プレビュー
プリントを購入
シェアする
シェアする
詳細を見る
ダウンロード
似ている作品
X線調査
スライドショーCurrent Forms: Yoruba Circle
1969
112.0 x 86.0 cm
詳細を見る
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認（承認）をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
ご注文後、WikiOO.org チームより詳細な指示をお送りするとともに、仕上がりイメージ（モックアップ）をご提供いたします。
ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
Current Forms: Yoruba Circle
複製技法
複製画のサイズ
-
合計金額
$ 265
関連作品
アーティストの略歴
The Tapestry of Heritage
In the quiet, storied landscapes of Eatonton, Georgia, the foundations of David C. Driskell’s creative universe were laid amidst a rich confluence of tradition and faith. Born into a lineage where art was an inseparable part of daily existence, his childhood was a sensory immersion in the textures of the Black experience. The rhythmic precision of his mother’s quilting and the intricate beauty of her basket weaving provided a visual language of resilience and craft, while his father’s religious paintings infused his world with a profound sense of spiritual narrative. This early exposure to the Gullah heritage—a legacy of strength and cultural continuity—served as the bedrock for an artistic vision that would eventually traverse the globe. As he moved through the segregated landscapes of Appalachia, the textures of folk art and the weight of history became more than mere memories; they became the very pigments from which he would paint a new reality.The Convergence of Art and Inquiry
Driskell’s journey led him to the hallowed halls of Howard University, where his burgeoning talent met the rigorous intellectualism of some of the era's most significant scholars. Under the mentorship of figures like James A. Porter and James V. Herring, he began to weave together the visceral power of painting with the profound depth of art history. This period was transformative, as he moved beyond the mere application of color to a deeper investigation of identity and the African Diaspora. His work began to reflect a sophisticated synthesis of abstract expressionism and cultural storytelling, capturing the pulse of Black life through vibrant forms and symbolic depth. He did not merely seek to create beautiful objects; he sought to document a soul, using the canvas as a site for both personal expression and historical reclamation.A Monumental Legacy
Beyond the boundaries of his own studio, Driskell’s impact resonated through the halls of academia and the galleries of the world. He was a pioneer who refused to let African American art remain on the periphery, working tirelessly to establish it as a distinct and vital field of scholarly study. His tenure at the University of Maryland saw the birth of a legacy that would outlive his physical presence, most notably through the establishment of the David C. Driskell Center for the Study of Visual Arts and Culture of African Americans and the African Diaspora. Through his curation and scholarship, he bridged the gap between the ephemeral beauty of folk traditions and the formal rigor of art history. His life’s work remains a testament to the power of visibility, ensuring that the stories, struggles, and triumphs of the Black experience are etched permanently into the global artistic canon.
david c. driskell
1931 - 2020 , United States of America
基本情報
- Artistic Movement Or Style: Abstract Expressionism
- Artists Or Movements Influenced By This Artist:
- Islamic art
- Greek art
- Artists Who Influenced This Artist:
- James Vernon Herring
- Mary Beattie Brady
- Date Of Birth: June 7, 1931
- Date Of Death: April 1, 2020
- Full Name: David Clyde Driskell
- Nationality: American
- Notable Artworks:
- David's Dream
- Two Centuries of Black American Art
- Place Of Birth: Eatonton, Georgia
