Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 3 mű Theodore E. Pine alkotása a katalógusunkban
Összefoglaló
Ez a rangsor alapján Theodore E. Pine leghíresebb festménye, a The Daughters of Daniel T. MacFarlan (1857), amelyet a Metropolitan Művészeti Múzeum, New York tart fenn. Ezt Mr. and Mrs. Daniel T. MacFarlan (1858) és Kate Lyon Cornell (1856) követi. Ez a lista a katalógusban található 3 műve közül Theodore E. Pine alkotásai alapján készült, és felvázsolja a 3 leghíresebbet, dátummal, a kiállító múzeum megadásával és az egyes bejegyzések leírásával.
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
A négy leggyakoribban megjelenő téma, melyeknek mindegyikének megvan a legismertebb példája.
A múzeum, amely ezen az oldalon szereplő festmények többségét őrzi.
| Múzeum | Város | Theodore E. Pine művei | Ebből a listából származó festmények |
|---|---|---|---|
 Metropolitan Művészeti Múzeum |
New York | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
3 év, 1856-től 1858-ig, tartalmazza Theodore E. Pine összes dátumos művét ezen az oldalon; ezek évsorrendben jelennek meg.
Váasszon ki egy évet a legfontosabb festményeinek megjelenítéséhez.
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The Daughters of Daniel T. MacFarlan (1857), Metropolitan Művészeti Múzeum, New York. A következő helyezések a Mr. and Mrs. Daniel T. MacFarlan (1858) és a Kate Lyon Cornell (1856).
29 év: Theodore E. Pine 1828 évben született, a The Daughters of Daniel T. MacFarlan pedig 1857 szármatos dátummal rendelkezik.
A katalógus 3 művet tartalmaz Theodore E. Pine alkotásait, 1856 és 1858 közötti időszakból.
Elsősorban Metropolitan Művészeti Múzeum (New York). A fenti múzeumi táblázat tartalmazza a teljes eloszlát.
A listában szereplő legkorábbi mű Kate Lyon Cornell (1856), a legutóbbi pedig Mr. and Mrs. Daniel T. MacFarlan (1858).
Tree (2), Landscape (2) és Clouds (2), a jelen oldalon felsorolt 3 műből.
Oil On Canvas, a fewa 3 műből, amelyek ezen az oldalon szerepelnek, 3 darab.
A The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan és Kate Lyon Cornell a Metropolitan Művészeti Múzeum, New York gyűjteményének 3 műve közül számos része ezen az oldalon.
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
