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Studentų kūrybos vadovas

Old timer

Vardas Klasė Data

Sutakov Temirei Vasilevich, Old timer (2018), national-library-of-republic-sakha. Reprodukcija skirta informacinėms tikslams; teisės saugomos. Pamatykite šį paveikslą judančios šviesos dėking: piešinį, tikrąsias lakui po esančias spalvas, gryną pigmentą

Faktai

Autorius
Sutakov Temirei Vasilevich wikioo.org/lt/artists/sutakov-temirei-vasilevich/
Autoriaus datys
1984 –
Spalvotas
2018
Originalus dydis
210 x 297 cm
Viešintas
national-library-of-republic-sakha wikioo.org/lt/museums/national-library-of-republic-sakha-yakutsk/

Kontekste

Old timer — Sutakov Temirei Vasilevich

Koks yra jo dydis?

Originalūs matmenys yra 210 × 297 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo. Šis vaizdas per didelis, kad jį būtų galima parodyti tikslia masteliu šiame puslapyje.

Kada tai buvo nupiesta?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Viršutinė eilutė: metai. Žemiau esanti eilutė: kiek metų menmeniui buvo kiekvieno laikotarpio pradžioje ir pabaigoje (gimimas – 0).

Paveikta menininkui būnant 34 metų. 12 iš 15 šio kūrinio autoriui datuotų darbų mūsų kataloge buvo sukurti anksčiau.

▲ šis kūrinys, 2018 kiekviena su data pavadinta paveikslėlio, dešimtmečiais

Palyginti su

Pasirinkite vieną viršuje esantį kūrinį: nurodykite du panašumų su šiuo kūriniu ir vieną skirtumą.

Daugiau šiam kūriniui priderančių darbų: wikioo.org/lt/art/similar/sutakov-temirei-vasilevich-old-timer-DD3B4M-en/

Spalvos

Matuota iš vaizdo skaitmeniniu būdu

    Šios spalvos visoje meno kūryjos paletėje Raskite kitus paveikslus pagal spalvą

    Kur pasaulyje žiūrima į šį paveikslą?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ir daugiau
    Šio paveikslėlio lankytojų duomenys yra per mažai, kad būtų galima suformuoti žemėlapį, todėl čia pateikiamos visos Sutakov Temirei Vasilevich darbai per pastaruosius dvylika mėnesių — iš viso 1 šalių. Iš kur gauti šie duomenys

    Dešimt pirmなusių šalių

    1. 1 Kinija 100,0%500 lankytojų

    Žemėlapyje rasti tris tamsiausias šalis. Ar viena iš jų yra ta, kurioje yra muziejus, saugantis šį paveikslą? Įrašykite vieną priežastį, kodėl žmonės iš toli galėtų jį aplankyti.

    Populiariausi Sutakov Temirei Vasilevich kūriniai (žiūrėtos dalis: 6)

    1. 1 Stranger, 2017 20,0%100 lankytojų
    2. 2 Quetzalquiteco, 2018 20,0%100 lankytojų
    3. 3 Stranger, 2017 20,0%100 lankytojų
    4. 4 Untitled, 2017 20,0%100 lankytojų
    5. 5 Untitled, 2017 20,0%100 lankytojų
    6. — Old timer, 2018 šis paveikslas 0,0%0 lankytojų

    Kartu šie darbai sudaro 100,0% visos dėmesės, skirtos šio paveikslėlio kūrybai per pastaruosius dvylika mėnesių. Kataloge yra 15 šio kūrybinio veikėjo darbų, iš kurių 5 buvo apžiūrėti bent vieną kartą. Šiam paveikslui kol kas belum buvo žiūrėta — jis uždaro sąrašą neturint įvertinimo. Viskas tas pats, mėnesį po mėnesio

    Sluokslai matuoja dėmesį, o ne kokybę. Pasirinkite viršuje esantį kūrinį ir šį: išvardykite vieną dalyką, kuris gali padaryti paveikslą garsų ne dėl to, kaip gerai jis tapytas.

    Draugas ir muziejus

    Autorius

    Sutakov Temirei Vasilevich

    Gimė Russia

    Sutakov Temirei Vasilevich: A Siberian Echo in the Heart of Contemporary Art

    Born in 1984 in Siberia, Russia, Sutakov Temirei Vasilevich’s artistic journey is a compelling narrative of cultural fusion and profound introspection. His work, deeply rooted in his Siberian heritage yet firmly established within the vibrant landscape of New York City's contemporary art scene, explores the intricate relationship between human faces, shamanistic traditions, and the enduring power of visual storytelling. From a young age, Temirei was immersed in an artistic environment fostered by his father’s creative pursuits, laying the foundation for a career characterized by both technical mastery and deeply personal expression.

    Temirei's formal training began at a prestigious figurative art academy in Saint Petersburg, Russia, where he honed his skills in graphic art. This rigorous academic experience provided him with a solid understanding of artistic principles – composition, color theory, and technique – while simultaneously exposing him to the rich traditions of Russian iconography and symbolism. However, it was during his time in Siberia that Temirei’s artistic vision truly began to take shape. The stark beauty of the landscape, the ancient stories passed down through generations, and the profound connection between people and the natural world ignited a deep fascination with shamanism and its role in shaping cultural identity.

    The Alchemy of Technique and Tradition

    Temirei’s artistic practice is remarkably diverse, seamlessly blending traditional techniques with innovative approaches. He masterfully employs watercolor as his primary medium, utilizing loose brushstrokes and vibrant color palettes to capture the essence of his subjects – often portraits that delve into the complexities of human emotion and identity. Yet, he doesn't limit himself to this single technique; performance art, movement, sound, bio-art, light and shade, and even elements of shamanistic ritual are interwoven into his work, creating a multi-sensory experience for the viewer.

    His process is characterized by an almost meditative approach. He meticulously studies the faces he depicts, not merely rendering their physical features but attempting to capture the stories held within their eyes – the joys, sorrows, and unspoken narratives of a lifetime. This dedication to detail, combined with his intuitive understanding of color and composition, results in paintings that are both strikingly beautiful and deeply evocative.

    A Tapestry of Cultural Influences

    Temirei’s work is profoundly influenced by the diverse cultures he has encountered throughout his life. Growing up in Siberia instilled within him a deep appreciation for the traditions of indigenous peoples, while his time in New York City exposed him to the global exchange of ideas and artistic styles. This fusion of influences manifests itself in his art through a rich tapestry of symbolism, mythology, and visual references – echoes of ancient shamanic practices alongside contemporary urban aesthetics.

    His fascination with human faces is central to his work, but it’s not simply an exercise in portraiture. Temirei uses the face as a vehicle for exploring themes of identity, memory, and connection—a way to bridge the gap between past and present, between individual experience and collective consciousness. The recurring motifs of shamanic masks and ritualistic imagery further emphasize this exploration, suggesting a deeper spiritual dimension within his art.

    Notable Works & Recognition

    Temirei’s artistic output has garnered significant attention in recent years, with several notable works already recognized for their originality and emotional depth. Pieces like “Unidentified Object” (2017), a haunting watercolor depicting an ambiguous form shrouded in shadow and cool tones, demonstrate his ability to create evocative atmospheres through subtle color choices and layered textures. “Rainbow Community. Stranger,” a poignant portrait blending impressionism with shamanistic themes, showcases his talent for capturing the essence of human connection. “Quetzalquiteco”, a vibrant watercolor hummingbird painting, exemplifies his skill in rendering iridescent colors and loose brushstrokes.

    His work has been featured in exhibitions across North America and Europe, solidifying his position as a rising star within the contemporary art world. Ongoing projects continue to push the boundaries of artistic expression, exploring new techniques and challenging conventional notions of representation. Sutakov Temirei Vasilevich’s journey is one of constant evolution—a testament to the enduring power of creativity and the boundless possibilities of artistic vision.

    Muziejus

    national-library-of-republic-sakha

    Parodoma Yakutsk, Russian Federation

    A Bastion of Memory Amidst the Permafrost

    In the heart of Yakutsk, where the legendary Siberian winter holds the landscape in a crystalline grip, stands an institution that serves as much more than a mere repository for books. The National Library of the Republic Sakha (Yakututia) is a vibrant cultural heartland, a sanctuary of identity carved out of the frozen expanse of the Russian Federation. Established in 1925 through a monumental collective effort involving nearly one hundred scientific and public organizations, the library was born from an immediate recognition of Yakutia’s profound cultural importance. It is a place where the biting cold of the external world meets the warmth of human narrative, acting as a vital center for research, education, and the preservation of an enduring spirit that refuses to be silenced by the elements.

    To enter this institution is to step into a dialogue between ancient heritage and modern innovation. The architecture, envisioned by the architect Vladimir Petrovich Vasiliev, masterfully weaves traditional Yakutian aesthetics into a contemporary structural language. One can observe the subtle echoes of the distinctive “yakutsk” style, characterized by its evocative timber framing and steeply pitched roofs, which ground the building in the local landscape. Inside, the design prioritizes the human experience; spacious reading rooms are bathed in soft, natural light that filters through expansive windows, offering views of the surrounding frozen tundra. These spaces, furnished with ergonomic grace, invite quiet contemplation and intellectual exploration, creating an atmosphere where the weight of history feels both present and breathable.

    The Living Ink of the Sakha People

    The true soul of the library lies within its staggering collection, a profound engagement with Yakutian identity expressed through ink and parchment. Housing over two million volumes, the library’s holdings are a multilingual tapestry spanning Russian, Yakut, and numerous indigenous languages. The collection is not merely a quantitative feat but a qualitative treasure trove; it contains rare manuscripts painstakingly transcribed by hand and oral traditions preserved in written form, documenting the folklore, mythology, and historical chronicles of a people intimately connected to their environment. Among its most precious artifacts are the early liturgical texts from the nineteenth century, such as the 1819 Catechism, which represent the very dawn of Yakut literacy and the complex intersection of Christianization and indigenous enlightenment.

    For the scholar or the curious collector of history, the library offers unparalleled depth. The Mikhail Nikolaev Archive provides a meticulously documented window into the tumultuous years following the Russian Revolution, offering essential insights into the region's political evolution and social transformations. Furthermore, the library’s ethnographic studies serve as indispensable tools for anyone seeking to understand the societal structures and traditions of the Sakha. This wealth of knowledge is further enriched by the library's digital frontiers; through an expanding archive of photographs, maps, audio recordings, and video documentaries, the institution bridges the gap between ancient manuscripts and modern technology, ensuring that the legacy of Yakutia remains accessible to a global audience.

    A Nexus of Cultural Exchange

    Beyond its role as a silent guardian of the past, the National Library pulsates with the energy of the present. It functions as a dynamic hub for cultural exchange, hosting regular exhibitions, lectures, and events that draw visitors from across Russia and the international community. These gatherings are far more than simple displays; they are opportunities for profound dialogue, fostering a deeper understanding between the unique Yakutian culture and the wider world. The exhibition halls frequently rotate to celebrate regional art history, contemporary cultural achievements, and the intricate beauty of local folklore, making every visit a new discovery.

    The institution also serves as a critical node in a broader network of knowledge, coordinating libraries throughout the Sakha Republic and participating in national bibliography projects. With specialized programs like the TISC for intellectual property management and the preservation of the Archives of the First President of Sakha, the library demonstrates a dual commitment to fostering future innovation while safeguarding historical truth. For the art lover, the interior designer seeking inspiration from indigenous motifs, or the historian tracing the threads of Siberian life, the National Library of the Republic Sakha stands as an unforgettable testament to the power of memory and the resilience of culture.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į Old timer atsisiuntimo puslapį

    wikioo.org/lt/art/download/sutakov-temirei-vasilevich-old-timer-DD3B4M-en/

    Citavimo šio kūrinio duomenys

    MLA
    Vasilevich, Sutakov Temirei. Old timer. 2018, national-library-of-republic-sakha. https://wikioo.org/lt/art/sutakov-temirei-vasilevich-old-timer-DD3B4M-en/
    APA
    Vasilevich, Sutakov Temirei (2018). Old timer [Painting]. national-library-of-republic-sakha. https://wikioo.org/lt/art/sutakov-temirei-vasilevich-old-timer-DD3B4M-en/
    Chicago
    Sutakov Temirei Vasilevich. Old timer. 2018. national-library-of-republic-sakha. https://wikioo.org/lt/art/sutakov-temirei-vasilevich-old-timer-DD3B4M-en/
    Harvard
    Vasilevich, Sutakov Temirei (2018) Old timer. national-library-of-republic-sakha. Available at: https://wikioo.org/lt/art/sutakov-temirei-vasilevich-old-timer-DD3B4M-en/

    Atidžiai pastebėkite

    Old timer — Sutakov Temirei Vasilevich

    Atidžusiai pastebėkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Kiek veidų pavyksta rasti? ____ (mūsų kataloge jų 1 — sutinkate?)
    4. Prisiminkite Rainbow community. Stranger (2017), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    5. Sutakov Temirei Vasilevich buvo apie 34 metų, kai šis kūrinys buvo sukurtas. Koks jo elementas primena būtent tokio amžiaus kūrinį?

    Jūsų atsakymas

    Parašykite trumpą pastraipę apie šį kūrinį. Naudokite informaciją iš ankstesnių šio vadovėjo dalių bei savo anksčiau pateiktus atsakymus.

    Klausimai ir atsakymai

    Kur galiu įsigyti „Old timer“ – Sutakov Temirei Vasilevich spausdinį?

    Šio kūrinio „Old timer“ – Sutakov Temirei Vasilevich spausdinį galite užsakyti tiesiogiai jo Kūrinio spausdinimas aukščiausia kokybe puslapio: aukščiausios kokybės spausdinys ant medžio siuvinėjamų audinių arba archyvinio kanvas tipo popieriaus.

    Ar „Old timer“ – Sutakov Temirei Vasilevich priklauso viešosios teisės domenui?

    Kalbant apie autorišką teisę, „Old timer“ yra vis dar saugoma autorineje teisėje.

    Ar „Old timer“ kūrijas Sutakov Temirei Vasilevich žinomas에도 kitais vardais?

    Sutakov Temirei Vasilevich taip pat žinomas (a) pavadinimais Temirei Sutak.