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Everything #2.13

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Every detail, painted by hand

Three spots of the painting, enlarged. Our artists reproduce each of them by hand, at the size you choose.

i.

The heart of the scene.

ii.

Light and background.

iii.

The brushwork.

The painting

Adrian PiperBorn in New York City, USA , in 1948.She lives and works in Berlin, Germany.In the late 1960s, Adrian Piper’s art was classically conceptualist. Appearing in the form of typewritten pages, instructions, and diagrams, her early work reflected an advanced grasp of linguistics and semiotic theory. Her concurrent investigations into the nature of consciousness were also carefully fostered through a disciplined practice of yoga and meditation, which the artist maintains to this day. In response to repeated experiences of racism and sexism in the male dominated New York art world of the 1960s, however, Piper’s practice shifted to accommodate a growing political engagement, and her work channeled conceptualist strategies toward new interrogations of race, gender, and sexuality. In 1970, she enacted Catalysis, a series of public performances through which she explored her body’s visibility in society, moving through the public space wearing clothes splashed with wet paint or saturated with foul odors. Two years later, Piper created a male alter ego named the “Mythic Being”; she performed in drag throughout New York and created a series of collaged and overpainted photographs paired with texts—reflections, political slogans, and flirtations—which addressed the performance of gender and stereotypes concerning black sexuality. Decades later, Piper supervised a volunteer-driven performance; participants received henna tattoos on their foreheads that read, “Everything will be taken away” backward, in handwritten text. They later reflected on their experiences wearing that phrase in public. Everything Will Be Taken Away 2, a related series of erased and altered photographs is included in the 2015 Biennale di Venezia; each photograph repeats the titular phrase, which obscures the figures, events, and locations depicted. Piper also exhibits four vintage blackboards, on which the same words are repeated in the style of classroom punishments. This series raises a variety of questions ranging from the political to the spiritual—including, for instance, the destructiveness of contemporary global conflict, censorship in the mainstream media, or the yogic ideal of nonattachment. The Biennale also presents Piper’s The Probable Trust Registry, an interactive performance that literalizes social or personal contracts. In a simulated corporate environment, visitors may sign declarations that promise moral accountability toward themselves and others. The documents are then photocopied and archived at the APRA (Adrian Piper Research Archive) Foundation, Berlin.

よくあるご質問

Francis Le Piper作「Everything #2.13」に似た作品はどこで見つけることができますか?

Francis Le Piper作「Everything #2.13」の似ている作品ページでは、関連する作品をご紹介しています。

Francis Le Piperによる「Everything #2.13」はパブリックドメインに含まれますか?また、その理由は何ですか?

「Everything #2.13」の著作権の状態について — パブリックドメイン(著作権消滅) — は、作者の没年である1695に基づいています。

Francis Le Piper作「Everything #2.13」のデジタルデータを入手するには、どうすればよいですか?

「Everything #2.13」は、デジタル画像ページにて直接ご購入いただける高解像度デジタル画像のダウンロードとしてご利用いただけます。

Francis Le Piper

Francis Le Piper

1640 - 1695

The painter

Discover Francis Le Piper: English artist famed for humorous tavern drawings & biblical scenes (1640-1695). Explore his masterful engravings & influence on Hogarth's work.

アーティストについて

A Satirical Eye: The Life and Art of Francis Le Piper

Francis Le Piper, a name perhaps less celebrated than his contemporaries yet possessing a unique charm and historical importance, was an English artist born around 1640. While biographical details remain somewhat scarce, the surviving body of his work paints a vivid picture of a man keenly observant of society’s foibles and remarkably skilled in capturing them with wit and precision. Le Piper flourished during a period of significant political and social upheaval – the Restoration era and beyond – and his art reflects both the exuberance and anxieties of that time. He died in 1695, leaving behind a legacy primarily known through his engravings, which offer invaluable glimpses into everyday life and popular culture of 17th-century England. His work stands as a bridge between earlier traditions of caricature and the more developed satirical art of William Hogarth.

From Tavern Scenes to Biblical Narratives

Le Piper’s artistic reputation rests largely on his series of engravings depicting scenes from Samuel Butler's mock-heroic poem, *Hudibras*. These are not mere illustrations; they are lively interpretations brimming with character and detail. He masterfully translated the poem’s satirical energy into visual form, portraying the eccentric knight Hudibras and his companions in a manner that is both humorous and insightful. The tavern scenes, in particular, reveal Le Piper's talent for capturing the bustling atmosphere of London public houses – crowded rooms filled with boisterous patrons, serving wenches, and all manner of questionable characters. Beyond *Hudibras*, Le Piper also produced engravings based on biblical subjects. This juxtaposition—the sacred alongside the profane—is a fascinating aspect of his oeuvre, suggesting a complex worldview that acknowledged both the spiritual and earthly realms. He wasn’t simply a comic artist; he was capable of rendering scenes with genuine piety and dramatic intensity.

Technique and Influences

Le Piper's engraving technique is characterized by its clarity of line and meticulous attention to detail. His style, while rooted in the traditions of Renaissance woodcut and etching, demonstrates a distinct English sensibility. He employed cross-hatching effectively to create depth and texture, and his compositions are often dynamic and engaging. Determining Le Piper’s direct influences proves challenging due to limited documentation. However, scholars suggest connections to earlier Dutch and Flemish printmakers known for their genre scenes and caricatures. The influence of contemporary broadside ballads and popular prints is also evident in his work; he clearly understood the tastes of a wide audience and catered to their desire for accessible and entertaining imagery. His ability to synthesize these various influences into a unique artistic voice is a testament to his skill and originality.

The Legacy of a Satirist

Francis Le Piper’s impact on the development of English satire cannot be overstated. While he may not have achieved the widespread fame of Hogarth, his work paved the way for the latter's more ambitious and socially critical engravings. Le Piper demonstrated the power of visual imagery to comment on contemporary life, expose hypocrisy, and provoke laughter. His *Hudibras* illustrations, in particular, became immensely popular and were widely circulated throughout England. They helped to solidify Butler’s poem as a cultural touchstone and provided a visual counterpoint to its satirical verses. Furthermore, his tavern scenes offer invaluable insights into the social customs and everyday realities of 17th-century London – details that would likely have been lost without his keen observational skills.

Rediscovering Le Piper

For many years, Francis Le Piper remained a relatively obscure figure in art history. However, recent scholarship has begun to shed new light on his life and work, revealing him as a significant artist whose contributions deserve greater recognition.
  • His engravings are now recognized for their artistic merit and historical importance.
  • Collectors and museums are increasingly interested in acquiring examples of his work.
  • Le Piper’s satirical eye continues to resonate with contemporary audiences, offering a timeless commentary on human nature and the follies of society.
As we continue to explore the artistic landscape of 17th-century England, Francis Le Piper emerges as a compelling figure – a master engraver whose work provides a unique and invaluable window into a fascinating era.

Quick facts about Francis Le Piper

  • Full Name: John Egerton Christmas Piper CH
  • Nationality: English
  • Date Of Birth: 1640
  • Date Of Death: 1695
  • Place Of Birth: Epsom, Surrey
  • Notable Artworks:
    • Coventry Cathedral Drawings
    • Hudibras Drawings
    • Welsh Chapels
  • Artistic Movement Or Style: British Landscape Painting
  • Artists Who Influenced This Artist:
    • Raymond Coxon
    • Ben Nicholson
  • Artists Or Movements Influenced By This Artist: ['Edward Wadsworth']

手描き油彩複製画

Have it painted for you

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

Your commission

Everything #2.13

再現技法

複製画サイズ一覧

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厳選された熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用額装

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

  • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

銘板

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保護用ワニス

光沢ワニス(色彩を鮮やかに引き立て、光や湿気から保護します)

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作品をカスタマイズ

カスタマイズの例:顔をお客様の写真に差し替える、ペットを追加する(例:猫を犬に変更)、背景に隠しメッセージを入れる、背景の風景や要素を変更する。

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お急ぎ便

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(30 10月)。品質には一切の妥協を許しません。

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お急ぎ便

世界中への配送()は、5週間ほどでお届けします。(6 11月)。

送料込

合計金額

¥ 41847

合計金額 ¥ 41847

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。

i.

Scale

Slide to your wall: every size keeps the proportions of the original.

標準サイズ
カスタムサイズ
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

横幅
高さ

フレームや壁のスペースに合わせて、ご希望の幅と高さを入力してください。本作品は手描きのため、異なる比率のサイズをご希望の場合、絵画の周囲を少し広げて描くか、あるいは端を少しカットして調整することが可能です。お客様のご要望に合わせます。制作を開始する前に、仕上がりを確認するためのデジタルモックアップをお送りいたします。このページに表示されている画像は完成品の実物ではなく、あくまでモックアップによるイメージです。

ii.

Frame

The frame is drawn on the painting at its true width.

額縁プレビュー
額装済み

Corner sample of the WhiteWrap canvas edge finish, stretched on 天然木 bars
White ¥1
Corner sample of the BlurSideWrap canvas edge finish, stretched on 天然木 bars
Blurside ¥1
Corner sample of the ExtendedWrap canvas edge finish, stretched on 天然木 bars
Extended ¥1
Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 天然木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 天然木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 天然木, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 天然木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 天然木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 天然木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 天然木, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 天然木, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 天然木, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 天然木, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 天然木, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 天然木, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 天然木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 天然木, 6 cm wide and 3.5 cm thick
W953PJ ¥8
Corner sample of the H24-GOLD picture frame: ジェッソ仕上げの木彫, 10 cm wide and 6 cm thick
H24-GOLD ¥30
Corner sample of the H24-SILVER picture frame: ジェッソ仕上げの木彫, 10 cm wide and 6 cm thick
H24-SILVER ¥30
Corner sample of the H36-GOLD picture frame: ジェッソ仕上げの木彫, 15 cm wide and 6.5 cm thick
H36-GOLD ¥45
Corner sample of the H36-SILVER picture frame: ジェッソ仕上げの木彫, 15 cm wide and 6.5 cm thick
H36-SILVER ¥45

Choose your frame

iii.

Make it yours

A painting made by hand can be made for one person.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, WikiOO.org team will email client for instructions and provide a mockup preview

iv.

Finishing

Nameplate, varnish and delivery.

銘板

刻印入りブロンズプレートの詳細

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

透明アクリル銘板の詳細

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

黒アクリル製銘板の詳細

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

保護用ワニス

特急制作

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(30 10月)。品質には一切妥協いたしません。

  • 世界中へ無料エクスプレス配送
  • 高品質なリネンキャンバス
  • 配送時完全保険付
  • 関税・輸入税の払い戻し保証
  • 忠実な色彩再現の保証
  • 100日間返品保証(製造上の欠陥がある場合のみ)
  • 100% 全額返金保証
  • まとめ買い割引のご案内

Quick facts and art quiz

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