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질의응답
통계 정보I am waiting
- 45.0 x 300.0 cm
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이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.
이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
I am waiting
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
₩ 83138
The Poetics of Stillness: Encountering 'I am waiting'
In the quiet intersection where sculpture meets landscape, Fernanda Fragateiro’s 1999 masterpiece, I am waiting, invites the viewer into a profound moment of contemplation. This evocative work, which functions as both an architectural intervention and a sculptural object, transcends its physical form to become a vessel for emotion. At first glance, the piece presents us with the familiar: a weathered bench, its wooden seat resting upon a sturdy metal frame, nestled within the soft embrace of a park-like setting. Yet, through Fragateiro’s masterful lens, this mundane object is elevated to a symbol of profound patience and temporal suspension. The visible textures of age—the grain of the wood and the industrial precision of the metal screws—speak to a dialogue between human craftsmanship and the inevitable passage of time.
The composition draws the eye into a close-up intimacy, stripping away the distractions of the wider world to focus on the tactile reality of the bench. The presence of a tree in the background provides a soft, organic counterpoint to the structured, man-made elements of the seat, creating a balanced tension between the built environment and the natural world. This interplay is central to Fragateiro’s artistic practice, as she is renowned for her ability to create site-specific works that do not merely occupy space but actively transform it. In I am waiting, the bench becomes a stage for an invisible protagonist, prompting us to imagine the countless souls who have sat, rested, and waited in such a place, leaving behind only the quiet echoes of their presence.
A Legacy of Architectural Dialogue
To understand the depth of this work, one must look toward the artist’s sophisticated background. Born in Setúbal, Portugal, Fernanda Fragateiro developed a rigorous academic foundation at the Lisbon School of Fine Arts, which later informed her unique ability to blend minimalist sculpture with architectural precision. Her practice is characterized by an archaeological approach to space, where she treats the environment as a living document. In I am waiting, we see the culmination of this philosophy; the work acts as a subtle alteration of the landscape, a quiet intervention that asks the viewer to slow down and observe the nuances of their surroundings.
The emotional resonance of the piece lies in its title alone. The declaration "I am waiting" transforms the bench from a functional object into a sentient entity, imbued with a sense of longing or perhaps peaceful anticipation. For collectors and interior designers, this artwork offers more than just aesthetic beauty; it provides a focal point for reflection. Whether placed in a contemporary gallery setting or integrated into a sophisticated residential design, the piece brings an atmosphere of serenity and intellectual depth. It serves as a reminder that even in our most frantic moments, there is profound beauty to be found in the act of simply being, and in the quiet strength found in waiting.
질의응답
"I am waiting"의 복제 작품은 집 안 어느 공간에 잘 어울릴까요?
"I am waiting"의 복제본은 Hallway에 잘 어울립니다.
"I am waiting"은(는) Fernanda Fragateiro의 반복되는 주제들 사이에서 어떤 위치를 차지하고 있나요?
Fernanda Fragateiro의 주요 주제인 modernist minimalism, architectural interventions, site-specific engagement, landscape integration, public space dialogue 중에서도, "I am waiting"은 sculpture, park bench, minimalism, site-specific, nature, public art에 독자적인 초점을 맞추고 있습니다.
"I am waiting"은(는) 언제 제작되었으며, 어떤 미술 사조에 속하나요?
"I am waiting"은(는) 1999년 Contemporary Minimalism 사조의 작품으로 제작되었습니다. 제작 연도와 미술 사조는 미술사적 맥락에서 이 작품의 위치를 확고히 해줍니다.
유사한 작품들
작가 정보
Early Life and Education
- Born: Setúbal, Portugal (1962)
- Fernanda Fragateiro's artistic journey began in Montijo, Portugal, where she was born in 1962.
- She demonstrated an early aptitude for the arts, leading her to study at Escola Secundária Artística António Arroio from 1978 to 1981, a specialized secondary school focusing on applied arts.
- Her formal artistic education continued at the Centro para Arte e Comunicação Visual (AR.CO) from 1981 to 1982 and culminated in a degree from the Lisbon School of Fine Arts (now Faculty of Arts of the University of Lisbon) between 1983 and 1987.
Artistic Practice and Style
- Site-Specific Sculptures & Architectural Interventions: Fragateiro is renowned for her site-specific sculptures and architectural interventions, often collaborating with architects and landscape architects. These works are not merely placed within a space but actively engage with it, transforming the environment through subtle alterations.
- Archaeological Approach: Her artistic process involves an "archaeological approach," examining the social, political, and aesthetic aspects of modernist practices. She unearths hidden narratives and stories embedded in locations.
- Minimalist Reinterpretation: Fragateiro reinterprets minimalism through subtle modifications to existing landscapes or objects, creating a dialogue between the artwork and its surroundings.
- Materials & Techniques: Her sculptures often incorporate found metals, mass-produced goods, fabrics from factories, used books, and rubble from construction sites, imbuing them with layers of history and meaning.
Major Works and Exhibitions
- 1998 Lisbon World Exposition Collaborations: Fragateiro contributed to significant projects for the 1998 Lisbon World Exposition, including the Jardim das Ondas (Wave Garden), Jardins da Água (Water Gardens), and Jardins de Ulisses (Ulysses' Gardens).
- Calouste Gulbenkian Museum Summer Festival (2016): She distributed sculptures throughout the museum’s gardens, creating an immersive experience for visitors.
- Notable Exhibitions: Her work has been featured in numerous prestigious exhibitions internationally, including:
- Coimbra Contemporary Art Biennial (2017)
- Museum of Art, Architecture and Technology (MAAT), Lisbon (2017)
- Galleria Nazionale d'Arte Moderna, Rome (2017)
- Palm Springs Art Museum, California (2016)
- Bronx Museum of the Arts, New York (2014)
Influences and Historical Significance
- Modernism & Minimalism: Fragateiro’s work is deeply rooted in modernist principles, particularly minimalism. However, she transcends traditional minimalist aesthetics by incorporating historical context and social commentary into her sculptures.
- Architectural History: Her collaborations with architects and landscape architects demonstrate a keen interest in the interplay between art and architecture.
- Feminist Discourse & Political Revisionism: Fragateiro’s artistic practice engages with feminist discourse and political revisionism, challenging conventional perspectives on space, memory, and power.
- Contemporary Art Landscape: Fernanda Fragateiro has made a significant contribution to the contemporary art landscape by creating thought-provoking works that explore the relationship between art, architecture, history, and society. Her subtle interventions and meticulous attention to detail invite viewers to reconsider their perception of space and engage with the complexities of the modern world.
Fernanda Fragateiro
1962 - , Portugal
작가 정보 요약
- Full Name: fernanda fragateiro
- Nationality: Portuguese
- Date Of Birth: 1962
- Place Of Birth: Setúbal, Portugal
- Notable Artworks:
- I am waiting
- Site-specific sculptures
- Artistic Movement Or Style: Minimalism, Site-specific art
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