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상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 통계 정보

Being With (Être Avec)

Roberto Matta's "Being With" (1946) is a surrealist masterpiece depicting labyrinthine architecture and unsettling figures, reflecting societal anxieties of the post-war era.

Explore the surreal world of Roberto Matta (1911-2002)! Discover his biomorphic art, Chilean heritage & influence on Abstract Expressionism. A 20th-century icon.

이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.

이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.

지클레 / 아트 프린트

빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기 디지털 이미지 판매 채널로 전환)

Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118B ₩10
Corner sample of the P118H picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118H ₩10
Corner sample of the P118W picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118W ₩10
Corner sample of the P438Z picture frame: 성형 폴리스티렌, 5.5 cm wide and 3.5 cm thick
P438Z ₩10
Corner sample of the P508JH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508JH ₩12
Corner sample of the P508YH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508YH ₩12
Corner sample of the P805H picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805H ₩10
Corner sample of the P805Z picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805Z ₩10
Corner sample of the P919BZ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919BZ ₩10
Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919G ₩10
Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919XJ ₩10
Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P959ZH ₩10
Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
P968JZ ₩12
Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
W106C ₩8
Corner sample of the W218G picture frame: 원목, 5 cm wide and 3 cm thick
W218G ₩10
Corner sample of the W218JH picture frame: 원목, 5 cm wide and 3 cm thick
W218JH ₩8
Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
W218Y ₩10
Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
W307PJ ₩10
Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
W316G ₩10
Corner sample of the W316PJ picture frame: 원목, 6 cm wide and 3 cm thick
W316PJ ₩8
Corner sample of the W316Y picture frame: 원목, 6 cm wide and 3 cm thick
W316Y ₩10
Corner sample of the W398PJ picture frame: 원목, 5 cm wide and 3 cm thick
W398PJ ₩8
Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
W4111J ₩10
Corner sample of the W500HY picture frame: 원목, 7 cm wide and 5 cm thick
W500HY ₩15
Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
W500JH ₩15
Corner sample of the W692G picture frame: 원목, 8 cm wide and 4 cm thick
W692G ₩12
Corner sample of the W849H picture frame: 원목, 5 cm wide and 3 cm thick
W849H ₩8
Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
W940BG ₩15
Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
W953PJ ₩8

표준 규격
맞춤 제작
CM
INCH

작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

가로 너비
높이

액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.

전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (24 10월)

전 세계 무료 특급 배송
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100% 환불 보장
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총 결제 금액

₩ 82807

Being With (Être Avec)

지클레 / 아트 프린트

복제본 규격

-

총 결제 금액

₩ 82807

주요 정보

  • Title: Being With
  • Influences:
    • Freud
    • Magritte
  • Medium: Oil on canvas
  • Dimensions: 221 x 457 cm
  • Notable elements: Labyrinthine structure

아트 퀴즈

각 질문의 정답은 하나뿐입니다.

문항 1:
What is the primary subject depicted in Roberto Matta’s ‘Being With’?
문항 2:
In what year was Roberto Matta’s ‘Being With’ painted?
문항 3:
According to the description, what societal crisis influenced Matta’s ‘social morphologies’?
문항 4:
What architectural style is referenced in the description as influencing Matta’s work?
문항 5:
What is the approximate size of ‘Being With’?

The Labyrinthine Psyche: Exploring Roberto Matta’s “Being With”

Roberto Matta's "Being With" (1946) isn’t merely a painting; it’s an immersion into the fractured, dreamlike landscape of the subconscious. Painted during his formative years in New York City – a period deeply influenced by the anxieties and transformations following World War II – this monumental canvas pulsates with a potent blend of Surrealist imagery, architectural distortion, and unsettling human forms. Matta, a Chilean artist who navigated the currents of European avant-garde movements before establishing himself as a key figure in American Abstract Expressionism, crafted a work that speaks directly to the societal unease of the time, reflecting on the very act of “being” within a world grappling with profound change.

Being With by Roberto Matta

A Symphony of Architectural Distortion

The painting’s immediate impact is one of overwhelming complexity and disorientation. A dense, labyrinthine structure dominates the composition – a chaotic assemblage of towering buildings, bridges, and fragmented walls that seem to both contain and simultaneously repel the viewer. These aren't recognizable architectural forms; rather, they are warped, elongated, and interwoven in a manner reminiscent of Escher’s impossible geometries. Matta masterfully employs perspective to create an illusion of depth, drawing us into this claustrophobic world where scale is distorted and spatial relationships defy logic. The yellow wall serves as a stark backdrop, amplifying the sense of unease and highlighting the figures within.

The humanoid figures scattered throughout the scene are rendered in a deliberately ambiguous style – often partially obscured, contorted, or engaged in unsettling, almost ritualistic interactions. These aren’t portraits; they represent archetypal anxieties about human connection, isolation, and perhaps even the loss of identity within a rapidly changing world. Their positions suggest a struggle for agency amidst this overwhelming architectural maze.

Surrealism, Social Commentary, and the “Social Morphologies”

Matta’s work during the mid-to-late 1940s, collectively known as "social morphologies," represents a significant shift in his artistic approach. He moved beyond purely personal explorations of the subconscious to address broader societal concerns – specifically, the psychological impact of war and the anxieties surrounding the rise of modernity. “Being With” embodies this shift perfectly; it’s not just a dreamscape but a visual metaphor for the collective trauma experienced by humanity after World War II. His engagement with Surrealism provided him with the tools to express these complex emotions through symbolic imagery and distorted forms, while his architectural background informed the painting's intricate structure.

The Emotional Resonance of a Fragmented Reality

“Being With” is profoundly unsettling yet undeniably captivating. It evokes a sense of claustrophobia, disorientation, and perhaps even dread – mirroring the psychological state of a world reeling from conflict and uncertainty. However, amidst this darkness, there’s also a strange beauty in the painting's complexity and its exploration of the human condition. The vibrant colors, combined with Matta’s masterful use of line and texture, create a dynamic visual experience that invites repeated contemplation. It’s a work that lingers in the mind long after it has been viewed, prompting viewers to confront their own anxieties about existence and the nature of reality. Reproductions capture only a fraction of this powerful emotional depth.

질의응답

Roberto Matta의 "Being With (Être Avec)"은 밝은 분위기의 작품인가요, 아니면 어두운 분위기의 작품인가요?

Roberto Matta의 "Being With (Être Avec)"의 느껴지는 밝기는 balanced입니다. 이는 의도한 공간의 조명과 조화를 이룰 수 있습니다.

"Being With (Être Avec)"은(는) Roberto Matta의 반복되는 주제들 사이에서 어떤 위치를 차지하고 있나요?

"Being With (Être Avec)"은(는) surrealism, architecture, sexuality, anxiety, figures, maze, 1946을(를) 묘사하고 있는 반면, Roberto Matta의 기존 주제들은 surrealism, freud, war anxieties, social critique, abstract expressionism입니다. 이 두 가지를 비교해 보면 해당 작품이 작가의 통상적인 소재와 어떻게 연관되는지 알 수 있습니다.

"Being With (Être Avec)"에 대한 가이드는 어디에서 확인할 수 있나요?

Roberto Matta의 "Being With (Être Avec)"의 가이드 페이지에서는 인쇄 가능한 두 장 분량의 학습용 팩트시트를 제공합니다. 여기에는 작품과 작품 정보표, 작가의 생애 속 시기를 보여주는 연대기, 해당 작가의 다른 작품들, 측정된 컬러 팔레트, 그리고 네 가지 스타일로 바로 복사하여 사용할 수 있는 인용 문구가 포함되어 있습니다.


작가 소개

Roberto Matta: A Surrealist Visionary

  • Born: November 11, 1911, Santiago, Chile
  • Died: March 23, 2002, Civitavecchia, Italy

Roberto Sebastián Antonio Matta Echaurren, known as Roberto Matta, was a Chilean painter and architect who significantly impacted abstract expressionism and surrealist art. His journey from architecture student to influential artist reflects a profound exploration of the subconscious mind and a unique artistic vision.

Early Life and Artistic Development

  • Education: Studied architecture at the Pontificia Universidad Católica de Chile, graduating in 1935.
  • European Influences: Travels to Europe exposed him to prominent artists like René Magritte, Salvador Dalí, André Breton, and Le Corbusier, shaping his artistic style.
  • Surrealist Engagement: Became a key figure within the Surrealist movement, embracing its exploration of dreams, the subconscious, and challenging conventional reality. His work was heavily influenced by Sigmund Freud's psychoanalytic theories.

Key Artistic Characteristics and Influences

  • Biomorphic Forms: Matta’s paintings are characterized by organic shapes and forms reminiscent of living organisms, a hallmark of his style.
  • Psychological Landscapes: His works often depict dreamlike landscapes that evoke psychological states and emotions.
  • Abstract Expressionism: While rooted in Surrealism, Matta's work significantly contributed to the development of Abstract Expressionism through its emphasis on gesture, color, and emotional expression. He collaborated with artists like Mark Rothko and Jackson Pollock.
  • Modernismo Influence: His connection to the Modernismo art movement is evident in his use of Latin and Greek mythology and medieval verses.

Major Works and Political Engagement

  • Notable Paintings: Being with, Invasion of the Night, and Verbo América are among his most recognized works.
  • Mural "The First Goal of the Chilean People": A large-scale mural painted in 1973 was later covered by the military regime of Augusto Pinochet. It was rediscovered and restored in 2008, now displayed at La Granja City Hall. This work demonstrates his political engagement and commentary on social issues.
  • Ceramic Vessels: Matta also explored ceramic art, creating vessels with surrealist imagery and ancient motifs (as seen in "Senza titolo").

Legacy and Historical Significance

  • Influence on Subsequent Artists: Matta’s innovative use of color, form, and psychological themes inspired generations of artists.
  • Museum Recognition: His works are held in prestigious collections including the Museum of Modern Art (MoMA) in New York City and the Butler Institute of American Art.
  • Continued Relevance: Matta’s exploration of the subconscious mind, his blending of surrealism and abstraction, and his engagement with political themes continue to resonate with contemporary audiences.
Roberto Matta

Roberto Matta

1911 - 2002 , Chile

작가 정보 요약

  • Full Name: Roberto Sebastián Antonio Matta Echaurren
  • Nationality: Chilean
  • Date Of Birth: 1911
  • Date Of Death: 2002
  • Place Of Birth: Santiago, Chile
  • Notable Artworks:
    • Being with
    • Invasion of the night
    • First goal of Chilean people
    • Snail’s Trace
    • Verbo América
  • Artistic Movement Or Style:
    • Surrealism
    • Abstract Expressionism
  • Artists Who Influenced This Artist:
    • Sigmund Freud
    • André Breton
    • René Magritte
  • Artists Or Movements Influenced By This Artist: ['Abstract Expressionism']
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