. The linguistic perspective, in which the canvas, stretcher, frame, lines and colours become the concrete tools of an empirical attitude, from the very start of the work, is combined with syntactic semantics determined to derive the scope of the work from the material quality of the chosen support. The “Untitled” of 1966, at the centre of which the edge of a white square is traced by a light pencil stroke, is shown as a meta-linguistic artifice, the construction of a painting within a painting; the painted surface mimics the space occupied by the rough canvas on the wall and plays with the transparency of the fabric, revealing how the wooden slats forming the crosspieces of the stretcher condition the profile of the geometric figure. The equivocal relationship between the subject of the work and its physical support is noticeably complicated if interpreted in a wider dimension that includes the surrounding space and the viewer (it should be borne in mind that the work was exhibited for the first time together with a large number of paintings that adapted in various ways to the space limits of the Ariete Gallery). The sense of disorientation produced by the alternating of fictitious and real planes is the result of an aesthetic trap which, tested above all in the biennial 1964-1965 and perfected, in those years, with the introduction of the photographic technique, bases its ambiguity on the duplication of the painting.

Pitanja i odgovori

Kako mogu dobiti digitalnu datoteku djela "Untitled" autora Giulio Paolini?

"Untitled" dostupan je kao preuzimanje digitalne slike visoke rezolucije, uz izravnu kupnju na njegovoj Digitalna umjetnina stranici.

Jesu li boje djela "Untitled" autora Giulio Paolini živopisne ili prigušene?

Boje djela "Untitled" autora Giulio Paolini odlikuju se Balanced Soft zasićenošću i Balanced intenzitetom.

Je li "Untitled" autora Giulio Paolini u javnom vlasništvu?

Status autorskih prava za "Untitled" autora Giulio Paolini: djelo je i dalje je zaštićeno autorskim pravima. To određuje smiju li se slobodno izrađivati reprodukcije slike.

Srodna umjetnička djela

Woman Holding A Balance — Jan Vermeer, Dutch Golden Age Painting
Jan Vermeer Woman Holding a Balance
Woman With A Balance — Jan Vermeer, Baroque
Jan Vermeer Woman With A Balance
Žena S Bilježnicom — Jan Vermeer, Dutch Golden Age
Jan Vermeer Žena s Bilježnicom
Woman Holding A Balance Ngw — Jan Vermeer, Dutch Golden Age
Jan Vermeer Woman holding a balance ngw
Woman Holding A Balance Detalj 4 Ngw — Jan Vermeer, Dutch Golden Age
Jan Vermeer Woman holding a balance detalj 4 ngw
Untitled (green On Maroon) — Mark Rothko, Color Field Painting
Mark Rothko Untitled (Green on Maroon)
Woman Holding A Balance Detalj 5 Ngw — Jan Vermeer, Northern Renaissance
Jan Vermeer Woman holding a balance detalj 5 ngw
Feather Equilibrium (interatomic Balance Of A Swan's Feather), 1947 — Salvador Dalí, Surrealist Movement
Salvador Dalí Feather Equilibrium (Interatomic Balance of a Swan's Feather), 1947
Feather Equilibrium (interatomic Balance Of A Swans Feather) — Salvador Dalí, Surrealism
Salvador Dalí Feather Equilibrium (Interatomic Balance of a Swans Feather)
Portrait Of A Woman With A Balance — Thomas De Keyser, Dutch Golden Age Portraiture
Thomas De Keyser Portrait of a Woman with a Balance

Biografija umjetnika

Giulio Paolini: Bridging Arte Povera and Conceptual Thought

Giulio Paolini stands as a singular figure in Italian art, embodying the spirit of Arte povera while simultaneously delving into the intricacies of conceptual art. Born in Genoa in 1940, his artistic journey began amidst formative influences – a childhood spent in Bergamo instilled a deep appreciation for visual culture and fostered an early engagement with museums and galleries. His fascination extended beyond mere observation; he actively sought knowledge through art periodicals and meticulously studied the works of masters. This intellectual curiosity propelled him toward painting after graduating from the Giambattista Bodoni State Industrial Technical School of Graphics and Photography in 1959, specializing in graphic design.
  • Early Explorations: Paolini’s initial artistic endeavors centered on monochrome abstractions, reflecting a desire to distill visual experience into its purest form. The discovery of modern graphics – his brother Cesare's architectural pursuits – profoundly impacted his aesthetic sensibilities, shaping his approach to representation.
  • The Pioneering Gesture: His breakthrough came with “ disegno geometrico” (geometric drawing), a seminal piece executed in 1960. This ambitious undertaking involved squaring a canvas painted entirely white tempera – an act of deliberate negation intended to liberate the image from preconceived notions and establish a foundational conceptual principle.
  • Conceptual Foundations: Paolini’s artistic philosophy revolved around capturing “eternal recurrence,” recognizing that each creative moment holds inherent significance and contributes to the artist's self-discovery. This perspective underpinned his subsequent explorations into the very components of painting – tools and space—marking a decisive shift toward conceptual concerns.

The Rise of Arte Povera and Photographic Realism

Paolini’s artistic trajectory gained momentum in the early 1960s as he embraced photography, expanding his investigation into the relationship between artist and artwork. This collaboration with Carla Lonzi proved pivotal, introducing him to Marisa Volpi who would soon produce influential critical analyses of his burgeoning talent. The encounter solidified Paolini's connection to Arte povera—an artistic movement characterized by its use of humble materials and rejection of traditional techniques—and cemented his commitment to exploring the boundaries of visual perception.
  • Early Exhibitions: His debut solo exhibition at Gian Tommaso Liverani’s La Salita gallery in Rome in 1964 showcased “leant against or hanging on the wall” panels—a deliberate provocation designed to disrupt conventional notions of display and underscore the ongoing process of artistic creation. Critics like Carla Lonzi and Marisa Volpi recognized Paolini's innovative approach, establishing him as a voice within the burgeoning Arte povera movement.
  • Material Exploration: Paolini’s subsequent works consistently prioritized raw materials—wood, plaster, photography—transforming them into evocative sculptures and images. These pieces eschewed polished surfaces and elaborate ornamentation, prioritizing textural qualities and conveying emotional resonance.

Notable Achievements and Artistic Legacy

Paolini’s artistic output demonstrates a remarkable sensitivity to both formal experimentation and conceptual depth. His exploration of photographic realism—evident in “senza titolo” (1965)—challenged viewers to confront the complexities of representation, prompting reflection on how images convey meaning beyond mere visual appearance. Furthermore, his sculptural endeavors, such as “Untitled (936),” exemplify Arte povera’s commitment to confronting existential themes through understated materials and forms.
  • Critical Recognition: Paolini's work garnered considerable acclaim from prominent art critics and curators who championed his distinctive aesthetic vision. Lonzi and Volpi’s initial assessments established him as a key figure in the Arte povera movement, securing his place within the history of Italian contemporary art.
  • Continuing Relevance: Giulio Paolini's enduring influence stems from his unwavering dedication to artistic innovation—his refusal to adhere to conventional standards and his persistent pursuit of expressive truth. His legacy continues to inspire artists today who strive to forge new paths within the realm of visual art.
Giulio Paolini

Giulio Paolini

1940 -

Osnovne informacije

  • Full Name: Giulio Paolini
  • Nationality: Italian
  • Date Of Birth: 1940
  • Place Of Birth: Genoa, Italy
  • Notable Artworks: ['L', 'senza titolo', 'Untitled (936)']
  • Artistic Movement Or Style: Arte Povera & Conceptual Art
  • Artists Who Influenced This Artist: ['Luciano Fabro']
  • Artists Or Movements Influenced By This Artist: ['Minimalism']