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SlideshowSingle PS 2B
Concretism
1971
81.0 x 81.0 cm
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Riproduzione a olio fatta a mano
Olio su tela dipinto a mano nelle tue dimensioni e con la tua cornice, realizzato su ordinazione dai nostri artisti. (
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Scegli tra le nostre dimensioni predefinite, che rispettano le proporzioni originali dell'opera d'arte.
È possibile inserire dimensioni personalizzate per adattare l'opera a una cornice o a uno spazio specifico. Se la dimensione selezionata non corrisponde alle proporzioni dell'immagine originale, provvederemo a ritagliare l'opera o a estendere il dipinto con elementi aggiuntivi dipinti a mano. Un mockup digitale ti sarà inviato per approvazione prima dell'inizio della produzione.
Si prega di notare che l'anteprima a schermo non riflette il ritaglio o l'estensione effettivi. Solo il mockup mostrerà accuratamente la composizione finale.
Sebbene siano disponibili dimensioni personalizzate, consigliamo di selezionare una dimensione dall'elenco predefinito per preservare le proporzioni originali.
Dopo l'ordine, il team di WikiOO.org contatterà il cliente via e-mail per le istruzioni e fornirà un'anteprima del mockup
Consegna in tutto il mondo () in 3/4 settimane anziché nelle normali 5 settimane. (23 Agosto). Nessun compromesso sulla qualità.
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Garanzia di rimborso dei dazi doganali
Garanzia di fedeltà cromatica
Politica di reso entro 60 giorni (solo per difetti di fabbricazione)
Garanzia di rimborso al 100%
Offerta per acquisti multipli
L'opzione vetro è disponibile solo per dimensioni inferiori a 110 cm
Single PS 2B
Tecnica di riproduzione
Dimensioni riproduzione
-
Prezzo totale calcolato
$ 265
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Biografia dell'artista
Ludwig Wilding: Pioneer of Kinetic Op Art
Ludwig Wilding (1927 – 2010) stands as a singular figure in German art history, recognized primarily for his groundbreaking contributions to Op Art and Kinetic Art. Born in Grünstadt, Germany, Wilding’s artistic journey began with formal studies at Mainz University Art School, shaping him into an innovator deeply attuned to the burgeoning explorations of perception and movement within visual arts during the mid-20th century. His distinctive style—characterized by meticulously crafted three-dimensional structures dominated by black and white designs—immediately captivated audiences and cemented his place among the leading artists of his time. Wilding’s artistic vision was profoundly influenced by Bauhaus principles, emphasizing geometric abstraction and functional design. However, he transcended mere formalism, delving into complex visual illusions that challenged viewers' senses and intellect. His works aren’t simply static objects; they actively engage with the observer, creating mesmerizing patterns through subtle shifts in perspective and illumination—a technique that exemplifies the core tenets of Kinetic Art. This fascination with optical phenomena aligns perfectly with the broader movement of Op Art, spearheaded by Bridget Riley and Victor Vasarely, which sought to stimulate visual perception beyond conventional representation. Artists like Josef Albers and László Moholy-Nagy served as important inspirations for Wilding's exploration of visual harmony and dynamism. Throughout his prolific career, Wilding exhibited extensively across Europe, garnering critical acclaim for his innovative approach. Notable venues included Leverkusen Museum (1953), Zimmergallery in Frankfurt (1958), and Studio F in Ulm (1965). His sculptures gained international recognition when featured prominently in exhibitions like ‘Responsive Eye’ at MoMA in New York (1965) and ‘Eyes, Lies, and Illusions’ at Hayward Gallery in London (2004), demonstrating the enduring relevance of his aesthetic explorations. Wilding's meticulous attention to detail and mastery of illusionistic techniques earned him considerable respect within the artistic community. He was awarded the Ordentliche Mitgliedschaft der Akademie der Künste Berlin in 1987, recognizing his significant contribution to German art. Wilding’s oeuvre comprises approximately 16 artworks—primarily sculptures—that showcase his mastery of geometric abstraction and illusionistic techniques. Pieces like “Stroboscopic Drawing with Circles,” “Kinetisches Objekt Nr. 20,” and “SBST 2838” exemplify his signature style, inviting contemplation on the relationship between visual perception and physical reality. These artworks continue to inspire artists and scholars alike, underscoring Wilding’s enduring contribution to the history of modern art. He resided in Westheim, Germany, where he continued to refine his artistic practice until his passing in 2010.- Notable Exhibitions: Leverkusen Museum (1953), Zimmergallery in Frankfurt (1958), Studio F in Ulm (1965), MoMA (Responsive Eye, 1965), Hayward Gallery (Eyes, Lies, and Illusions, 2004), The Columbus Museum of Art (Optic Nerve: Perceptual Art of the 1960s, 2007)
- Influenced Artists: Josef Albers, László Moholy-Nagy
- Awards: Ordentliche Mitgliedschaft der Akademie der Künste Berlin (1987)
Ludwig Wilding
1927 - 2010 , Germania
Dati rapidi
- Artistic Movement Or Style: Op Art & Kinetic Art
- Date Of Birth: May 19, 1927
- Date Of Death: 2010
- Full Name: Ludwig Wilding
- Nationality: German
- Notable Artworks:
- Stroboscopic Drawing with Circles
- Kinetisches Objekt Nr. 20
- SBST 2838
- Place Of Birth: Grünstadt, Germany
