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Művészeti útmutató diákoknak

Damascus 3

Név Osztály Dátum

Lear Edward, Damascus 3. Közösségi tulajdonú alkotás

Főbb tények

Művész
Lear Edward wikioo.org/hu/artists/lear-edward_hu/
A művész élete
1812 – 1888

Kontextusban

Damascus 3 — Lear Edward

Mikor készülhetett ez a festmény?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Row above: the year. Row below: the artist's age in that year.

Árnyalva: Lear Edward élettartama (1812–1888)

First works: up to 1858 Main working years: 1858–1872 Late works: from 1872

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Ennek a felvételnek nincs pontosan rögzített éve – az alkotó élettartama és a mű stílusa alapján melyik évtizedet tippelték?

Összehasonlítható műalkotások

Válasszon ki egy fentebb szereplő művet: nevezzen meg két olyan dolgot, ami közös vele ezzel a művel, és egy olyan dolgot, ami eltér közöttük.

További alkotások, amelyek mellé helyezhetők: wikioo.org/hu/art/similar/edward-lear-damascus-3-8LHSHA-en/

Színek

A képről mérve

    Fő színe

    Gray #7b8683

    Katalógusba került paletta

    • #7B8683
    • #B99767
    • #EED9B2
    • #CAB693
    Paletta
    Neutrals A képen domináns színek családja.
    Fő színszín
    Gray
    Intenzitás
    Vivid Mennyire telítettek és változatosak a színek, egyetlen visszafogott tónustól számos élénk színig.
    Kontraszt
    Gentle Mennyire eltérnek a színek fényessége és telítettsége a kép különböző részein.
    Harmónia
    Strong Color Unity Mennyire harmonikusan együttműködnek a színek, az összeütközéstől a teljes egységesedésig.
    Fényerő
    Brilliant A kép teljes körű fényessége, a mély árnyékoktól a világos fényfülekig.
    Szaturáció
    Balanced Soft A színek rendkívül tiszta és erőteljesek, a szürkés árnyalatoktól a teljességig vibrálóak.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lear Edward over the last twelve months — 12 countries in all.

    The ten leading countries

    1. 1 Kína 67,8%
    2. 2 Amerikai Egyesült Államok 13,0%
    3. 3 Hong Kong 4,8%
    4. 4 Szingapúr 4,8%
    5. 5 Románia 3,4%
    6. 6 Ausztrália 1,4%
    7. 7 Egyesült Királyság 1,4%
    8. 8 Brazília 0,7%
    9. 9 Svájc 0,7%
    10. 10 Spanyolország 0,7%
    11. · 2 other countries 1,3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Lear Edward

    1. 1 The Temple of Apollo at Bassae, 1855 2,0%
    2. 2 Road near Galle, Ceylon, 1879 2,0%
    3. 3 Termópyle Hégi táj, 1852 2,0%
    4. 4 Study Of Palm Trees 2,0%
    5. 5 The Pyramids of Ghizeh, 1873 2,0%
    6. 6 The nile at kaasr-es-saiyyad 2,0%
    7. 7 Esneh On The Nile, Near Luxor, Egypt 2 2,0%
    8. 8 Certosa Di Pesio Con Le Missioni Della Consolata 2,0%
    9. 9 View Over The Lake, Kandy, Ceylon 2,0%
    10. 10 Damascus 3 this painting 2,0%
    11. 11 View of Florence from Villa San Firenze, 1862 1,3%
    12. 12 Launce and His Dog 1,3%
    13. 13 Ceylon Scenery 1,3%
    14. 14 Walls Of Constantinople 1,3%
    15. 15 Figure On A Balcony Overlooking The Citadel, Corfu 1,3%
    16. 16 Porta Maggiore, Rome 1,3%
    17. 17 Smakieras, Corfu 1,3%
    18. 18 Erbalunga, Corsica 1,3%
    19. 19 Piazza Di Spagna, Rome 1,3%
    20. 20 Maharraga, Upper Egypt 1,3%

    Together these works take 33,0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 395 works by this artist, of which 112 were looked at at least once. This painting ranks 10 of them, with 2,0% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Művész és múzeum

    Művész

    Lear Edward

    Születési hely: London, Egyesült Királyföld

    A Life Painted in Nonsense and Light

    Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the popularizer of limericks and fantastical creatures. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a chaotic yet vibrant microcosm of Victorian life – his early years were marked by both financial instability and an undeniable artistic spark. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This early necessity, however, wasn’t merely a means of survival; it ignited a lifelong passion that would propel him across continents, capturing the world in a kaleidoscope of hues and playful lines. The shadow of familial difficulty – compounded by recurring bouts of melancholy he himself termed “the Morbids,” stemming from underlying health challenges including epilepsy – instilled within Lear a gentle solitude and an inclination towards imaginative escape; qualities that profoundly shaped his artistic vision and poetic sensibility.

    From Ornithological Precision to Landscape’s Embrace

    Lear's artistic journey began with a remarkable level of technical precision. Initially employed by the Zoological Society, he honed his skills meticulously illustrating birds and animals – a task demanding an acute eye for detail and a deep understanding of anatomy. This early work, characterized by its scientific accuracy and delicate rendering, brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and a dazzling array of parrots not only refined his draftsmanship but also fostered an intimate connection with the natural world – a bond that would become a recurring theme in his later landscapes. However, the demanding nature of ornithological illustration, coupled with increasingly debilitating eyesight and respiratory issues, eventually led him away from this exacting field. He transitioned to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy, with its dramatic mountains, sun-drenched vineyards, and vibrant coastal towns, became a particular haven – a place where he could immerse himself in the beauty of the natural world while simultaneously alleviating his physical ailments. His landscapes are not merely representations of scenery; they’re imbued with an atmospheric quality, capturing the subtle shifts in light and shadow that define the Mediterranean landscape.

    The Poet of Nonsense: A World Unbound

    While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear remains most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. A Book of Nonsense, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. The Owl and the Pussy-Cat, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery – a testament to Lear’s ability to transform the mundane into the magical. He skillfully blended humor with poignant observations about loneliness, longing, and the inherent absurdity of human existence, cloaked within a veneer of whimsicality.

    Influences and Artistic Development

    Early Influences: Lear’s initial artistic training focused on scientific illustration, demanding precision and observation. This foundation shaped his meticulous approach to detail, even as he later embraced more expressive styles.

    Travel & Landscape Painting: His extensive travels throughout Italy, Greece, Egypt, and beyond profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.

    Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions – particularly the works of Father Browne. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.

    Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

    A Legacy of Innovation and Enduring Charm

    Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.

    További információk

    Keresse online is

    QR-kód, amely a Damascus 3 letöltési oldalára mutat

    wikioo.org/hu/art/download/edward-lear-damascus-3-8LHSHA-en/

    Ezen mű megidézése

    MLA
    Edward, Lear. Damascus 3. n.d., https://wikioo.org/hu/art/edward-lear-damascus-3-8LHSHA-en/
    APA
    Edward, Lear (n.d.). Damascus 3 [Painting]. https://wikioo.org/hu/art/edward-lear-damascus-3-8LHSHA-en/
    Chicago
    Lear Edward. Damascus 3. n.d. https://wikioo.org/hu/art/edward-lear-damascus-3-8LHSHA-en/
    Harvard
    Edward, Lear (n.d.) Damascus 3. Available at: https://wikioo.org/hu/art/edward-lear-damascus-3-8LHSHA-en/

    Nézzen rá alaposan

    Damascus 3 — Lear Edward

    Tekintsünk rá közelebbről

    Válaszoljon saját szavaival. Nincsenek itt rossz válaszok – csak olyanok, amelyeket képes elmagyarázni.

    1. Mi hívja először fel a figyelmét, és miért?
    2. Mely színek vagy formák keltik ezt a hangulatot – és pontosan milyen ez a hangulat?
    3. Hány arcot találsz meg? ____ (a katalógusunk 5 darabot számol – te is így látod?)
    4. Katalógusunk az alábbi kategóriákba sorolja ezt a művet: sea. Egyetért ezzel? Mit adna hozzá, vagy mit távolítana el?
    5. Nézzen vissza a guide korábbi részére, ahol a Mount Athos and the Monastery of Stavronikétes (1857) szerepel. Nevezzen meg két olyan dolgot, ami közös vele ezzel a művel, és egy olyanat, ami eltér tőle.

    Az Ön válasza

    Írjon egy rövid bejegyzést erről a műről az ebben az útmutatóban korábban szereplő adatok és a fenti válaszai alapján.

    Gyakran Ismételt Kérdések

    Ki árul „Damascus 3”, Lear Edward alkotása kézzel festett másolatait?

    A "Damascus 3" kézzel festett olajfesték reprodukció lino vászonon formátumban is elérhető. A rendelés ez az oldal felületen adható le, különböző méretválasztékban.

    Mely művészhez köthető a "Damascus 3"?

    A „Damascus 3” műtémét Lear Edward alkotójának tulajdonítják.

    Hogyan ötvölik a kontraszt és a harmónia a(z) "Damascus 3" alkotásban?

    A „Damascus 3”, Lear Edward alkotása színes kompozíció egy Gentle kontrasztot és egy Strong Color Unity harmóniát ötvöz.

    Hogyan tudok nyomtatványt vásárolni a(z) „Damascus 3”, Lear Edward alkotása alkotásból?

    A „Damascus 3”, Lear Edward alkotása nyomtatványa megrendelhető a ez az oldal oldalon: minőségi giclée nyomat pamutvászonon vagy archiváló vászonpapíron.

    Miről szól a "Damascus 3"?

    A(z) „Damascus 3”, Lear Edward alkotása a következőket ábrázolja: sea.

    Hogyan egyensúlyozza a fényt és a sötétséget a "Damascus 3"?

    A „Damascus 3”, Lear Edward alkotása fényerősége brilliant, luminanciája pedig Bright Balance.

    Mi a(z) domináns színe a(z) „Damascus 3”, Lear Edward alkotása alkotásnak?

    A(z) Gray (#7b8683) domináns színe „Damascus 3”, Lear Edward alkotása alkotásnak.