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Kader Attia

Reason

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Kader Attia: Algerian-French artist renowned for sculptures & installations exploring postcolonialism, repair, and cultural identity. Winner of the Marcel Duchamp Prize.
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Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.

Kao poštovana i legalna alternativa, nudimo prilagođena, ručno oslikana umjetnička djela inspirirana originalom. Naši vješti i profesionalni umjetnici pažljivo proučavaju stil, raspoloženje i umjetničku bit originala kako bi stvorili novo, jedinstveno djelo koje izaziva isti osjećaj – ostajući pritom vlastito, originalno stvaralaštvo.

Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.

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Ukupna cijena

€ 234

Reason

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Kader Attia (b. 1970, France) lives and works in Berlin. Attia grew up in both Algeria and in the suburbs of Paris. This experience of being part of two cultures is used as a starting point from which to develop a dynamic practice that reflects on the aesthetics and ethics of different cultures. Attia’s work explores the impact of Western cultural and political capitalism on the Middle East and North Africa, and considers how this residual strain of struggle and resistance to colonisation affects Arab youth, particularly those living in the banlieues (suburbs) of France. For his work, Reason’s Oxymoron (2015), an eighteen-channel video installation, Attia created an expansive video library containing interviews with philosophers, ethnologists, historians, psychiatrists, psychoanalysts, musicologists, patients, healers, fetishists, and griots. Each of the volumes is edited under different themes, such as ‘genocide’, ‘totem and fetish’, ‘reason and politics’, or ‘trance’. Taken either individually or as a whole, they offer commentary on psychiatric pathology as perceived in traditional non-Western cultures, on the one hand, and in modern Western societies, on the other. In its mix of rational explanations and irrational representations of what the West calls psychiatry, the work is particularly concerned with the question of the irreparable, inherent in the idea of ‘repair’, and calls into question the ambivalence of the psyche of modern Western societies towards traditional non-Western societies. The work evidences the legacy of modernity as a Western-inflicted – and imported – notion, in which frictions amid traditional and occidental societies occur. Attia questions the slippery border between rationality and irrationality, between science and metaphysics, between belief and mistrust. The conflicting perceptions of (in)sanity highlight the difficulties in healing psychological injuries. There is no definitive solution to soothe the burden of pain, and especially wounds inferred by historical events like colonization.

Pitanja i odgovori

Kakvu paletu boja koristi "Reason"?

Paleta djela "Reason" autora Kader Attia opisana je kao Earthy. To je sažet opis boja ovog umjetničkog djela.

Gdje mogu vidjeti pregled za "Reason"?

Pregled djela "Reason" autora Kader Attia možete pogledati na stranici Pregled u prostoru za to umjetničko djelo.

Nalazi li se "Reason" autora Kader Attia u domovini umjetnika?

Ne – umjetničko djelo se nalazi izvan zemlje umjetnika. Rodna zemlja umjetnika Kader Attia je France, dok se muzej u kojem se čuva izvornik djela "Reason" nalazi u državi Republika Irska.

Srodna umjetnička djela

The Promenade — Paul Cezanne, Post-impressionism
Paul Cezanne The Promenade
Ma Jolie — Pablo Picasso, Cubism
Pablo Picasso Ma Jolie
Still Life With Apples And Pomegranates — Gustave Korbe, Contemporary Realism
Gustave Korbe Still Life with Apples and Pomegranates
Interior, Strandgade 30 — Vilhelm Hammershøi, Symbolism
Vilhelm Hammershøi Interior, Strandgade 30
At Home 1 — Liu Xiaodong
Liu Xiaodong At Home 1
Blockade — Ali Talib Al-saffar, Abstract Expressionism
Ali Talib Al-Saffar Blockade
Dream For Her Daughter — Vibhor Yadav, Documentary Photography
Vibhor Yadav Dream for her Daughter
The Artist And The Model — Muzej Grada Beograda, Impressionism
Muzej Grada Beograda The Artist and the Model
Rabbit — Nathan Oliveira, Bay Area Figurative Movement
Nathan Oliveira Rabbit
Harvest — Ganesh Chandra Haloi, Abstract Landscape
Ganesh Chandra Haloi Harvest

Biografija umjetnika

Kader Attia: Life and Work

Early Life and Education

Born in Dugny, France, in 1970 to Algerian parents, Kader Attia’s upbringing was shaped by a dual cultural identity. He spent his formative years navigating both Paris and Algeria, an experience that profoundly influenced his artistic perspective. Attia received his education at several prestigious institutions, including l'École duperré de paris, l'École des arts appliqués la massana de barcelone, and ultimately graduating from the École Nationale Supérieure des Arts Décoratifs in Paris in 1998.

Artistic Development and Themes

Attia’s work is deeply rooted in exploring complex themes of postcolonialism, social injustice, and cultural identity. He often examines the psychological and physical consequences of colonialism, migration, and conflict. His artistic practice encompasses sculpture, installation, video, and photography, frequently employing found objects and unconventional materials to convey his message. A recurring motif in his work is the concept of “repair,” both literal and metaphorical, reflecting on the ways societies attempt to heal from trauma and rebuild after destruction.

Key Influences

  • Postcolonial Theory: Thinkers like Frantz Fanon and Edward Said have significantly informed Attia’s critical examination of colonial legacies.
  • Personal Experience: His own upbringing as a child of Algerian immigrants in France provides a deeply personal lens through which he views issues of identity and belonging.
  • Art History: While not directly imitating specific styles, Attia draws inspiration from various artistic traditions to create his unique visual language.

Major Achievements and Recognition

Attia has garnered significant recognition for his impactful work. Some of his major achievements include:

  • Founding La Colonie, a gallery near Paris’ Gare du Nord train station, which served as a platform for emerging artists and critical dialogue (closed in 2020).
  • Being appointed curator of the 12th Berlin Biennale in 2021 – a landmark achievement making him the first artist to hold this position since 2016.
  • Exhibiting ‘On Silence’ at Mathaf: Arab Museum of Modern Art in Doha (2021).
  • Winning the Prix Marcel Duchamp in 2016, a prestigious French art award.
  • Receiving the Joan Miró Prize in 2018.

Historical Significance and Collections

Kader Attia’s work is increasingly recognized for its critical engagement with contemporary social and political issues. His art challenges conventional narratives about history, identity, and the ongoing effects of colonialism. His pieces are included in prominent museum collections worldwide, including:

  • Museum of Modern Art (MoMA), New York
  • Sharjah Art Foundation
  • Tate Museum
  • Centre Georges Pompidou, Paris
  • Institute of Contemporary Art, Boston
  • Guggenheim Museum, New York

Attia’s contribution lies in his ability to create thought-provoking art that sparks dialogue and encourages viewers to confront uncomfortable truths about the world around them.

Kader Attia

Kader Attia

1970 - , France

Osnovne informacije

  • Name: Kader Attia
  • Movement: Postcolonial art, Contemporary sculpture, Installation art
  • Birth Date: 1970
  • Birth Place: Dugny, France
  • Nationality: Algerian-French
  • Date Of Birth: 1970
  • Notable Works:
    • Reason
    • Demo(n)cracy
  • Place Of Birth: Dugny, France
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