Anders Zorn portréja

Anders Zorn: A 100 leghíresebb festményének katalógusa

Frissítve: október 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 340 mű Anders Zorn alkotása a katalógusunkban

Összefoglaló

A Self-portrait (1882) a(z) Anders Zorn leghíresebb festményének számít; a műet a Nationalmuseum található, Stockholm városában. Isabella Stewart Gardner in Venice (1894) és Junikväll (Evening in June) a második és harmadik helyet foglalják el. A Anders Zorn katalógusában szereplő 340 műből az alábbiakban találhatók meg a 100 legmeghatározóbb alkotás, dátummal, a művet őrző múzeummal és a műről szóló megjegyzéssel együtt.

1860 – 1920, Mora Impressionism A legtöbb mű: Nationalmuseum

1. és 10. sorozat: a leghíresebb Anders Zorn festmények

1
Self-portrait (1882) szerzője Anders Zorn

Self-portrait

1882 · Acrylic On Canvas · Nationalmuseum, Stockholm

Anders Leonard Zorn’s “Self-Portrait,” painted in 1882, isn't merely a likeness; it’s an intimate revelation, a carefully constructed glimpse into the mind and spirit of one of Sweden’s most celebrated artists. Executed in delicate watercolor on paper, this work transcends the typical self-portraiture of its time, offering not just a visual representation but a profound meditation on identity, observation, and the artist's own place within the world. The painting captures…

2
Isabella Stewart Gardner in Venice (1894) szerzője Anders Zorn

Isabella Stewart Gardner in Venice

1894 · Acrylic On Canvas · Isabella Stewart Gardner Museum, Boston

Anders Leonard Zorn's "Isabella Stewart Gardner in Venice," painted in 1894, isn’t merely a portrait; it’s an exquisitely rendered distillation of memory, movement, and the enduring allure of Venetian light. The painting captures not just a likeness of the American socialite Isabella Stewart Gardner – a woman renowned for her passionate collecting and transformative influence on Boston's Museum of Fine Arts – but also a feeling, a fleeting moment suspended…

4
Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900) szerzője Anders Zorn

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)

1900 · Oil On Canvas · Metropolitan Művészeti Múzeum, New York

Anders Leonard Zorn’s “Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)” is more than just a portrait; it's a window into the life of a remarkable woman and a testament to her profound impact on the world of music. Painted in 1900, this oil-on-canvas masterpiece captures Mary Elizabeth Adams Brown – a philanthropist whose dedication resulted in one of the most significant collections of musical instruments housed at The Metropolitan…

5
Ida by the Window (1908) szerzője Anders Zorn

Ida by the Window

1908 · Oil On Canvas

Anders Zorn painted Ida by the Window in 1908. The subject of this work is Ida, who held the position of housekeeper at the artist's home in Mora. She is depicted standing before a window, wearing a green dress and a white scarf around her neck. Her hands rest on her hips as she gazes outward. In the background, two other figures are visible, one positioned on the left side…

6
Valsen szerzője Anders Zorn

Valsen

Oil On Canvas

, also known as The Waltz, is an oil painting by the Swedish artist Anders Zorn. Executed in 1891, the work captures a moment of movement within a social setting. The piece is recognized by both its original title and its English translation.

7
Vallkulla szerzője Anders Zorn

Vallkulla

Etching

Vallkulla is an etching produced by the Swedish artist Anders Zorn. This work originated in Sweden and was created in 1912. The piece is classified within the category of prints, etchings, and works on paper. It is a specific example of the artist's output during this period of his career.

8
Halsey Cooley Ives (1894) szerzője Anders Zorn

Halsey Cooley Ives

1894 · Oil On Canvas · Saint Louis Art Museum, Saint Louis

The room feels quiet, heavy with the weight of a man’s presence. Halsey Cooley Ives sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward an unseen point beyond the frame. There is a profound sense of stillness here, as if the air itself has paused to respect his contemplation. He is a man of substance, draped in a dark suit that seems to absorb…

9
Portrait Study of a Man (1901) szerzője Anders Zorn

Portrait Study of a Man

1901 · Oil On Canvas · Art Institute of Chicago, Chicago

The man sits in a quiet, heavy stillness, his gaze meeting the viewer with a steady and direct intensity. Light spills from the upper left, catching the ridge of his forehead and the edge of a hand, while the rest of his form retreats into deep, charcoal shadows. There is a profound sense of introspection here, as if he has just paused mid-thought to acknowledge an unexpected presence in the…

10
Charles Nagel (1901) szerzője Anders Zorn

Charles Nagel

1901 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

In this 1901 oil on canvas, we encounter Charles Nagel not as a mere likeness, but as a study in quiet dignity. The subject is positioned in a bust-length composition, his gaze meeting ours with a serious, steady expression that suggests a life of intellect and weight. There is a certain gravity to his posture, an unhurried stillness that commands the space around him. The lighting is handled with a…

Anders Zorn, további találatok: 11 – 100

11Nude Girl in Doorway (1900) szerzője Anders ZornNude Girl in Doorway1900 · Art Institute of Chicago 12The Artist's Wife (1889) szerzője Anders ZornThe Artist's Wife1889 · Nationalmuseum 13Maria Sheldon Scammon (1895) szerzője Anders ZornMaria Sheldon Scammon1895 · Art Institute of Chicago 14Girl from Dalecarlia knitting. Cabbage Margit (1901) szerzője Anders ZornGirl from Dalecarlia knitting. Cabbage Margit1901 · Nationalmuseum 15Castles in the Air (1885) szerzője Anders ZornCastles in the Air1885 · Nationalmuseum 16Mefisto Consul Dahlander (1884) szerzője Anders ZornMefisto Consul Dahlander1884 · Nationalmuseum 17Midsummer Dance (1897) szerzője Anders ZornMidsummer Dance1897 18Frileuse (1894) szerzője Anders ZornFrileuse1894 · Prince Eugens Waldemarsudde 19Marie Cohn (1900) szerzője Anders ZornMarie Cohn1900 20Röd sand szerzője Anders ZornRöd sand 21A Woman in a Forest (1907) szerzője Anders ZornA Woman in a Forest1907 22Badande kullor i bastun szerzője Anders ZornBadande kullor i bastunNationalmuseum 23A Kitchen Maid (1919) szerzője Anders ZornA Kitchen Maid1919 24The Omnibus (1892) szerzője Anders ZornThe Omnibus1892 · Isabella Stewart Gardner Museum 25Abram Piatt Andrew, Jr. (1911) szerzője Anders ZornAbram Piatt Andrew, Jr.1911 · Isabella Stewart Gardner Museum 26Isabella Stewart Gardner in Venice (1894) szerzője Anders ZornIsabella Stewart Gardner in Venice1894 · Isabella Stewart Gardner Museum 27Nelson Wilmarth Aldrich (1913) szerzője Anders ZornNelson Wilmarth Aldrich1913 · National Portrait Gallery 28A Young Farm Girl (1880) szerzője Anders ZornA Young Farm Girl1880 · Nationalmuseum 29Love nymph (1884) szerzője Anders ZornLove nymph1884 · Nationalmuseum 30The Love Nymph (1885) szerzője Anders ZornThe Love Nymph1885 31Model Study (1879) szerzője Anders ZornModel Study1879 · Thiel Gallery 32I vardinnans tradgard (1882) szerzője Anders ZornI vardinnans tradgard1882 33Neglected (1884) szerzője Anders ZornNeglected1884 34Portrait of a boy (1881) szerzője Anders ZornPortrait of a boy1881 35The Bathers (1889) szerzője Anders ZornThe Bathers1889 · Zorn Collections 36Bedouin Girl (1886) szerzője Anders ZornBedouin Girl1886 37Study of a Nude (1891) szerzője Anders ZornStudy of a Nude1891 · Nationalmuseum 38Viktor Rydberg (1890) szerzője Anders ZornViktor Rydberg1890 39Woman of Paris (1887) szerzője Anders ZornWoman of Paris1887 40Country festival (1890) szerzője Anders ZornCountry festival1890 · Pushkin állami művészeti múzeum 41Gunnlöd (1886) szerzője Anders ZornGunnlöd1886 · Nationalmuseum 42Bedouin Girl (1886) szerzője Anders ZornBedouin Girl1886 · Nationalmuseum 43Zorn and his Wife (1890) szerzője Anders ZornZorn and his Wife1890 44Opal (1891) szerzője Anders ZornOpal1891 45The Tub (1888) szerzője Anders ZornThe Tub1888 46Joseph-Ernest Renan (1892) szerzője Anders ZornJoseph-Ernest Renan1892 47William B. Ogden (1895) szerzője Anders ZornWilliam B. Ogden1895 · Wadsworth Atheneum 48In the Skerries (1894) szerzője Anders ZornIn the Skerries1894 49After the Bath (1895) szerzője Anders ZornAfter the Bath1895 · Nationalmuseum 50Untitled (AQQLR2) (1898) szerzője Anders ZornUntitled (AQQLR2)1898 51Untitled (AQQLQE) (1898) szerzője Anders ZornUntitled (AQQLQE)1898 · Harvard Art Museums 52Nude in Fire Light (1904) szerzője Anders ZornNude in Fire Light1904 53By Lake Siljan (1905) szerzője Anders ZornBy Lake Siljan1905 · Nationalmuseum 54On the Rock (1904) szerzője Anders ZornOn the Rock1904 · Thiel Gallery 55In the Loft (1904) szerzője Anders ZornIn the Loft1904 · Thiel Gallery 56Charles Tracy Barney (1850–1907) (1904) szerzője Anders ZornCharles Tracy Barney (1850–1907)1904 · New York Historical Society 57Samuel Untermyer (1858–1940) (1901) szerzője Anders ZornSamuel Untermyer (1858–1940)1901 · New York Historical Society 58Mrs. Grover Cleveland (1899) szerzője Anders ZornMrs. Grover Cleveland1899 · Isabella Stewart Gardner Museum 59Ida (1905) szerzője Anders ZornIda1905 60Madonna (1900) szerzője Anders ZornMadonna1900 61Self-Portrait (1907) szerzője Anders ZornSelf-Portrait1907 62Portrait of Andrew Carnegie, Esq. (1911) szerzője Anders ZornPortrait of Andrew Carnegie, Esq.1911 · Carnegie Museum of Art 63Gopsmor (1910) szerzője Anders ZornGopsmor1910 · Nemzeti Szépművészeti Múzeum 64Wet (1910) szerzője Anders ZornWet1910 · Metropolitan Művészeti Múzeum 65In Santaham (1906) szerzője Anders ZornIn Santaham1906 66The Hinds (1908) szerzője Anders ZornThe Hinds1908 67The Painter Bruno Liljefors (1906) szerzője Anders ZornThe Painter Bruno Liljefors1906 · Nationalmuseum 68The Awakening (1906) szerzője Anders ZornThe Awakening1906 69Ingeborg (1907) szerzője Anders ZornIngeborg1907 70Untitled (AQQLQL) (1908) szerzője Anders ZornUntitled (AQQLQL)1908 71Untitled (AQQLRE) (1906) szerzője Anders ZornUntitled (AQQLRE)1906 · National Portrait Gallery of Sweden 72Hilma Herikson (1908) szerzője Anders ZornHilma Herikson1908 73Fourteen Years Old I Believe I Was (1916) szerzője Anders ZornFourteen Years Old I Believe I Was1916 74The Shy Model (1917) szerzője Anders ZornThe Shy Model1917 · Finnish National Gallery 75Archipelago flower (1916) szerzője Anders ZornArchipelago flower1916 76Agnes Branting (1862-1930), textile artist, textile researcher (1912) szerzője Anders ZornAgnes Branting (1862-1930), textile artist, textile researcher1912 · National Portrait Gallery of Sweden 77At the Bathtub (1914) szerzője Anders ZornAt the Bathtub1914 · Thiel Gallery 78Vid badkaret (1915) szerzője Anders ZornVid badkaret1915 79The lumber moves (1916) szerzője Anders ZornThe lumber moves1916 80Helga (1917) szerzője Anders ZornHelga1917 81The two (1916) szerzője Anders ZornThe two1916 82Bust (1916) szerzője Anders ZornBust1916 83Ols-Maria in the Kuvådörren (1918) szerzője Anders ZornOls-Maria in the Kuvådörren1918 84Jollen (1918) szerzője Anders ZornJollen1918 85red stocking (1920) szerzője Anders Zornred stocking1920 86The Flea (1918) szerzője Anders ZornThe Flea1918 87Against The Current (1919) szerzője Anders ZornAgainst The Current1919 88Vicke (1918) szerzője Anders ZornVicke1918 89Mrs Henriette Lamm szerzője Anders ZornMrs Henriette LammNationalmuseum 90Untitled (AQQLRN) (1918) szerzője Anders ZornUntitled (AQQLRN)1918 91Grover Cleveland (1899) szerzője Anders ZornGrover Cleveland1899 92Edward R. Bacon (1846–1915) (1897) szerzője Anders ZornEdward R. Bacon (1846–1915)1897 · Metropolitan Művészeti Múzeum 93A Musical Family (1905) szerzője Anders ZornA Musical Family1905 · Nationalmuseum 94A Portrait Of Christian De Falbe, With A Saint Bernard At Luton Hoo szerzője Anders ZornA Portrait Of Christian De Falbe, With A Saint Bernard At Luton Hoo 95Mrs. Morewood (1883) szerzője Anders ZornMrs. Morewood1883 · Suomen Kansallisgalleria 96Untitled (AQQLRU) (2015) szerzője Anders ZornUntitled (AQQLRU)2015 97Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919) (1897) szerzője Anders ZornMrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919)1897 98Bruden (The Bride) szerzője Anders ZornBruden (The Bride)Nationalmuseum 99Mrs. Potter Palmer (1893) szerzője Anders ZornMrs. Potter Palmer1893 · Art Institute of Chicago 100The Schwartz Girls (1889) szerzője Anders ZornThe Schwartz Girls1889 · Louvre Múzeum

A művei főbb témái: Anders Zorn

A négy leggyakoribban megjelenő téma, melyeknek mindegyikének megvan a legismertebb példája.

Anders Zorn: a művészet megőrzői

A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeumok Város Anders Zorn művei Ebből a listából származó festmények
Nationalmuseum, StockholmNationalmuseum Stockholm 35 Self-portrait, The Artist's Wife, Girl from Dalecarlia knitting. Cabbage Margit
Isabella Stewart Gardner Museum, BostonIsabella Stewart Gardner Museum Boston 8 Isabella Stewart Gardner in Venice, The Omnibus, Abram Piatt Andrew, Jr.
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 5 Portrait Study of a Man, Nude Girl in Doorway, Maria Sheldon Scammon
Thiel Gallery, StockholmThiel Gallery Stockholm 5 Model Study, On the Rock, In the Loft
Metropolitan Művészeti Múzeum, New YorkMetropolitan Művészeti Múzeum New York 5 Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Wet, Edward R. Bacon (1846–1915)
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 3 Charles Nagel, Nelson Wilmarth Aldrich
New York Historical Society, New YorkNew York Historical Society New York 2 Charles Tracy Barney (1850–1907), Samuel Untermyer (1858–1940)
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 2 Untitled (AQQLRE), Agnes Branting (1862-1930), textile artist, textile researcher

Évtizedenkénti index: az egyes Anders Zorn főbb festményei

Művek évtizedenként

Váasszon ki egy évtizedet a főbb festményeinek megjelenítéséhez.

Gyakran feltett kérdések Anders Zorn festményeihez kapcsolódóan

Mi a leghíresebb műve Anders Zorn-nak?Mutasd meg a választ

Self-portrait (1882), Nationalmuseum, Stockholm. A következő helyezések a Isabella Stewart Gardner in Venice (1894) és a Junikväll (Evening in June).

Hány éves volt Anders Zorn Self-portrait évfolyamán?Mutasd meg a választ

22 év: Anders Zorn 1860 évben született, a Self-portrait pedig 1882 szármatos dátummal rendelkezik.

Melyek Anders Zorn tíz leghíresebb műve?Mutasd meg a választ

Self-portrait, Isabella Stewart Gardner in Venice, Junikväll (Evening in June), Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Ida by the Window, Valsen, Vallkulla, Halsey Cooley Ives, Portrait Study of a Man és Charles Nagel. A fenti lista tartalmazza mindegyik mű dátumát és a kiállító múzeumát.

Hány mű található a katalógusban Anders Zorn neve alatt?Mutasd meg a választ

A katalógus 340 művet tartalmaz Anders Zorn alkotásait, 1879 és 1920 közötti időszakból.

Hol találhatóak Anders Zorn főművei?Mutasd meg a választ

Elsősorban Nationalmuseum (Stockholm), Isabella Stewart Gardner Museum (Boston) és Art Institute of Chicago (Chicago). A fenti múzeumi táblázat tartalmazza a teljes eloszlát.

Melyik időszakban alkotta Anders Zorn a leghíresebb műveit?Mutasd meg a választ

1900s időszakban: a jelen listán szereplő 100 műből 26 ilyen időszakbe tartozik, beleértve a(z) Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918).

Miküzők Anders Zorn leghíresebb, legkorábbi és legutóbbi művei?Mutasd meg a választ

A listában szereplő legkorábbi mű Model Study (1879), a legutóbbi pedig red stocking (1920).

Milyen témaköröket örökített meg Anders Zorn a leggyakoribban?Mutasd meg a választ

Woman (20), Portrait (15) és Man (8), a jelen oldalon felsorolt 100 műből.

Melyik technikát alkalmazta Anders Zorn a leggyakoribban?Mutasd meg a választ

Oil On Canvas, a fewa 100 műből, amelyek ezen az oldalon szerepelnek, 25 darab.

Mely művészeti irányhoz sorolható Anders Zorn?Mutasd meg a választ

Impressionism, amiket ezen az oldalon található művek dokumentálnak.

Mely Anders Zorn festményei találhatók a Nationalmuseum gyűjteményében?Mutasd meg a választ

A Self-portrait, The Artist's Wife és Girl from Dalecarlia knitting. Cabbage Margit a Nationalmuseum, Stockholm gyűjteményének 17 műve közül számos része ezen az oldalon.

Anders Zorn életrajza

A Swedish Master of Light and Life: The World of Anders Zorn

Anders Leonard Zorn, a name synonymous with vibrant Impressionism and masterful portraiture, stands as Sweden’s most celebrated artist. Born in 1860 amidst the rustic beauty of Dalarna, his journey from humble beginnings to international acclaim is a testament to raw talent nurtured by relentless dedication. Unlike many artists who sought formal training within established circles, Zorn's early education was rooted in the practicalities of rural life and an innate artistic sensibility that blossomed even before entering the Royal Swedish Academy of Arts at the remarkably young age of twelve. His childhood on his grandparents’ farm instilled a deep connection to the land and its people—a theme that would resonate throughout his oeuvre, particularly in his evocative depictions of Swedish peasant life. This early exposure wasn't merely about subject matter; it was about capturing a way of being, an authenticity that infused his work with a unique emotional depth.

From Watercolors to International Recognition

Zorn’s initial artistic explorations centered on watercolors, a medium he mastered with astonishing speed and skill. He quickly gained recognition for his ability to capture fleeting moments of light and atmosphere, particularly in scenes depicting everyday life. A pivotal moment arrived with “In Mourning” (1880), a watercolor portrait that showcased his remarkable sensitivity and technical prowess. This work propelled him onto the art scene, attracting commissions from Stockholm’s elite and setting the stage for an international career. He embarked on extensive travels throughout Europe—London, Paris, Spain—and eventually to the United States, where he found immense success as a portraitist. His ability to distill the essence of his sitters, whether royalty like King Oscar II or American presidents Grover Cleveland, William H. Taft, and Theodore Roosevelt, earned him widespread admiration. Zorn didn’t simply paint likenesses; he captured character, intellect, and even a hint of the soul. This talent wasn't accidental—it stemmed from an acute observational skill honed through years of studying human form and expression. He was particularly fascinated by capturing the subtle nuances of emotion in his subjects’ eyes and expressions, translating them onto canvas with remarkable accuracy.

A Synthesis of Influences and Artistic Development

While Zorn’s style is often categorized as Impressionistic, it was far from a simple imitation of French trends. He absorbed influences from various sources, blending them into a uniquely personal vision. The luminosity of Spanish masters like Velázquez resonated in his handling of light and shadow, while the directness and realism of Scandinavian naturalism informed his approach to subject matter. His time spent with artists like Albert Edelfelt in Paris exposed him to new ideas and techniques, but he always remained true to his own artistic instincts. A crucial turning point came when Zorn began experimenting with oil painting in the late 1880s. This allowed him to achieve a greater richness of color and texture, further enhancing the vibrancy and immediacy of his work. He embraced a limited palette, focusing on achieving maximum impact through subtle variations in tone and hue—a technique that became a hallmark of his style. His paintings from this period, such as “A Fisherman in St Ives,” demonstrate a newfound confidence and mastery of the medium. He was also known for his meticulous preparatory sketches, often working out complex compositions and color schemes before committing them to canvas.

The Portraiture of Character

Zorn’s most celebrated work lies within his portraiture. He possessed an extraordinary ability to capture not just a physical likeness but also the inner character of his subjects. Whether depicting a stern-faced industrialist, a laughing peasant girl, or a dignified royal figure, Zorn imbued each portrait with a sense of life and immediacy. He wasn’t interested in creating idealized representations; instead, he sought to reveal the essence of his sitters—their strengths, their vulnerabilities, and their unique personalities. His portraits were often infused with a subtle humor or warmth, reflecting his own empathetic nature. He spent considerable time observing his subjects before beginning a portrait, studying their mannerisms, gestures, and expressions. This careful observation allowed him to capture not only their physical appearance but also their spirit. His portraits of American presidents are particularly noteworthy for their insightful portrayal of leadership—capturing both the power and the humanity of these influential figures.

Legacy and Enduring Impact

Anders Zorn’s influence extends far beyond his stunning body of work. He was not only a gifted artist but also a dedicated patron of the arts, establishing the Bellman Prize in 1920—a prestigious literary award for Swedish poets that continues to be awarded today. This act underscores his commitment to fostering creativity and supporting cultural expression within his homeland. His paintings are now held in prominent museums worldwide, including the Nationalmuseum in Stockholm, the Musée d'Orsay in Paris, and the Metropolitan Museum of Art in New York. The Zorn Collections in Mora, Sweden—comprising Zorngården, Zorn Museum, Gammelgård, and Gopsmor—serve as a lasting tribute to his life and legacy, offering visitors an intimate glimpse into his world. Zorn’s ability to capture the beauty of everyday life, combined with his technical brilliance and unwavering artistic vision, cemented his place as one of the most important artists of his generation. He remains a source of inspiration for artists today, a testament to the enduring power of light, color, and human connection in art. His work continues to resonate with audiences worldwide, reminding us of the beauty that can be found in both the grand and the mundane.