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Saco - Jacket

Vardas ir pavardė Klasė Data

Carlos Arias Navarro, Saco - Jacket (1999), Fundación Universidad de las Américas Puebla. Reprodukcija skirta informacinėms tikslams; teisės priklauso teisėsобладаiciui.

Pagrindinė informacija

Autorius
Carlos Arias Navarro wikioo.org/lt/artists/carlos-arias-navarro/
Autoriaus datys
1908 – 1989
Spalvotas
1999
Originalus dydis
115 x 175 cm
Judėjimas
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Viešintas
Fundación Universidad de las Américas Puebla wikioo.org/lt/museums/fundacion-universidad-de-las-americas-puebla-cholula/

Kontekste

Saco - Jacket — Carlos Arias Navarro

Koks yra jo dydis?

Originalios matmenys yra 115 × 175 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo.

Kada tai buvo nupiesta?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Šviesoplėvis: Carlos Arias Navarro gyvenimas (1908–1989) ▲ šis kūrinys, 1999

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Spalvų paletė

Matuota iš vaizdo

    Pagrindinė spalva

    Phthalo Green #212733

    Išsaugota paletė

    • #212733
    • #F5F5EF
    • #3C3E49
    • #D8D8D2
    Paletė
    Neutrals Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinė spalva
    Phthalo Green
    Intensyvumas
    Monochromatic Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Statement Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Softly Mixed Palette Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Bright Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Muted Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Apie šį kūrinį

    Saco - Jacket — Carlos Arias Navarro

    Two navy coats with black vertical lines in front and rearview with a white background.Arias works painting and embroidery, lives in Mexico since 1988. He stops painting from 1994 to 2015 to dedicated himself to embroidery. In 1998 Arias became professor at UDLAPThis piece was part of the exposition

    Virus ir muziejus

    Autorius

    Carlos Arias Navarro

    Gimė Madrid, Spain

    Carlos Arias Navarro: A Life in Art

    Carlos Arias Navarro (1908-1989) was a Spanish artist whose work spanned photography and textile art. While initially overshadowed by his namesake – a prominent Spanish politician – Navarro carved out a unique artistic path, particularly recognized for his meticulous studies of form and texture.

    Early Life and Artistic Beginnings

    Born in Madrid, Spain, in 1908, details regarding Carlos Arias Navarro’s early life and formal art education remain somewhat scarce. However, it is clear that he developed a keen eye for detail and an interest in exploring the visual world through unconventional mediums.

    Artistic Development & Style

    Navarro's artistic style can be characterized by its precision and focus on everyday objects. He wasn’t interested in grand narratives or sweeping landscapes; instead, he found beauty and intrigue in the mundane. His photographic work often features symmetrical compositions and a deliberate use of light and shadow to highlight texture. This is particularly evident in pieces like ‘Saco - Jacket’, where the folds and lines of fabric become the central subject.

    Major Works & Themes

    Hay una tendencia: A striking example of Navarro’s photographic style, showcasing his ability to find artistic merit in everyday scenes.

    Casi naranja: Demonstrates a playful exploration of color and form within a simple subject matter.

    Saco - Jacket: Perhaps his most recognized work, ‘Saco - Jacket’ (1999) is a compelling photographic study of navy suits, emphasizing the texture and structure of the garment.

    Recurring themes in Navarro's work include:

    Textile Studies: A fascination with fabrics, their patterns, and how they interact with light.

    Minimalism: A preference for simple compositions and a reduction of elements to their essential forms.

    Everyday Objects: Finding artistic inspiration in the ordinary items that surround us.

    Influences

    While specific influences are difficult to pinpoint, Navarro’s work suggests an appreciation for modernist principles – particularly those emphasizing form and abstraction. The influence of still life traditions in painting can also be observed in his photographic compositions.

    Historical Significance & Legacy

    Although not a widely celebrated artist during his lifetime, Carlos Arias Navarro's work is gaining recognition for its unique perspective and technical skill. His meticulous approach to photography and textile art offers a fresh look at everyday objects, inviting viewers to appreciate the beauty in simplicity. He represents a quieter corner of 20th-century Spanish art, one focused on intimate observation rather than grand statements.

    Later Life & Death

    Carlos Arias Navarro passed away in 1989, leaving behind a body of work that continues to intrigue and inspire. His legacy is slowly being rediscovered as his pieces find their way into collections and exhibitions worldwide.

    Muziejus

    Fundación Universidad de las Américas Puebla

    Parodoma Cholula, Mexico

    A Sanctuary of Heritage: The Soul of UDLAP

    Nestled within the historic embrace of Cholula, Mexico, the

    Fundación Universidad de las Américas Puebla

    serves as much more than a mere repository for artifacts; it is a living, breathing dialogue between Mexico’s storied past and its vibrant, contemporary spirit. To step onto the grounds of this institution is to enter a realm where academic rigor meets artistic passion. The museum, situated within the magnificent former

    Hacienda Santa Catarina Mártir

    , offers an immersive journey through the heart of Mexican identity. Here, the air seems thick with the echoes of colonial grandeur and the transformative energy of modern intellectual pursuit, creating a sanctuary that invites both the casual observer and the seasoned collector to lose themselves in the beauty of the Americas.

    The architectural narrative of the museum is a masterpiece of metamorphosis. The transition from a sprawling, colonial-era hacienda estate into the prestigious campus of UDLAP is etched into every stone and archway. Visitors find themselves wandering through a landscape where

    baroque elegance

    meets modern innovation. Sunlight filters through ornate windows to illuminate expansive halls that reflect the dual mission of the university: to preserve the sanctity of history while fostering the seeds of future discovery. This architectural harmony provides a breathtaking backdrop for the art it houses, as the very walls seem to pulse with the same creative vitality found within the canvases and sculptures on display.

    A Tapestry of Color and Clay

    The collection at UDLAP is a curated odyssey through the evolution of Mexican Fine Art, boasting over 600 works that capture the shifting tides of a nation's soul. While the museum honors various eras, its true heartbeat lies in the

    20th-century masterpieces

    . These works, characterized by their bold experimentation and defiance of convention, offer a panoramic view of an era where artists redefined the boundaries of form and meaning. One might encounter powerful sculptures that grapple with themes of social justice and personal identity, standing in silent, profound conversation with paintings that explode with textural richness and a uniquely Mexican palette. For the interior designer or art enthusiast, these pieces represent more than decoration; they are windows into the emotional landscape of a transformative century.

    Beyond the canvas and the chisel, the museum celebrates the tactile traditions that define Mexican craftsmanship through its exquisite

    Talavera Ceramic Collection

    . This assembly of pottery is a testament to an enduring legacy, where ancient techniques meet sophisticated artistry. Each ceramic piece, with its intricate patterns and symbolic motifs, provides a tangible connection to the ancestral roots of the region. It is this seamless blend of high fine art and traditional folk craft that makes UDLAP truly unique—it does not merely present art; it presents a culture. Whether through a rotating exhibition of contemporary installations or a deep dive into colonial ceramics, the museum remains a dynamic center for cultural engagement, ensuring that the artistic spirit of Mexico continues to inspire, provoke, and enchant generations to come.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į Saco - Jacket atsisiuntimo puslapį

    wikioo.org/lt/art/download/carlos-arias-navarro-saco-jacket-D7BBBM-en/

    Citavimo šio kūrinio duomenys

    MLA
    Navarro, Carlos Arias. Saco - Jacket. 1999, Fundación Universidad de las Américas Puebla. https://wikioo.org/lt/art/carlos-arias-navarro-saco-jacket-D7BBBM-en/
    APA
    Navarro, Carlos Arias (1999). Saco - Jacket [Painting]. Fundación Universidad de las Américas Puebla. https://wikioo.org/lt/art/carlos-arias-navarro-saco-jacket-D7BBBM-en/
    Chicago
    Carlos Arias Navarro. Saco - Jacket. 1999. Fundación Universidad de las Américas Puebla. https://wikioo.org/lt/art/carlos-arias-navarro-saco-jacket-D7BBBM-en/
    Harvard
    Navarro, Carlos Arias (1999) Saco - Jacket. Fundación Universidad de las Américas Puebla. Available at: https://wikioo.org/lt/art/carlos-arias-navarro-saco-jacket-D7BBBM-en/

    Pažiūrėkite atidžiai

    Saco - Jacket — Carlos Arias Navarro

    Atidžiai pažvelkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Mūsų kataloge šis kūrinys priskirtas prie: suit jacket, textile detail, stripes. Ar sutinkate? Ką pridėtumėte arba pašalintumėte?
    4. Prisiminkite Hay una tendencia (2015), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kur tai galima pastebėti šiame darbe?

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