1501 - 1536

基本情報

  • Museums on this site: Statens Museum For Kunst
  • Copyright status: Public domain
  • Lifespan: 35 years
  • Born: 1501
  • Art period: Renaissance

The Emergence of a Florentine Painter

Bartolomeo Ghetti, also known as Baccio di Zanobi Ghetti, was a Florentine Renaissance painter who has recently emerged from obscurity through art historical research. Described by Vasari as a pupil of Ghirlandaio, his career involved significant movement between Italy and France. Documentation indicates he worked at the court of King Francois I, where he served as a court painter and valet de chambre. His presence in France is recorded through various payment records, including work performed between 1519 and 1532.

In addition to his work as a painter, Ghetti was an illuminator of manuscripts. His artistic style is characterized by:

Works and Commissions

Ghetti's surviving body of work includes several paintings and illuminations. His largest known work is an altarpiece in the Collegiata of Fucecchio, featuring a Madonna and Child with Saints John the Baptist, Mark, Andrew and Peter and a Baptism of Christ. This work consists of a lower panel and a lunette. Another significant work is a frescoed lunette depicting the Madonna and Child at the church of San Pietro a Selva, near Malmantile.

His commissions in France included:

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セルフテスト

各質問の正解は1つのみです。

設問 1:
Which famous artist's court did Bartolomeo Ghetti work in while in France?
設問 2:
According to Vasari, who was Bartolomeo Ghetti a pupil of?
設問 3:
In which year were documents published by Louis Alexander Waldman identifying the artist?
設問 4:
What was the name of the artist's largest surviving work, located in the Collegiata of Fucecchio?
設問 5:
Ghetti was identified as the 'Master of the Copenhagen Charity' through the identification of which painting?