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hou i-ting

White Uniform No. 1

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Taiwanese artist hou i-ting explores women's labor & technology through video, performance, & altered photography. Her 'White Uniform' series examines human connection and repetitive tasks.
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지클레 / 아트 프린트

빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. ( 손으로 그린 그림 구매 디지털 이미지로 전환)

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표준 규격
맞춤형
CM
INCH

작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.

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특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.

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전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (21 9월)

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전 세계 무료 특급 배송
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프리미엄 린넨 캔버스
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전체 배송 보험 보장
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관세 환불 보장
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실제 색상 일치 보장
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100일 반품 정책 (결함 발생 시에만 적용)
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100% 환불 보장
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다량 구매 할인 혜택
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총 합계 금액

$ 61

reproduction

White Uniform No. 1

지클레 / 아트 프린트

복제본 크기

-

최종 결제 금액

$ 61

In ‘White uniform’ 2017, Hou I-Ting examines women’s work in creating a Taiwanese variant of the bento box. Known as ‘bendong’ in Taiwanese Hokkien and ‘biantang’ in Mandarin, these boxed lunches have persisted as a cultural legacy of Japanese occupation. Consisting of a short film and a series of photographs, the work was produced in collaboration with the employees of the Taiwan Railways Administration kitchen in Qidu, near Taipei.The film focuses on a group of women as they use stencils to finely cut sheets of seaweed to be placed over rice, reproducing historical designs from the covers of ‘bendong’ boxes. These designs, documented in the accompanying photographs, were created during the Japanese colonial period (1895–1945), a time when Taiwan’s railway was intensively developed to facilitate the transportation of natural resources for export. Most designs are innocuous, their Japanese text advertising sandwiches, chicken lunches or bananas from Taichung; however, others are more ambiguous and include wartime propaganda.Intercutting historical footage of rail travel with interviews with staff members and their supervisor, Hou’s film recalls the tendency of the mind to wander during long journeys and repetitive work. ‘White uniform’ addresses the intricacies of sexual difference and labour relations, colonialism and national identity, collective history and personal memory, all through the simple enjoyment of a packed lunch on a long train ride.Exhibited in

유사한 작품들

Untitled (9888) — 브라크, Cubism
브라크 untitled (9888)
Moses Is Saved From The Waters Of Nile By Pharaoh's Daughter (exodus Ii, 5 6) — 마르크 샤갈, Expressionism
마르크 샤갈 Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6)
De Cruce Depositio — 살바도르 달리, Surrealist Expressionism
살바도르 달리 De cruce depositio
별이 빛나는 밤 (초안) — 빈센트 반 고흐, Post-impressionist Expressionism
빈센트 반 고흐 별이 빛나는 밤 (초안)
American Neutrality Obverse — 카를 오토 괴츠, German Art Informel
카를 오토 괴츠 American Neutrality Obverse
Friar, Standing — 장앙투안 와토, Rococo
장앙투안 와토 Friar, standing
Acacia — 제임스 엔서, Romanticism
제임스 엔서 Acacia
World War I Dutch Ivora Neutrality Plate — Pieter Van Der Want
pieter van der want World War I Dutch Ivora Neutrality Plate
Orchids — Zhang Yujian
zhang yujian Orchids
Bamboo — Kuang Xü
kuang xü Bamboo

작가 약력

Hou I-ting: Exploring Labor and Reflection Through Hybrid Media

Hou I-ting, born in Kaohsiung, Taiwan, represents a compelling voice within contemporary Taiwanese art. Her artistic practice transcends conventional boundaries, deftly blending video, performance, and altered photography to investigate themes of women’s labor and the interplay between human experience and technological advancement—a preoccupation that speaks powerfully to the evolving landscape of modern society. Currently residing in Taipei, I-ting's work consistently seeks to provoke contemplation on societal structures and personal narratives.
  • Early Influences & Artistic Formation: While biographical details remain relatively sparse, I-ting’s artistic journey began amidst a burgeoning interest in visual culture and experimental filmmaking. Her formative years were marked by exposure to diverse artistic traditions—both Taiwanese and international—which undoubtedly shaped her aesthetic sensibilities.
  • Technique & Conceptual Approach: I-ting distinguishes herself through her meticulous attention to detail and her willingness to embrace unconventional methods. She favors layered photographic techniques combined with subtle manipulations, creating images that hover between reality and illusion. Her use of hatching—a technique rooted in woodblock printing—adds textural depth and reinforces the symbolic resonance of her compositions.

The White Uniform Series: Colonial Echoes & Human Connection

Perhaps I-ting’s most recognizable body of work is her ‘White Uniform’ series, a poignant exploration of memory and labor within the context of Taiwanese history. The prints depict simple sandwiches encased in opulent gold frames—a striking juxtaposition that immediately draws attention to the complexities of cultural heritage. This conceptual framework deliberately confronts viewers with the legacy of colonial rule, prompting reflection on how historical narratives continue to shape present-day perceptions.

Notable Achievements & Critical Recognition

I-ting’s artistic vision has garnered considerable acclaim within Taiwan's art community. Her work has been exhibited extensively in galleries and museums across the island, establishing her as a significant figure in contemporary Taiwanese visual culture. Critics have praised her ability to synthesize disparate influences—from Japanese printmaking traditions to digital media—into cohesive artistic statements.

Symbolism & Recurring Themes

Throughout her oeuvre, I-ting consistently engages with themes of repetition and transformation. Her photographic explorations often depict mundane subjects—such as retail spaces—rendered surreal through reflections and layered imagery. These artworks invite viewers to consider the significance of seemingly insignificant details within broader social contexts. The recurring motif of ‘white’ – referencing uniforms and purity – underscores her preoccupation with notions of identity, labor, and societal expectations.

Looking Ahead: Artistic Legacy & Future Directions

Hou I-ting continues to push the boundaries of artistic expression, demonstrating a steadfast commitment to exploring challenging ideas through innovative media. Her ongoing engagement with themes of memory, labor, and technological influence suggests that her artistic legacy will endure as she navigates new creative territories—solidifying her position as one of Taiwan’s most distinctive voices in contemporary art.
hou i-ting

hou i-ting

1979 - , Taiwan

주요 정보

  • Artistic Movement Or Style: Video art & Altered photography
  • Date Of Birth: 1979
  • Full Name: hou i-ting
  • Nationality: Taiwanese
  • Notable Artworks:
    • White Uniform No. 2
    • White Uniform No. 5
    • Contemplating Series
  • Place Of Birth: Kaohsiung, Taiwan
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