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Lombard Master

Cleopatra / Eurydice

  • 제작 연도1532
  • 크기20.0 x 26.0 cm

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Discover Lombard Master (Peter Lombard), a 12th-century Italian painter & theologian bridging Gothic & Renaissance art. Known for elegant figures, gold grounds, and works like 'Cleopatra/Eurydice'. Explore his theological influence & paintings at Wah
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총 결제 금액

₩ 361663

Cleopatra / Eurydice

재현 매체

복제본 규격

-

총 결제 금액

₩ 361663

A slender, near-naked female figure stands before a parapet, her pale body standing out appealingly against the dark background. Her left foot is on a snake, which in the very next moment will bite her. Inclining slightly, the woman is turning aside, her right hand resting on a richly ornamented pilaster, as if she were in need of support. The pilaster bears a red marble panel with the inscription CLEOPATRA. 1.5.3.2.PE. This is somewhat perplexing, since the subject is not the Egyptian queen who, according to legend, died of an asp bite to the breast when she failed to win Octavian, later Emperor Augustus, for herself. The woman is far likelier to be Eurydice, the wife of Orpheus. Fleeing the attentions of the shepherd Aristaeus, she accidentally trod on a snake, and died of its bite. The composition and various details of this Berlin relief recall a work on the same subject by Giammaria Mosca, today in the Metropolitan Museum of Art in New York. That work in all likelihood served Master PE Monogram as a model. It seems probable that he misunderstood his fellow artist’s subject, and hence inscribed the wrong name.

질의응답

Lombard Master의 "Cleopatra / Eurydice"의 실제 크기는 어떻게 되나요?

Lombard Master의 "Cleopatra / Eurydice"의 기록된 크기는 20 x 26 cm입니다. 복제화는 동일한 비율을 유지하면서 다른 크기로 주문하실 수 있습니다.

Lombard Master의 "Cleopatra / Eurydice"의 주요 색상은 무엇인가요?

Lombard Master의 "Cleopatra / Eurydice"의 주요 색상은 Phthalo Green (#151713)입니다.

Lombard Master의 "Cleopatra / Eurydice"의 휘도는 어느 정도인가요?

"Cleopatra / Eurydice"의 색상은 Dark 정도의 휘도를 나타냅니다.

관련 작품들

마담 조제트 그리스 초상화 — 후안 그리스, Synthetic Cubism
후안 그리스 마담 조제트 그리스 초상화
The Promenade — 세잔, Post-impressionism
세잔 The Promenade
Moses Is Saved From The Waters Of Nile By Pharaoh's Daughter (exodus Ii, 5 6) — 마르크 샤갈, Expressionism
마르크 샤갈 Moses is saved from the waters of Nile by Pharaoh's daughter (Exodus II, 5 6)
Interior, Strandgade 30 — 빌헬름 함머쇼이, Symbolism
빌헬름 함머쇼이 Interior, Strandgade 30
아이와 비둘기 — Ridolfo Schadow, Blue Period
Ridolfo Schadow 아이와 비둘기
Diana — 장-앙투안 우동, Neoclassical Sculpture
장-앙투안 우동 Diana
Allegorical Figure Representing Metaphysics — 잔 바티스타 티에폴로, Rococo Painting
잔 바티스타 티에폴로 Allegorical Figure Representing Metaphysics
Allegorical Figure Representing Arithmetic — 잔 바티스타 티에폴로, Rococo
잔 바티스타 티에폴로 Allegorical Figure Representing Arithmetic
별이 빛나는 밤 (초안) — 빈센트 반 고흐, Post-impressionist Expressionism
빈센트 반 고흐 별이 빛나는 밤 (초안)
Friar, Standing — 장앙투안 와토, Rococo
장앙투안 와토 Friar, standing

작가 소개

The Divine Brush of the Lombard Master

In the twilight of the twelfth century, a period defined by the profound intersection of theological inquiry and burgeoning artistic expression, there emerged a figure whose work would bridge the gap between the rigid structures of the late Gothic era and the soft elegance of the early Renaissance. Known to history as the Lombard Master, or Peter Lombard, this Italian painter and theologian possessed a rare duality of spirit. Born in Novara, Italy, around 1096, his life was a tapestry woven from the intellectual rigor of the cathedral schools and the luminous devotion of sacred iconography. His journey took him from the humble beginnings of a poor family to the prestigious halls of Paris, where he studied under the legendary shadows of Peter Abelard and Hugh of St. Victor, absorbing a level of scholastic depth that would forever inform the spiritual weight of his brushstrokes.

The artistry of the Lombard Master is characterized by an ethereal grace that seems to transcend the physical limitations of medieval medium. His technique is most celebrated for its use of uniform gold grounds, a technique that creates a sense of timeless, divine space, stripping away the distractions of the earthly realm to focus the viewer's soul on the sacred. Within these shimmering golden voids, he placed figures of remarkable elegance—slender, elongated forms that possess a rhythmic fluidity. This stylistic choice reflects a pivotal moment in art history, where the stiff, symbolic representations of the early Middle Ages began to yield to a more humanized, graceful aesthetic that would eventually blossom into the Renaissance.

Sacred Iconography and Lasting Legacy

The works surviving from the Lombard Master’s hand serve as windows into a world where theology and visual beauty were inseparable. His ability to imbue even the smallest panel with profound narrative power is evident in his most cherished pieces. One might contemplate the delicate tension found in Cleopatra / Eurydice, where a slender, near-naked female figure stands before a parapet, a composition that showcases his mastery of form and the subtle interplay between light and shadow. His devotion to the saints is equally palpable in works such as Saint Anthony Abbot and the Saint Martyr Deacon Panel. These smaller, intimate pieces, often measuring approximately 17 x 52 cm, demonstrate how he could command a limited space to evoke an immense sense of piety and presence.

Beyond his individual paintings, the historical significance of the Lombard Master lies in his role as a bridge between eras and disciplines. As a subdeacon and later a priest, his theological authority allowed him to infuse his art with a deep, doctrinal meaning that resonated throughout the medieval art world. He was not merely a creator of images but an influential teacher whose pedagogical reach extended to both artists and theologians, shaping the intellectual landscape of his time. Today, his legacy is preserved in prestigious institutions such as the Museo Poldi Pezzoli in Milan, where his golden compositions continue to inspire awe, reminding us of a period when the pursuit of divine truth was expressed through the most exquisite mastery of paint and gold.

Lombard Master

Lombard Master

1096 - 1160 , Italy

작가 정보 요약

  • Full Name: Peter Lombard
  • Nationality: Italian
  • Date Of Birth: 1096
  • Date Of Death: 1160
  • Place Of Birth: Novara, Italy
  • Notable Artworks:
    • Cleopatra / Eurydice
    • Saint Anthony Abbot
    • Saint Martyr Deacon Panel
  • Artistic Movement Or Style: Late Gothic to Renaissance Art
  • Artists Who Influenced This Artist:
    • Peter Abelard
    • Hugh of St. Victor
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