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StatistikaGhost
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Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.
Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.
Giclée / Umjetnički otisak
Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. (
Kupi ručno oslikano djelo Prebacite na digitalnu sliku)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.
Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (27 Listopad)
Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
Potpuno osiguranje dostave
Jamstvo povrata carine i uvoznih poreza
Jamstvo vjernosti boja
Politika povrata u roku od 100 dana (samo u slučaju nedostataka)
Jamstvo povrata 100% novca
Popust na više proizvoda
Opcija stakla dostupna je samo za dimenzije manje od 110 cm
Ghost
Giclée / Umjetnički otisak
Veličina reprodukcije
-
Ukupna cijena
€ 54
Srodna umjetnička djela
Biografija umjetnika
The Hands of a Maker
Ron Mueck grew up surrounded by the textures of his family's business in Melbourne, Australia, where puppetry and doll-making were daily realities. This early familiarity with creating small, lifelike forms stayed with him long after he moved to the United Kingdom in 1986. Before turning to fine art, he spent years working as a model-maker for film and television. He was part of the creative world behind Jim Henson’s work, contributing his skills to projects like the character Ludo in the film Labyrinth and the series The Storyteller. These years were spent focusing on the minute details required to make something inanimate appear breathing and real.
In the mid-1990s, his focus shifted from the screen to the gallery. A commission in 1996 to create a small figure of Pinocchio for Paula Rego marked a transition into this new space. Soon after, he produced Dead Dad (1996–1997), a half-scale depiction of his recently deceased father. This work brought him attention during the 1997 Sensation exhibition at the Royal Academy of Arts in London. It was a piece built from memory and imagination, using the same precision learned in the world of special effects to explore a deeply private subject.
Scale and the Human Form
The work is defined by a specific way of handling size. Mueck does not stick to one scale; he moves between figures that are smaller than life-size, half-scale, and much larger than life. This manipulation changes how a viewer perceives the weight and vulnerability of the subject. In Boy (1999), a sculpture reaching five metres in height, the sheer mass of the figure creates a different physical presence than the small, huddled form of Crouching Boy in Mirror (1999–2002).
Each sculpture is a slow process. A single work can take months or even more than a year to complete. The technique relies on hyperrealism, where every crease of skin and anatomical detail is rendered with extreme fidelity. This level of detail is applied to subjects that touch on the cycle of life, from birth to death. Some works focus on:
- The intimacy of Spooning Couple (2005)
- The exposure found in In Bed (2005)
- The fragility of the elderly in Old Woman in Bed
- The heavy, larger-than-life presence of Mask II (2001–02)
A Presence in Museums
His sculptures have been placed in various collections across the globe. The Tate in London holds works like Mask III, while the Museum of Fine Arts, Houston, has displayed his larger-than-life self-portraits. In Japan, Standing Woman (2007) is part of the permanent collection at the Towada Art Center. His exhibitions have traveled through places such as the Fondation Cartier pour l’art contemporain in Paris, the Mori Art Museum in Japan, and the National Museum of Modern and Contemporary Art in Seoul.
The impact of these works often comes from the tension between their realistic textures and their unexpected dimensions. By enlarging or shrinking the human body, the artist pulls private, quiet moments into a public view. The viewer is often left looking at a figure that feels both familiar and strangely detached, caught in a state of stillness that suggests unseen thoughts or feelings.
Ron Mueck
1958 -
Osnovne informacije
- Full Name: Ronald Hans Mueck
- Nationality: Australian
- Notable Artworks:
- In Bed
- Dead Dad
- Boy
- Mask II
- Spooning Couple
- Place Of Birth: Melbourne, Australia
- Date Of Birth: 1958
