Pregledaj u realnoj veličini
Pošalji
Podijeli
Detalji o umjetničkom djelu
Vodič
Preuzmi umjetničko djelo
Slični predmeti
Rentgenska snimka
Slide show
StatistikaThree-Sided Vortex
1966
41.0 x 20.0 cm
Chrysler Museum of Art
Prikaži više
Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.
Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.
Giclée / Umjetnički otisak
Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. (
Kupi ručno oslikano djelo Prebacite na digitalnu sliku)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.
Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (27 Listopad)
Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
Potpuno osiguranje dostave
Jamstvo povrata carine i uvoznih poreza
Jamstvo vjernosti boja
Politika povrata u roku od 100 dana (samo u slučaju nedostataka)
Jamstvo povrata 100% novca
Popust na više proizvoda
Opcija stakla dostupna je samo za dimenzije manje od 110 cm
Three-Sided Vortex
Giclée / Umjetnički otisak
Veličina reprodukcije
-
Ukupna cijena
€ 54
Srodna umjetnička djela
Biografija umjetnika
Early Life and Artistic Beginnings
- Born: January 2, 1938, in Passaic, New Jersey
- Early years spent in Rutherford and Clifton, New Jersey
- Studied painting and drawing at the Art Students League of New York (1955-1956)
- Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
- Influenced by William Carlos Williams, who was his pediatrician.
The Shift to Minimalism and Conceptual Art
- After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
- Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
- Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
- Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
- Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.
Land Art and Earthworks: Spiral Jetty and Beyond
- Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
- Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
- Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
- Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.
Theoretical Writings and Landscape Perspectives
- Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
- Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
- His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.
Legacy and Historical Significance
- Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
- Considered a pivotal figure in Land Art and Earthworks movements.
- His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
- Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
- The Holt/Smithson Foundation continues to preserve and promote his legacy.
Robert Smithson
1938 - 1973 , United States of America
Osnovne informacije
- Artistic Movement Or Style:
- Land Art
- Earthworks
- Minimalism
- Artists Or Movements Influenced By This Artist:
- Land Art movement
- Earthworks movement
- Artists Who Influenced This Artist: ['William Carlos Williams']
- Full Name: Robert Smithson
- Nationality: American
- Notable Artworks:
- Spiral Jetty
- Non-Sites
- Mirror Displacement
- Place Of Birth: Passaic, United States of America
- Date Of Birth: 1938
- Date Of Death: 1973
