Justus Sustermans portréja

Justus Sustermans: A 59 leghíresebb festményének katalógusa

Frissítve: október 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 59 mű Justus Sustermans alkotása a katalógusunkban

Összefoglaló

A Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II (1621) a(z) Justus Sustermans leghíresebb festményének számít; a műet a Kunsthistorisches Museum található, Bécs városában. Portrait of Ferdinand III, King of Hungary (1626) és Portrait of Cosimo II de' Medici, Grand Duke of Tuscany (1625) a második és harmadik helyet foglalják el. A Justus Sustermans katalógusában szereplő 59 műből az alábbiakban találhatók meg a 59 legmeghatározóbb alkotás, dátummal, a művet őrző múzeummal és a műről szóló megjegyzéssel együtt.

1597 – 1681, Antwerp Baroque A legtöbb mű: Kunsthistorisches Museum

1. és 10. sorozat: a leghíresebb Justus Sustermans festmények

1
Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II (1621) szerzője Justus Sustermans

Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II

1621 · Oil On Canvas · Kunsthistorisches Museum, Bécs

The light catches the heavy folds of a gown that seems to shimmer with its own internal glow. Eleonore von Gonzaga sits before us, her presence commanding the space through a careful arrangement of silver and gold threads. The fabric of her dress reflects the flickering light, revealing intricate patterns of embroidery that speak of immense wealth and high station. A deep crimson drapery falls behind her, providing a sharp,…

2
Portrait of Ferdinand III, King of Hungary (1626) szerzője Justus Sustermans

Portrait of Ferdinand III, King of Hungary

1626 · Oil On Canvas · Magyar Nemzeti Galéria, Budapest

A single light source strikes the figure from the upper left, carving the monarch out of a deep, indeterminate shadow. Ferdinand III stands with a rigid, vertical grace, his silhouette defined by the heavy architecture of his attire. The crimson of his cloak carries the weight of velvet, absorbing the light while the gold embroidery catches it in sharp, metallic glints. He holds the crown in his right hand, a…

3
Portrait of Cosimo II de' Medici, Grand Duke of Tuscany (1625) szerzője Justus Sustermans

Portrait of Cosimo II de' Medici, Grand Duke of Tuscany

1625 · Oil On Canvas · Kunsthistorisches Museum, Bécs

Step closer to observe the quiet authority held within this three-quarter length view. We find Cosimo II de' Medici, Grand Duke of Tuscany, positioned with a dignified posture that commands the space without needing to shout. The composition is vertical and structured, placing the subject slightly off-center to create a sense of natural, unforced presence. There is a profound weight to the way he stands, anchored by the heavy red…

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Field Marshall Ottavio Piccolomini (1652) szerzője Justus Sustermans

Field Marshall Ottavio Piccolomini

1652 · Oil On Canvas · Nationalmuseum, Stockholm

This portrait, titled Field Marshall Ottavio Piccolomini, is attributed to the Flemish Baroque painter Justus Sustermans. The subject of the work is Ottavio Piccolomini, the Duke of Amalfi, a man whose presence in the historical record is defined by his military command. He was a significant general and one of the more eminent commanders during the Thirty Years War, a period of profound upheaval in Europe.

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Portrait of Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany (1673) szerzője Justus Sustermans

Portrait of Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany

1673 · Oil On Canvas · Städel Múzeum, Frankfurt

Ferdinand II de' Medici is presented in a three-quarter length composition, his figure commanding the space with the weight of absolute authority. He is clad in polished gilt armor that catches the light, a sharp contrast to the dark blue cloak draped over his shoulder. A red star badge rests upon his chest, marking his high station. His gaze is direct, meeting the viewer from behind a meticulously rendered lace…

6
Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress (1623) szerzője Justus Sustermans

Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress

1623 · Oil On Canvas · Kunsthistorisches Museum, Bécs

A heavy weight of black velvet defines the silhouette of Eleonore von Gonzaga. She stands centered against a backdrop of deep red drapery that falls in thick, sweeping curves. The light enters from the upper left, catching the crisp white of her ruff and the sharp edges of her lace cuffs. At her feet, a small white dog rests, a quiet presence amidst the grandeur. To one side, a floral…

7
Portrait of Maria Maddalena of Austria as a widow (1627) szerzője Justus Sustermans

Portrait of Maria Maddalena of Austria as a widow

1627 · Oil On Canvas · Museo del Prado, Madrid

In this 1627 portrait, titled Portrait of Maria Maddalena of Austria as a widow, we encounter a quiet moment of formal mourning. The work is by Joost Susterman, a Flemish Baroque painter who achieved significant standing in Italy. Through his brush, we see the subject, Maria Maddalena of Austria, presented with a profound sense of dignity.

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Portrait of Mattias de' Medici (1627) szerzője Justus Sustermans

Portrait of Mattias de' Medici

1627 · Oil On Canvas · Kunsthistorisches Museum, Bécs

A young man stares through the shadows of the seventeenth century. He sits in a quiet, dark space, his gaze steady and direct. The light falls from the upper left, carving the shape of his face out of the gloom. This is Mattias de' Medici, captured in oil on canvas. His skin possesses a porcelain quality, smooth and luminous against the heavy, dark fabric of his doublet. A collar of…

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Portrait of Ferdinand II of Tuscany (1627) szerzője Justus Sustermans

Portrait of Ferdinand II of Tuscany

1627 · Oil On Canvas · Museo del Prado, Madrid

Portrait of Ferdinand II of Tuscany is a formal oil on canvas work by the Flemish Baroque painter Joost Susterman. Executed circa 1627, the portrait captures the likeness of Ferdinando II de' Medici. Susterman, born in Antwerp, established himself as a prominent figure in Italy, eventually serving as a court painter to the Medici family.

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Portrait of Archduchess Maria Magdalena of Austria (1624) szerzője Justus Sustermans

Portrait of Archduchess Maria Magdalena of Austria

1624 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

In this three-quarter length portrait, we encounter the Archduchess Maria Magdalena of Austria, captured with a stillness that commands the room. The composition is balanced, placing her slightly off-center to create a sense of natural elegance rather than rigid formality. She is draped in heavy, dark garments that suggest both the weight of her station and a certain solemnity. A large, intricate lace ruff encircles her neck, its delicate translucency…

Justus Sustermans, további találatok: 11 – 59

11Equestrian portrait of Ferdinando de' Medici (1622) szerzője Justus SustermansEquestrian portrait of Ferdinando de' Medici1622 12Leopoldo de' Medici in Polish costume (1622) szerzője Justus SustermansLeopoldo de' Medici in Polish costume1622 13Portrait of Anna de' Medici (1616-1676), Archduchess with her Lapdog (1630) szerzője Justus SustermansPortrait of Anna de' Medici (1616-1676), Archduchess with her Lapdog1630 · Kunsthistorisches Museum 14Portrait of Eleonora Gonzaga (1598-1655). (1620) szerzője Justus SustermansPortrait of Eleonora Gonzaga (1598-1655).1620 · Varsói Királyi Palota 15Portrait of a Prince (1630) szerzője Justus SustermansPortrait of a Prince1630 · Accademia di San Luca 16Portrait of young Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany, in armour (1625) szerzője Justus SustermansPortrait of young Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany, in armour1625 17Portrait of a Woman (1630) szerzője Justus SustermansPortrait of a Woman1630 · Carnegie Museum of Art 18Portrait of a man in armor. (1625) szerzője Justus SustermansPortrait of a man in armor.1625 · Varsói Nemzeti Múzeum 19Portrait of Emperor Ferdinand II (1623) szerzője Justus SustermansPortrait of Emperor Ferdinand II1623 · Galleria Palatina 20Portrait of Ferdinand II, Holy Roman Emperor (1578-1637) (1624) szerzője Justus SustermansPortrait of Ferdinand II, Holy Roman Emperor (1578-1637)1624 21Group portrait of Domenica delle Cascine, Cecca di Pratolino and Pietro Moro (1634) szerzője Justus SustermansGroup portrait of Domenica delle Cascine, Cecca di Pratolino and Pietro Moro1634 22Portrait of a Princess (1639) szerzője Justus SustermansPortrait of a Princess1639 · Bavári Állami Festırménygyűjtemények 23Portrait of Galileo Galilei (1640) szerzője Justus SustermansPortrait of Galileo Galilei1640 · National Maritime Museum 24Ferdinand II de Médicis, Grand-duke of Tuscany (1637) szerzője Justus SustermansFerdinand II de Médicis, Grand-duke of Tuscany1637 25Portrait of Cardinal Luigi Capponi (1645) szerzője Justus SustermansPortrait of Cardinal Luigi Capponi1645 · Museum of Fine Arts, Houston 26Portrait of Vittoria della Rovere and Cosimo III as a Child (1645) szerzője Justus SustermansPortrait of Vittoria della Rovere and Cosimo III as a Child1645 · Museo Nazionale di Palazzo Mansi 27Cosimo II de’ Medici with his wife, Maria Maddalena of Austria and their son, Ferdinando II (1650) szerzője Justus SustermansCosimo II de’ Medici with his wife, Maria Maddalena of Austria and their son, Ferdinando II1650 28Saint Cecilia playing the Organ (1649) szerzője Justus SustermansSaint Cecilia playing the Organ1649 29Portrait of a Woman and Her Son (1650) szerzője Justus SustermansPortrait of a Woman and Her Son1650 · Művészeti Múzeum, Boston 30Portrait of Countess Teresa Dudley di Carpegna (1654) szerzője Justus SustermansPortrait of Countess Teresa Dudley di Carpegna1654 · Walters Art Museum 31Claudia de’Medici? (1604–1648), Princess of Tuscany (1650) szerzője Justus SustermansClaudia de’Medici? (1604–1648), Princess of Tuscany1650 · National Portrait Gallery of Sweden 32Self-portrait of Justus Sustermans (1655) szerzője Justus SustermansSelf-portrait of Justus Sustermans1655 33Portrait of Cardinal Carlo de' Medici (1595-1666) (1650) szerzője Justus SustermansPortrait of Cardinal Carlo de' Medici (1595-1666)1650 · Museo Poldi Pezzoli 34Ferdinando de' Medici (1663-1713) and his sister, Anna Maria Luisa, (1691-1716) with their governess, jaren 1660 (1660) szerzője Justus SustermansFerdinando de' Medici (1663-1713) and his sister, Anna Maria Luisa, (1691-1716) with their governess, jaren 16601660 35Portrait of Vittoria della Rovere, Grand Duchess of Tuscany (1655) szerzője Justus SustermansPortrait of Vittoria della Rovere, Grand Duchess of Tuscany1655 · Villa Medici 36Alfonso IV d'Este (1649) szerzője Justus SustermansAlfonso IV d'Este1649 · Isabella Stewart Gardner Museum 37Portrait of Francesco de' Medici (1614-1634) (1634) szerzője Justus SustermansPortrait of Francesco de' Medici (1614-1634)1634 · Krakói Művészeti Nemzeti Múzeum 38Cosimo III de' Medici (1665) szerzője Justus SustermansCosimo III de' Medici1665 · Villa Medici 39Grand-duke Ferdinand II of Tuscany (1610-1670) in Armour szerzője Justus SustermansGrand-duke Ferdinand II of Tuscany (1610-1670) in ArmourKunsthistorisches Museum 40Portrait of Ferdinando II de' Medici (1627) szerzője Justus SustermansPortrait of Ferdinando II de' Medici1627 41Portrait of Ferdinando II de' Medici (1626) szerzője Justus SustermansPortrait of Ferdinando II de' Medici1626 42Portrait of Vittoria della Rovere (1628) szerzője Justus SustermansPortrait of Vittoria della Rovere1628 · Museo di Palazzo Martelli 43Portrait of Ferdinando II de' Medici Dressed in Oriental Costume (1640) szerzője Justus SustermansPortrait of Ferdinando II de' Medici Dressed in Oriental Costume1640 44Portrait of Mattias de' Medici (1660) szerzője Justus SustermansPortrait of Mattias de' Medici1660 45Cosimo II de' Medici (1590–1621), Grand Duke of Tuscany (1681) szerzője Justus SustermansCosimo II de' Medici (1590–1621), Grand Duke of Tuscany1681 46Leonor of Mantua (1681) szerzője Justus SustermansLeonor of Mantua1681 · Biblioteca Museu Víctor Balaguer 47Portrait of a Widow szerzője Justus SustermansPortrait of a Widow 48Okänd ung man, tidigare kallad hertigen av Urbino szerzője Justus SustermansOkänd ung man, tidigare kallad hertigen av UrbinoNationalmuseum 49Portrait of Alfonso IV d'Este (1634-1662) szerzője Justus SustermansPortrait of Alfonso IV d'Este (1634-1662)Galleria Estense 50Portrait of a Woman szerzője Justus SustermansPortrait of a WomanHarvard Art Museums 51Portrait of princess Anna de Medici szerzője Justus SustermansPortrait of princess Anna de MediciVarsói Nemzeti Múzeum 52Portrait of a Woman szerzője Justus SustermansPortrait of a WomanAntwerpeni Királyi Szépművészeti Múzeum 53Portrait of a Man szerzője Justus SustermansPortrait of a ManNational Gallery 54Portrait of Margherita de' Medici (1628) szerzője Justus SustermansPortrait of Margherita de' Medici1628 55Portrait of Vincenzo II Gonzaga szerzője Justus SustermansPortrait of Vincenzo II GonzagaPalazzo Ducale 56Portrait of a lady szerzője Justus SustermansPortrait of a ladyMusei Civici di Palazzo Farnese 57The Grand Duke Ferdinand II of Tuscany and his Wife szerzője Justus SustermansThe Grand Duke Ferdinand II of Tuscany and his WifeNational Gallery 58Portrait of Maria Maddalena of Austria and her son Ferdinando in Polish costume (1623) szerzője Justus SustermansPortrait of Maria Maddalena of Austria and her son Ferdinando in Polish costume1623 · Flint Institute of Arts 59Portrait of Galileo Galilei (1636) szerzője Justus SustermansPortrait of Galileo Galilei1636 · Galleria degli Uffizi

Justus Sustermans: művek korszakonként

A művei főbb témái: Justus Sustermans

A négy leggyakoribban megjelenő téma, melyeknek mindegyikének megvan a legismertebb példája.

Justus Sustermans: a művészet megőrzői

A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeumok Város Justus Sustermans művei Ebből a listából származó festmények
Kunsthistorisches Museum, BécsKunsthistorisches Museum Bécs 6 Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II, Portrait of Cosimo II de' Medici, Grand Duke of Tuscany, Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Field Marshall Ottavio Piccolomini, Okänd ung man, tidigare kallad hertigen av Urbino
Museo del Prado, MadridMuseo del Prado Madrid 2 Portrait of Maria Maddalena of Austria as a widow, Portrait of Ferdinand II of Tuscany
Varsói Nemzeti Múzeum, VarsóVarsói Nemzeti Múzeum Varsó 2 Portrait of a man in armor., Portrait of princess Anna de Medici
Villa Medici, CastelrottoVilla Medici Castelrotto 2 Portrait of Vittoria della Rovere, Grand Duchess of Tuscany, Cosimo III de' Medici
National Gallery, LondonNational Gallery London 2 Portrait of a Man, The Grand Duke Ferdinand II of Tuscany and his Wife
Magyar Nemzeti Galéria, BudapestMagyar Nemzeti Galéria Budapest 1 Portrait of Ferdinand III, King of Hungary
Städel Múzeum, FrankfurtStädel Múzeum Frankfurt 1 Portrait of Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany

Évtizedenkénti index: az egyes Justus Sustermans főbb festményei

Művek évtizedenként

Váasszon ki egy évtizedet a főbb festményeinek megjelenítéséhez.

Gyakran feltett kérdések Justus Sustermans festményeihez kapcsolódóan

Mi a leghíresebb műve Justus Sustermans-nak?Mutasd meg a választ

Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II (1621), Kunsthistorisches Museum, Bécs. A következő helyezések a Portrait of Ferdinand III, King of Hungary (1626) és a Portrait of Cosimo II de' Medici, Grand Duke of Tuscany (1625).

Hány éves volt Justus Sustermans Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II évfolyamán?Mutasd meg a választ

24 év: Justus Sustermans 1597 évben született, a Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II pedig 1621 szármatos dátummal rendelkezik.

Melyek Justus Sustermans tíz leghíresebb műve?Mutasd meg a választ

Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II, Portrait of Ferdinand III, King of Hungary, Portrait of Cosimo II de' Medici, Grand Duke of Tuscany, Field Marshall Ottavio Piccolomini, Portrait of Ferdinand II de' Medici (1610-1670), Grand Duke of Tuscany, Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress, Portrait of Maria Maddalena of Austria as a widow, Portrait of Mattias de' Medici, Portrait of Ferdinand II of Tuscany és Portrait of Archduchess Maria Magdalena of Austria. A fenti lista tartalmazza mindegyik mű dátumát és a kiállító múzeumát.

Hány mű található a katalógusban Justus Sustermans neve alatt?Mutasd meg a választ

A katalógus 59 művet tartalmaz Justus Sustermans alkotásait, 1620 és 1681 közötti időszakból.

Hol találhatóak Justus Sustermans főművei?Mutasd meg a választ

Elsősorban Kunsthistorisches Museum (Bécs), Nationalmuseum (Stockholm) és Museo del Prado (Madrid). A fenti múzeumi táblázat tartalmazza a teljes eloszlát.

Melyik időszakban alkotta Justus Sustermans a leghíresebb műveit?Mutasd meg a választ

1620s időszakban: a jelen listán szereplő 59 műből 20 ilyen időszakbe tartozik, beleértve a(z) Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II.

Miküzők Justus Sustermans leghíresebb, legkorábbi és legutóbbi művei?Mutasd meg a választ

A listában szereplő legkorábbi mű Portrait of Eleonora Gonzaga (1598-1655). (1620), a legutóbbi pedig Cosimo II de' Medici (1590–1621), Grand Duke of Tuscany (1681).

Milyen témaköröket örökített meg Justus Sustermans a leggyakoribban?Mutasd meg a választ

Man (15), Lace collar (12) és Woman (11), a jelen oldalon felsorolt 59 műből.

Melyik technikát alkalmazta Justus Sustermans a leggyakoribban?Mutasd meg a választ

Oil On Canvas, a fewa 59 műből, amelyek ezen az oldalon szerepelnek, 27 darab.

Mely művészeti irányhoz sorolható Justus Sustermans?Mutasd meg a választ

Baroque, amiket ezen az oldalon található művek dokumentálnak.

Mely Justus Sustermans festményei találhatók a Kunsthistorisches Museum gyűjteményében?Mutasd meg a választ

A Portrait of Eleonore von Gonzaga (1598-1655), wife of Ferdinand II, Portrait of Cosimo II de' Medici, Grand Duke of Tuscany és Portrait of Eleonore von Gonzaga (1598-1655), Empress in Black Dress a Kunsthistorisches Museum, Bécs gyűjteményének 6 műve közül számos része ezen az oldalon.

Justus Sustermans életrajza

Early Life and Training

Justus Sustermans, Joost Suttermans or Suttermans (born Antwerp, Belgium 1597 – died 1681 Florence) was a Flemish Baroque painter and draughtsman whose career spanned over six decades and cemented his reputation as the foremost portrait painter in Italy during his time. Born into an artistic family—his father, Frans Sutermans, was also a painter—Justus’s upbringing instilled within him a profound appreciation for visual art from a young age. He began his artistic journey in Antwerp, where he was profoundly influenced by the monumental canvases of Peter Paul Rubens and Anthony van Dyck, artists who epitomized the grandeur and dynamism of the Baroque aesthetic. This formative period equipped him with foundational skills and exposed him to stylistic innovations that would shape his distinctive oeuvre.

Style and Technique

Sustermans’ artistic style is characterized by a bold embrace of color palettes and dramatic chiaroscuro—the interplay between light and shadow—techniques that were hallmarks of the Baroque era. Unlike some contemporaries who favored meticulous detail, Sustermans prioritized capturing the essence of his subjects through expressive brushstrokes and masterful use of tonal gradation. His canvases pulsated with vitality, conveying not merely likeness but also psychological depth and emotional resonance. He skillfully employed glazing techniques to achieve luminous surfaces and create a sense of atmospheric perspective, mirroring the artistic conventions prevalent in Antwerp and Florence during his lifetime. The meticulous observation of anatomy combined with an intuitive understanding of human emotion distinguished Sustermans’ work from many others of his time.

Notable Works

Justus Sustermans achieved international acclaim primarily through his portraits of members of the Medici family, securing him a prestigious position as their court painter. His depictions of Cosimo III de' Medici and Margherita de' Medici stand as masterpieces of Baroque portraiture, showcasing remarkable realism and conveying an unparalleled sense of dignity and composure. These paintings exemplify Sustermans’ ability to distill complex character traits into visually arresting compositions—a testament to his artistic prowess. Beyond portraits, Sustermans produced a diverse range of artworks encompassing history paintings, genre scenes depicting everyday life, still lifes brimming with meticulous detail, and animal studies imbued with scientific observation. His monumental *The Florentine Senate's Pledge of Allegiance to Ferdinando II de’ Medici*, commissioned by the Grand Duke himself, exemplifies his ambition and technical mastery—a sprawling canvas that captures a pivotal moment in Florentine history. Furthermore, Sustermans’ portraits of Galileo Galilei are considered among the most psychologically astute representations of scientific genius of their era.

Influence and Legacy

Justus Sustermans exerted considerable influence on subsequent generations of artists, particularly Anthony van Dyck, who admired Sustermans' bold style and expressive technique. His meticulous attention to detail and his masterful use of chiaroscuro served as inspiration for many painters working in the Dutch Golden Age. Sustermans’ legacy extends beyond individual artworks; he established a workshop that produced numerous copies of celebrated paintings—a practice common during the Baroque period—contributing to the dissemination of artistic ideas across Europe. His portraits of the Medici family continue to captivate audiences today, offering invaluable insights into the cultural and political landscape of 17th-century Italy. Sustermans’ contribution to art history is recognized as a cornerstone of Baroque portraiture, securing his place among the most revered artists of his time.