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Updating Yamantaka

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Every detail, painted by hand

Tenzing Rigdol's 'Updating Yamantaka' blends Tibetan tradition with modern commentary. Featuring Osama bin Laden, it confronts mortality & global conflict through a powerful thangka reimagining.

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The heart of the scene.

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Light and background.

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The brushwork.

The painting

The Weight of Mortality: Tenzing Rigdol’s “Updating Yamantaka”

Tenzing Rigdol's "Updating Yamantaka" isn't merely a painting; it’s an arresting collision of ancient Tibetan iconography and contemporary unease. Created in 2010, this work transcends the boundaries of traditional thangka art, forcing us to confront uncomfortable truths about power, death, and the unsettling ways they intersect within our world. At first glance, the composition appears deceptively serene – a vibrant tapestry woven with pastel hues, intricate textile patterns reminiscent of Tibetan prayer rugs, and the solemn script of sacred texts. However, a closer examination reveals a deliberate subversion of established artistic conventions, culminating in an image that is both profoundly unsettling and intellectually stimulating.

The central figure, Yamantaka – the Lord of Death and King of the Law within the Tibetan Buddhist tradition – dominates the canvas. Traditionally depicted astride a buffalo relentlessly pursuing a human victim, symbolizing the inescapable cycle of life and death, Rigdol’s interpretation diverges dramatically. The anonymous, everyman figure representing the sacrificed individual is replaced with the unmistakable face of Osama bin Laden. This jarring juxtaposition isn't gratuitous; it serves as a potent metaphor for the anxieties of the 21st century – a world grappling with global terrorism, political instability, and the pervasive sense that ancient philosophical concepts are suddenly rendered terrifyingly relevant.

A Dialogue Between Tradition and Modernity

Rigdol’s artistic approach is deeply rooted in his Tibetan heritage, yet he doesn't simply replicate traditional styles. He masterfully blends these established techniques with elements of contemporary art, incorporating influences from American Sign Language (ASL) – a subtle nod to his dual identity as a Tibetan-American artist – and personal iconography that speaks to his own experiences. The deliberate layering of sacred text alongside the unsettling image of bin Laden creates a dynamic tension, suggesting a critical engagement with both spiritual and secular realms. The use of pastel colors, typically associated with serenity and spirituality, is deliberately juxtaposed against the stark reality presented by the central figure, amplifying the work’s emotional impact.

Born in Kathmandu, Nepal, in 1982, Rigdol's upbringing was shaped by his family’s displacement from Tibet. This personal history profoundly informs his artistic practice, fueling a desire to explore themes of cultural identity, exile, and the enduring legacy of tradition. His work is not simply an aesthetic exercise; it’s a deeply considered meditation on the complexities of navigating multiple worlds and grappling with profound questions about mortality and morality.

Symbolism and its Shifting Meanings

The symbolism within “Updating Yamantaka” operates on multiple levels. The buffalo, traditionally representing relentless pursuit and destruction, embodies the forces of chaos and violence that threaten to overwhelm human existence. Yamantaka himself represents the inevitable cycle of death and rebirth, a concept central to Buddhist philosophy. However, by placing the face of Osama bin Laden upon this figure, Rigdol transforms the traditional symbolism into a commentary on contemporary global conflict. The image becomes a visual representation of how ancient philosophical concepts can be reinterpreted and applied to address modern challenges – suggesting that even seemingly immutable truths are subject to change and re-evaluation.

Furthermore, the inclusion of scripture alongside the unsettling imagery highlights the ongoing dialogue between faith and reason. Rigdol invites us to consider how traditional beliefs can be both comforting and challenging in a world increasingly defined by uncertainty and conflict. The work ultimately compels viewers to confront their own assumptions about power, death, and the role of violence in shaping human destiny.

A Reproduction Worth Considering

“Updating Yamantaka” is more than just a striking image; it’s a powerful statement about the interconnectedness of past and present. WikiOO offers high-quality reproductions that faithfully capture the painting's intricate details and emotional depth. Whether you are an art collector, an interior designer seeking to infuse your space with thought-provoking imagery, or simply someone captivated by this unique work, a reproduction of “Updating Yamantaka” is a compelling addition to any collection – a reminder of the enduring relevance of ancient wisdom in our rapidly changing world.

Pitanja i odgovori

Kako "Updating Yamantaka" uspostavlja ravnotežu između svjetla i tame?

Zabilježene vrijednosti za "Updating Yamantaka" autora Tenzing Rigdol su: svjetlina brilliant, luminancija Bright Balance.

Koja je tehnika korištena za "Updating Yamantaka" i kada je djelo nastalo?

Tehnika djela "Updating Yamantaka" autora Tenzing Rigdol je Acrylic On Canvas, a rad je datiran u 2010.

Kako se kontrast i harmonija prepliću u djelu "Updating Yamantaka"?

U djelu "Updating Yamantaka", Statement kontrast uparuje se s Discordant Palette harmonijom.

Tenzing Rigdol

Tenzing Rigdol

1982 - , Nepal

The painter

Tenzing Rigdol is a Tibetan-American contemporary artist renowned for blending thangka art with modern expression. His thought-provoking installations explore cultural identity, displacement & dialogue, exhibited globally including the Metropolitan M

Biografija umjetnika

Early Life and Education

  • Born: Kathmandu, Nepal (1982)
  • Nationality: Tibetan-American
  • Education: University of Colorado Denver College of Arts & Media – Master's Degree in Philosophy, BA-BFA in Art and Art History. Honorary Doctorate in 2022.
  • Early life was marked by his parents fleeing occupied Tibet in the late 1960s.
  • Studied traditional Tibetan sand painting and butter sculpture at the Shekar Chorten monastery in India.
  • Studied thangka painting under Phenpo Tenthar at the Tibetan Thangka Art School in Kathmandu.

Artistic Development and Influences

  • Expertise: Primarily known for his expertise in thangka art, blending traditional techniques with modern artistic expressions.
  • Influences: Philosophy, ongoing human conflicts, political issues. His family's history as refugees significantly influenced his work.
  • Style: Combines Tibetan heritage with contemporary styles; incorporates elements of American Sign Language (ASL) and personal iconography.
  • Themes: Cultural identity, displacement, dialogue, environmental pollution, existentialism, ignorance, mindfulness.

Major Works and Projects

  • "Pin drop silence: Eleven-headed Avalokiteshvara": Acquired by the Metropolitan Museum of Art in 2014; a significant recognition of his contemporary Tibetan art.
  • 20,000 kg of Tibetan Soil Installation: A project involving transporting soil from Shigatse to Dharamshala symbolizing connection to Tibet for displaced Tibetans. Documented in the film "Bringing Tibet Home."
  • "Biography of a Thought": Site-specific installation at The Metropolitan Museum of Art, exploring Buddhist concepts and incorporating personal iconography.
  • Poetry Collections: Published three collections – “R”– the Frozen Ink (2008), Anatomy of Nights (2011) and Butterfly’s Wings (2011).

Dialogue Artist Residency (DAR) and Collaborative Efforts

  • Establishment of DAR: Founded the Dialogue Artist Residency to encourage collaboration between Tibetan and international artists.
  • Collaboration with Filmmakers: Contributed to the documentary "Bringing Tibet Home" (2013).
  • Focus on Cultural Exchange: Actively fosters cultural exchange through his residency program and collaborative projects.

Recognition and Historical Significance

  • Metropolitan Museum of Art Acquisition: His work being acquired by the Met signifies a growing recognition of contemporary Tibetan art within mainstream Western institutions.
  • Honorary Doctorate from CU Denver: The first Tibetan artist to receive this honor, highlighting his contribution to both artistic and intellectual fields.
  • Bridging Tradition and Modernity: Rigdol's work is significant for its ability to bridge traditional Tibetan art forms with contemporary concerns, making them accessible to a wider audience while retaining their cultural depth.
  • Addressing Social and Political Issues: His art serves as a platform for addressing social and political issues relevant to the Tibetan diaspora and beyond.

Quick facts about Tenzing Rigdol

  • Full Name: Tenzing Rigdol
  • Nationality: Tibetan-American
  • Date Of Birth: 1982
  • Place Of Birth: Kathmandu, Nepal
  • Notable Artworks:
    • Pin drop silence: Eleven-headed Avalokiteshvara
    • Updating Yamantaka
  • Artistic Movement Or Style: Contemporary art, Thangka art

Ručno rađena uljana reprodukcija

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Ručno rađena uljana reprodukcija

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Updating Yamantaka

Tehnika reprodukcije

Veličina reprodukcije

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Okvir za reprodukciju

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Za umjetnička djela ili reprodukcije veće od 105 cm (približno 41 inč) na bilo kojoj strani, okvir će biti isporučen u obliku rastavljenog seta za montažu. Ovaj način osigurava sigurnu dostavu i sprječava oštećenja tijekom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod za samostalnu izradu.
Set mora sastaviti i platno zategnuti iskusni profesionalni uokvirivač, koristeći drvno ljepilo (nije uključeno u set), kljeste za zatezanje platna i stege kako bi se održao pravilan kut letvica dok se ljepilo suši. Nepravilna montaža ili neravnomjerno zategnuto platno mogu trajno oštetiti umjetničko djelo, a takva oštećenja nisu pokrivena našim jamstvom.

  • Sve letvice od punog drveta su uključene, precizno izrezane po mjeri.

  • Montira se pomoću priloženih vijaka, uz dodatak ljepila za drvo za spojeve u kutovima, koje nije uključeno u set i koje vaš okviraš mora vlastito nabaviti.

  • Potrebni su profesionalni alati koji nisu uključeni: škripc za zatezanje platna (zatezač) i stezaljke za održavanje pravokonačnosti letvica tijekom sušenja ljepila.

Važno:
Za spojeve u kutovima potrebno je ljepilo za drvo, letvice se moraju pričvrstiti stezgama dok se ljepilo potpuno ne osuši, a za zatezanje platna na sastavljenom okviru potreban je alat za zatezanje platna. Nijedan od ovih alata nije uključen u set. Molimo vas da prije narudžbe ove veličine osigurate uslugu iskusnog profesionalnog uokvirivača.

Natpisna pločica

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Zaštitni lak

Sjajni lak (pojačava intenzitet boja, štiti od svjetlosti i vlage)

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Hitna dostava

Globalna dostava () u roku od 3-4 tjedna umjesto standardnih 5 tjedana. (29 Listopad). Bez kompromisa u kvaliteti.

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Brza dostava

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Uključeno u cijenu

Ukupna cijena

€ 234

Ukupna cijena € 234

Opcija stakla dostupna je samo za dimenzije manje od 110 cm

i.

Scale

Slide to your wall: every size keeps the proportions of the original.

Standardne dimenzije
po mjeri
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INCH

Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.

širina
visina

Unesite potrebnu širinu i visinu kako bi dimenzije odgovarale vašem okviru ili zidu. Budući da je riječ o ručno oslikanom djelu, umjetnik može malo proširiti rubove slike ili ih skratiti kako bi postigao drugačiji oblik — izbor je vaš. Prije početka slikanja poslat ćemo vam digitalni prikaz (mockup) radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni rezultat — samo digitalni prikaz to čini.

ii.

Frame

The frame is drawn on the painting at its true width.

Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
White €1
Corner sample of the BlurSideWrap canvas edge finish, stretched on masivno drvo bars
Blurside €1
Corner sample of the ExtendedWrap canvas edge finish, stretched on masivno drvo bars
Extended €1
Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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P919G €10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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P959ZH €10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
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Corner sample of the H24-GOLD picture frame: rezbarano drvo s gessom, 10 cm wide and 6 cm thick
H24-GOLD €30
Corner sample of the H24-SILVER picture frame: rezbarano drvo s gessom, 10 cm wide and 6 cm thick
H24-SILVER €30
Corner sample of the H36-GOLD picture frame: rezbarano drvo s gessom, 15 cm wide and 6.5 cm thick
H36-GOLD €45
Corner sample of the H36-SILVER picture frame: rezbarano drvo s gessom, 15 cm wide and 6.5 cm thick
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Choose your frame

iii.

Make it yours

A painting made by hand can be made for one person.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, WikiOO.org team will email client for instructions and provide a mockup preview

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Finishing

Nameplate, varnish and delivery.

Natpisna pločica

Detalji gravirane brončane pločice

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detalji prozirne akrilne pločice

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detalji crne akrilne pločice

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

Zaštitni lak

Hitra izrada i dostava

Isporuka širom svijeta () u roku od 3-4 tjedna umjesto standardnih 5 tjedana. (29 Listopad). Bez kompromisa u kvaliteti.

  • Besplatna ekspresna dostava širom svijeta
  • Visokokvalitetno laneno platno
  • Potpuno osiguranje dostave
  • Jamstvo povrata carine i uvoznih poreza
  • Jamstvo vjernosti boja
  • Politika povrata u roku od 100 dana (samo u slučaju nedostataka)
  • Jamstvo povrata 100% novca
  • Popust na više proizvoda

Quick facts and art quiz

Osnovne informacije

  • Medium: Pastel & scripture
  • Artist: Tenzing Rigdol
  • Location: Rubin Museum, NYC
  • Title: Updating Yamantaka
  • Dimensions: 68.9 x 62.9 cm
  • Year: 2010

Kviz o umjetnosti

Svako pitanje ima samo jedan točan odgovor.

Pitanje 1:
What is the primary symbolic meaning conveyed by Tenzing Rigdol’s artwork, ‘Updating Yamantaka’?
Pitanje 2:
In the artwork, what is unusual about the figure traditionally depicted beneath the buffalo?
Pitanje 3:
Tenzing Rigdol’s artistic background includes training in which traditional Tibetan art forms?
Pitanje 4:
The artwork ‘Updating Yamantaka’ was created in which year?
Pitanje 5:
What does the inclusion of Osama bin Laden’s face in ‘Updating Yamantaka’ suggest, according to the artist?
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