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Big Bend

Vardas ir pavardė Klasė Data

James E Allen, Big Bend (1937). Reprodukcija skirta informacinėms tikslams; teisės priklauso teisėsобладаiciui.

Pagrindinė informacija

Autorius
James E Allen wikioo.org/lt/artists/james-e-allen/
Autoriaus datys
1894 – 1964
Spalvotas
1937
Originalus dydis
28 x 37 cm

Kontekste

Big Bend — James E Allen

Koks yra jo dydis?

Originalūs matmenys yra 28 × 37 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo.

Kada tai buvo nupiesta?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 43. The artist lived to 70. 15 of the 37 dated works by this artist in our catalogue came earlier.

Šviesoplėvis: James E Allen gyvenimas (1894–1964) ▲ šis kūrinys, 1937

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Daugiau šiam kūriniui priderančių darbų: wikioo.org/lt/art/similar/james-e-allen-big-bend-AQTJBY-en/

Spalvų paletė

Matuota iš vaizdo

    Pagrindinė spalva

    Phthalo Green #231c1a

    Išsaugota paletė

    • #231C1A
    • #625651
    • #E7D9CA
    • #9E9086
    Paletė
    Earthy Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinė spalva
    Phthalo Green
    Intensyvumas
    Monochromatic Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Statement Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Strong Color Unity Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Balanced Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Muted Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by James E Allen over the last twelve months — 2 countries in all.

    The ten leading countries

    1. 1 Kinija 80,0%
    2. 2 Jungtinės Amerikos Valstijos 20,0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 12 most looked-at works by James E Allen

    1. 1 The Plowman, 1936 25,0%
    2. 2 Prayer for Rain, 1938 12,5%
    3. 3 Elk 12,5%
    4. 4 The Builders, 1932 6,2%
    5. 5 The Menace, 1937 6,2%
    6. 6 The Excavators, 1936 6,2%
    7. 7 The Coal Heavers, 1935 6,2%
    8. 8 Socketing, 1937 6,2%
    9. 9 Spider Boy, 1937 6,2%
    10. 10 Fulton's Folly 6,2%
    11. 11 Up above the World, 1936 6,2%
    12. Big Bend, 1937 this painting 0,0%

    Together these works take 99,6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 48 works by this artist, of which 11 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Virus ir muziejus

    Autorius

    James E Allen

    James E. Allen: The Steelworker’s Vision

    James Edmund Allen, a name perhaps less familiar than many of his contemporaries in the American art scene of the early 20th century, nevertheless possessed a singular and profoundly moving vision. Born in rural Montana in 1894, Allen's life was shaped by hardship and resilience – experiences that would deeply inform his artistic output. His early years, marked by the sudden loss of his father and subsequent family struggles, instilled within him a profound appreciation for the dignity of labor and the quiet heroism of everyday people. This formative period laid the groundwork for his enduring fascination with the working class, particularly steelworkers and pipe workers, whom he depicted with remarkable empathy and detail. Allen’s artistic journey began modestly, studying at the Art Institute of Chicago and later honing his skills within the influential Interlaken Colony near Asbury Park, New Jersey – a community renowned for its dedication to realism and social commentary. It was here that he developed his signature style: meticulously rendered scenes of industrial life, capturing not just the physicality of these laborers but also their inherent strength, determination, and quiet dignity.

    A Career Bridging Illustration and Printmaking

    Allen’s career spanned over three decades, encompassing a diverse range of activities that ultimately cemented his place as a significant figure in American art. Initially establishing himself as a freelance illustrator for popular magazines like American Boy, Blue Book, and Harper's Bazaar, he quickly gained recognition for his ability to imbue ordinary subjects with extraordinary character. His illustrations weren’t merely decorative; they were imbued with a subtle social awareness, reflecting the realities of American life during a period of rapid industrialization. However, Allen’s artistic ambitions extended beyond illustration. He embraced printmaking – lithography and etching – as a means of exploring his themes more deeply and offering greater control over his compositions. This shift allowed him to create works that were both technically sophisticated and emotionally resonant. His prints, often characterized by their stark contrasts and carefully considered arrangements of line and tone, became increasingly powerful in conveying the struggles and triumphs of the working class.

    The Power of “The Plowman” and Other Iconic Works

    Among Allen’s most celebrated works is "The Plowman" (1937), a lithograph that has become synonymous with his artistic vision. This powerful image, depicting a solitary farmer tilling the land, transcends mere representation to embody themes of perseverance, resilience, and connection to the earth. The composition—a study in light and shadow, emphasizing the figure’s muscular build and weathered face—evokes a sense of quiet dignity and unwavering determination. Similarly, "The Trench" (1937), another lithograph, captures the grim realities of industrial labor during World War II, portraying steelworkers with an unflinching honesty that underscored their vital role in supporting the war effort. These works, along with others such as “Distress,” demonstrate Allen’s ability to transform everyday subjects into potent symbols of American identity and values. His meticulous attention to detail—the texture of clothing, the lines of muscle, the weariness in the eyes—created a sense of immediacy and authenticity that resonated deeply with viewers.

    Influences and Artistic Development

    Allen’s artistic development was shaped by a confluence of influences, ranging from his early exposure to the rugged landscapes of Montana to his engagement with European art movements. The Interlaken Colony provided him with access to a network of talented artists who encouraged experimentation and innovation. He studied under figures like Joseph Pennell and William Auerbach-Levy, absorbing their techniques and approaches while maintaining his own distinctive style. Notably, Allen’s work was influenced by the principles of social realism, which sought to depict the lives of ordinary people with honesty and empathy. However, he also drew inspiration from Cubism and other avant-garde movements, incorporating elements of abstraction and geometric form into his compositions. His exploration of printmaking techniques—particularly lithography—allowed him to achieve a level of tonal control and visual complexity that was rarely seen in American art at the time.

    Legacy and Historical Significance

    James E. Allen’s legacy lies not in grand museums or widespread fame, but rather in his quietly powerful depictions of the working class—a group often overlooked by mainstream artists. His work serves as a poignant reminder of the dignity of labor and the importance of social justice. Allen's meticulous attention to detail and his ability to capture the essence of his subjects have ensured that his art continues to resonate with viewers today. He stands as a testament to the power of observation, empathy, and artistic integrity—qualities that remain vitally important in an increasingly complex world. His work is now housed in collections across the United States, offering a valuable window into the social and cultural landscape of early 20th-century America.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į Big Bend atsisiuntimo puslapį

    wikioo.org/lt/art/download/james-e-allen-big-bend-AQTJBY-en/

    Citavimo šio kūrinio duomenys

    MLA
    Allen, James E. Big Bend. 1937, https://wikioo.org/lt/art/james-e-allen-big-bend-AQTJBY-en/
    APA
    Allen, James E (1937). Big Bend [Painting]. https://wikioo.org/lt/art/james-e-allen-big-bend-AQTJBY-en/
    Chicago
    James E Allen. Big Bend. 1937. https://wikioo.org/lt/art/james-e-allen-big-bend-AQTJBY-en/
    Harvard
    Allen, James E (1937) Big Bend. Available at: https://wikioo.org/lt/art/james-e-allen-big-bend-AQTJBY-en/

    Atidžiai pastebėkite

    Big Bend — James E Allen

    Atidžusiai pažvelkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Prisiminkite The Breakers (1937), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    4. James E Allen buvo apie 43 metų, kai šis kūrinys buvo sukurtas. Koks jo elementas primena būtent tokio amžiaus kūrinį?
    5. Kokius jausmus autorius galėjo norėti jus suėdinti?

    Jūsų atsakymas

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    问答 (or more naturally for a website heading): Klausimai ir atsakymai

    Kokia buvo James E Allen amžius sukuriant „Big Bend“?

    James E Allen buvo 43 metų, kai 1937 m. sukūrė kūrinį „Big Bend“. Amžius apskaičiuotas remiantis gimimo metais 1894.

    Ar „Big Bend“ bendroje veikla yra labiau šviesio kūrinys ar tamsus?

    „Big Bend“, autorius – James E Allen įrašytas kaip balanced, turintis Gentle Luminance apšvietimo.

    Kokia yra „Big Bend“, autorius – James E Allen kūrybos data?

    „Big Bend“ sukurta 1937 m. Ši data leidžia įvardyti kūrinį James E Allen kūrybinėje karjeroje bei jo epochoje.

    Kokia yra „Big Bend“, autorius – James E Allen spalvų identowość?

    „Big Bend“ apibūdiną Earthy paletė, kurioje dominuoja Phthalo Green (#231c1a).

    Ar „Big Bend“ spalvos atrodo ryškios ar švelnios?

    „Big Bend“ spalvų intensyvumas yra Monochromatic. Intensyvumas apibūdina, koks spalvų ryškumas yra suvokiamas.

    Kokią spalvų harmoniją išpriešia „Big Bend“, autorius – James E Allen?

    „Big Bend“ spalvų harmonija yra įrašyta kaip Strong Color Unity.

    Kas sukūrė „Big Bend“?

    „Big Bend“ priskiriamas James E Allen.