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White Collar

Explore Ivan Eyre’s ‘White Collar,’ a stylized Pop Art depiction of a man and dogs, capturing a flattened perspective and simplified forms reflecting early Modernism's influence. Discover this evocative piece by the Prairie Visionary and add it to your collection.

Ivan Eyre (1935-2022): Discover the evocative prairie landscapes & abstract figurative paintings of this U of Manitoba professor. Explore sculptures at Assiniboine Park & McMichael Garden.

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ジークレー/アートプリント

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Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 天然木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 天然木, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: 天然木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 天然木, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: 天然木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 天然木, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: 天然木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 天然木, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: 天然木, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: 天然木, 7 cm wide and 5 cm thick
W500HY ¥15
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Corner sample of the W940BG picture frame: 天然木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 天然木, 6 cm wide and 3.5 cm thick
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合計金額

¥ 9646

White Collar

ジークレー/アートプリント

複製画サイズ一覧

-

合計金額

¥ 9646

作品情報

  • Medium: Acrylic
  • Dimensions: 157 x 157 cm
  • Notable elements or techniques: Flat planes of color; Geometric shapes
  • Influences:
    • Alex Katz
    • David Hockney
  • Year: 1969
  • Title: White Collar

Ivan Eyre: A Prairie Visionary – Exploring Silence and Scale

Ivan Kenneth Eyre (1935–2022) stands as a monumental figure in Canadian art—a painter, sculptor, and educator whose work resonated with the vastness and subtle power of the prairie landscape. Born in Tullymet, Saskatchewan, in 1935, Eyre’s artistic journey wasn't merely about depicting what he saw; it was about translating a deeply felt connection to place into a visual language that explored existential themes and the complexities of human experience. His formative life, marked by moves across the prairies—from Red Deer, Alberta, to Saskatoon—instilled in him an intimate understanding of the land’s character: its solitude, its ever-changing light, and its capacity for both beauty and starkness. This profound awareness would become the bedrock of his artistic expression. From Representation to Abstracted Landscapes Eyre's formal training began in Saskatoon with lessons from Wynona Mulcaster and George Swinton at the University of Saskatchewan School of Art where he studied under Ernest Lindner for the duration of 1950–1953. Lindner’s influence instilled in Eyre a desire to eschew conventional artistic conventions, prioritizing instead an uncompromising exploration of inner experience. He moved to Winnipeg in 1957 and continued his studies at the University of Manitoba School of Art where he was mentored by Eli Bornstein. During this period, Eyre began experimenting with techniques that would define his distinctive style—a deliberate rejection of academic realism in favor of a more expressive approach. His early canvases captured the stark beauty of Saskatchewan’s wheat fields and expansive skies, but quickly moved toward increasingly abstracted forms. The Influence of European Modernism A pivotal moment arrived when Eyre undertook a year-long residency in Europe during which he immersed himself in the artistic currents of Paris and Berlin. This exposure to artists like Willem de Kooning, Arshile Gorky, Joan Miró, and Max Beckmann profoundly impacted his worldview and fueled his artistic experimentation. He embraced the principles of Abstract Expressionism and Cubism, incorporating geometric shapes and fragmented perspectives into his compositions—a stylistic shift that signaled a decisive break from traditional representational art. Eyre’s canvases became imbued with a palpable sense of tension and dynamism, reflecting the anxieties and uncertainties of the postwar era. Sculptural Reflections of Existential Concerns Beyond painting, Eyre developed an equally compelling sculptural practice. His monumental sculptures, often crafted from wood and stone, grapple with themes of isolation and contemplation—mirroring the quiet grandeur of the prairie landscape. He sought to convey a sense of timelessness and permanence through his materials and forms, inviting viewers to engage in a dialogue about humanity’s relationship with nature and its own inner life. Eyre's sculptures are prominently displayed at Assiniboine Park and the McMichael Sculpture Garden in Kleinburg, Ontario—testaments to his enduring legacy as a sculptor of considerable stature. A Legacy of Quiet Contemplation Ivan Eyre’s artistic output represents more than just skillful execution; it embodies a deeply considered philosophical stance. His paintings and sculptures are characterized by a remarkable stillness—a deliberate avoidance of dramatic gestures or flamboyant colors—that compels viewers to confront fundamental questions about existence. As Joan Murray eloquently described, “Eyre's art has, to a degree unusual in Canadian art: a pervading sense of stillness and calm.” Eyre’s work continues to inspire artists and collectors alike, reminding us that profound beauty can be found not in spectacle but in the quiet contemplation of form and texture—a testament to his singular vision as a prairie visionary.

よくあるご質問

McMichael Canadian Art Collection所蔵の「White Collar」の複製権について教えてください。

Ivan Eyre作「White Collar」の著作権の状態は明確であり、本作は著作権により保護されていますです。McMichael Canadian Art Collectionに所蔵されているという事実によって、この状態が変わることはありません。

「White Collar」における光と影のバランスは、どのように表現されていますか?

Ivan Eyre作「White Collar」の明るさはbalanced、輝度はGentle Luminanceと記録されています。

「White Collar」の技法は何ですか?

Ivan Eyreは、「White Collar」においてOil On Canvasの技法を用いています。この技法が、原画の素材としての性質を決定づけています。


アーティストについて

A Prairie Visionary: The Life and Art of Ivan Eyre

Ivan Kenneth Eyre, who passed away in November 2022 at the age of 87, was a profoundly important figure in Canadian art—a painter, sculptor, and educator whose work resonated with the vastness and subtle power of the prairie landscape. Born in the small Saskatchewan community of Tulymétik in 1935, Eyre’s artistic journey wasn't simply about depicting what he saw, but about translating a deeply felt connection to place into a visual language that explored existential themes and the complexities of human experience. His early life, marked by moves across the prairies—from Red Deer, Alberta, to Saskatoon—instilled in him an intimate understanding of the land’s character: its solitude, its ever-changing light, and its capacity for both beauty and starkness. This formative connection would become the bedrock of his artistic expression.

From Representation to Abstracted Landscapes

Eyre's formal training began in Saskatoon with lessons from Ernest Lindner, followed by studies at the University of Saskatchewan and later, the University of Manitoba, where he earned a Bachelor of Fine Arts degree in 1957. His artistic development wasn’t linear; it was a process of continual questioning and refinement. Initially drawn to representational forms, Eyre gradually moved towards abstraction, but never fully abandoning figuration. Instead, he masterfully blended the two, creating compositions where recognizable elements—human figures, fragments of landscapes—emerged from fields of color and texture. This unique approach allowed him to convey not just *what* things looked like, but *how they felt*. His paintings often evoke a sense of memory or dreamlike reverie, imbued with symbolic meaning that invites contemplation. He spent time in the United States, studying at the University of North Dakota, where he was exposed to the burgeoning Abstract Expressionist movement and artists such as Willem de Kooning, Arshile Gorky, Joan Miró, and Max Beckmann—influences that subtly informed his evolving style.

A Professor’s Legacy & Sculptural Explorations

For thirty-three years, from 1959 to 1992, Eyre dedicated himself to teaching at the University of Manitoba School of Art, shaping generations of aspiring artists. He wasn't merely imparting technical skills; he was fostering a critical and philosophical approach to artmaking, encouraging his students to explore their own unique visions. His commitment to education earned him the title of Professor Emeritus, solidifying his role as a pivotal figure in Canada’s cultural landscape. Beyond painting, Eyre also made significant contributions to sculpture. These three-dimensional works—often large-scale bronzes—complement his paintings, extending his artistic vision into another realm. Notably, nine of his sculptures are prominently displayed in the McMichael Sculpture Garden in Kleinburg, Ontario, and others grace Assiniboine Park in Winnipeg, enriching public spaces with his distinctive aesthetic.

Recognition & Enduring Significance

Throughout his career, Ivan Eyre received numerous accolades recognizing his artistic achievements. He was elected a member of the Royal Canadian Academy (RCA), awarded the Queen’s Silver and Golden Jubilee medals, and honored with the Order of Manitoba and the Order of Canada—testaments to his profound impact on Canadian art. His work has been exhibited extensively across Canada and internationally, finding its way into the collections of major museums including the National Gallery of Canada and the Winnipeg Art Gallery. But perhaps Eyre’s most lasting legacy lies in his ability to capture something essential about the Canadian identity—a sense of place, a quiet resilience, and a deep connection to the natural world. He was described as “a visual philosopher” and “a true outsider and visionary,” challenging conventional artistic boundaries and offering profound insights into the human condition. His paintings and sculptures continue to inspire artists and viewers alike, reminding us of the enduring power of art to illuminate our understanding of ourselves and the world around us.

Key Influences & Artistic Themes

  • The Canadian Landscape: The raw beauty and emotional resonance of the prairies were paramount in Eyre’s work, serving as both subject matter and a source of inspiration.
  • Modernist Painting: He drew from Abstract Expressionism and other modernist movements, incorporating their techniques and philosophies into his own unique style.
  • Philosophical Inquiry: Eyre’s work often reflects deep contemplation on existential themes—the nature of existence, the search for meaning, and the human condition.
  • Existentialism: A recurring theme in his art is a sense of isolation and alienation, reflecting an exploration of individual freedom and responsibility.
  • Personal Mythology: Eyre created a unique visual language rooted in personal experiences, memories, and symbolic imagery.
Ivan Eyre

Ivan Eyre

1935 - 2022 , Canada

アーティスト情報

  • Full Name: Ivan Kenneth Eyre
  • Nationality: Canadian
  • Date Of Birth: 1935
  • Date Of Death: 2022
  • Place Of Birth: Tulymétik, Canada
  • Notable Artworks:
    • Icon North
    • Outskirts
    • Dragon Head
  • Artistic Movement Or Style: Abstract Figurative, Prairie Landscape
  • Artists Who Influenced This Artist:
    • Willem de Kooning
    • Arshile Gorky
    • Joan Miró
    • Max Beckmann
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