André Derain portretas

André Derain: Catalogue of the 100 Most Famous Paintings

Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 354 André Derain darbai mūsų kataloge

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bathers (1907) is recorded as the most famous painting of André Derain. London Bridge (1906) and Charing Cross from sw (1906) occupy the second and third entries. Of the 354 works by André Derain recorded in the catalogue, the 100 best known are listed below, each entry with its date, the holding museum and a note on the work.

1880 – 1954, Chatou Fauvism Daugiausia darbų: Statens Museum For Kunst

Entries 1 to 10: the most famous André Derain paintings

1
bathers (1907) aut. André Derain

bathers

1907 · Oil On Canvas

To stand before André Derain's Bathers is to step directly into the exhilarating heart of the early twentieth century art revolution. This painting, executed in 1907, is not merely a depiction of figures by water; it is a pure explosion of color and emotion rendered through the lens of Fauvism. The very air around the canvas seems charged with the energy of bold pigment. Derain, a key figure alongside Henri…

2
London Bridge (1906) aut. André Derain

London Bridge

1906 · Oil On Canvas · MOMA - Moderniosios menų muziejus, Niujorkas

In the heart of 1906, a revolution was unfolding on canvas, and André Derain was one of its most daring architects. His masterpiece, London Bridge, is far more than a mere architectural study; it is a visceral explosion of emotion captured through the lens of Fauvism. While the London fog is traditionally associated with muted greys and somber tones, Derain defies the atmospheric reality of the Thames to present a…

3
Charing Cross from sw (1906) aut. André Derain

Charing Cross from sw

1906 · Oil On Canvas · National Gallery of Art, Vašingtonas

Charing Cross from SW: A Fauvist Symphony of London André Derain’s “Charing Cross from SW” isn't merely a depiction of a London landmark; it’s an explosion of feeling, a vibrant declaration of the Fauvist movement at its peak. Painted in 1906, this artwork captures a bustling scene along the Thames, dominated by the iconic Charing Cross bridge, yet rendered through a lens entirely unique to Derain's revolutionary approach to color…

4
Landscape at L'Estaque (1906) aut. André Derain

Landscape at L'Estaque

1906 · Oil On Canvas

To stand before André Derain’s Landscape at L'Estaque is not merely to observe a scene; it is to be enveloped by a burst of pure, unadulterated chromatic energy. Painted in 1906, this oil on canvas stands as a vibrant manifesto of the Fauvist movement—a style that dared to liberate color from the shackles of mere description. Here, the natural world of L'Estaque is rendered not with photographic accuracy, but with…

5
Hyde Park (1906) aut. André Derain

Hyde Park

1906 · Oil On Panel · Musee d'Art Moderne de Troyes, Troyes

To gaze upon André Derain's Hyde Park is to step directly into the effervescent heart of early 20th-century Parisian life. This painting, executed in 1906, is far more than a mere depiction of an afternoon stroll; it is a vibrant celebration of modern leisure captured through the revolutionary lens of Fauvism. The scene unfolds with an almost palpable energy—a tapestry woven from bold color and dynamic movement. We see figures…

7
Cypresses (1907) aut. André Derain

Cypresses

1907 · Oil On Panel

To stand before André Derain’s "Cypresses" is to step directly into the vibrant heart of early twentieth-century French modernism. This captivating oil-on-panel, dating from 1907, is far more than a mere depiction of a landscape; it is an explosion of color and emotion captured by an artist at the zenith of his revolutionary period. The scene unfolds with a profound sense of natural grandeur: a field dotted with resilient pine…

8
Portrait of Madame Paul Guillaume with a large hat (1928) aut. André Derain

Portrait of Madame Paul Guillaume with a large hat

1928 · Oil On Canvas

To stand before André Derain’s Portrait of Madame Paul Guillaume with a large hat is to step directly into the vibrant, charged atmosphere of an early twentieth-century artist's studio. This painting is far more than a mere likeness; it is a meditation on creativity itself. The subject, seated amidst the beautiful chaos of artistic tools—canvases leaning against unseen supports, palettes bearing the ghosts of color—commands our attention with a serene…

9
Drying the Sails (1905) aut. André Derain

Drying the Sails

1905 · Oil On Canvas · Pushkinio valstybinis dailės muziejus, Maskva

André Derain’s “Drying the Sails,” painted in 1905, isn't merely a depiction of a harbor scene; it’s an explosion of color and emotion—a quintessential embodiment of the Fauvist movement. Born from a confluence of artistic influences and a desire to break free from traditional representation, this painting captures a fleeting moment on the French coast, imbued with a raw energy that continues to resonate with viewers today. Derain, alongside Henri…

10
Mountains at Collioure aut. André Derain

Mountains at Collioure

Oil On Canvas

In the annals of modern art, few moments capture the raw, unbridled energy of a revolution quite like André Derain’s Mountains at Collioure. Painted during the feverish summer of 1905, this masterpiece serves as a vibrant manifesto of the Fauvist movement, a period when color was liberated from the shackles of reality to serve the needs of pure emotion. As one gazes upon this canvas, the eye is immediately swept…

André Derain, further entries: 11 to 100

11Effect of Sun on the Water, London (1906) aut. André DerainEffect of Sun on the Water, London1906 12Still Life on the Table (1904) aut. André DerainStill Life on the Table1904 13Harbour of Collioure (1905) aut. André DerainHarbour of Collioure1905 · Staatsgalerie Stuttgart 14Black Scarf (1935) aut. André DerainBlack Scarf1935 15Houses of Parliament at Night, London (1906) aut. André DerainHouses of Parliament at Night, London1906 · Metropolitano meno muziejus 16Landscape (Blue) (1906) aut. André DerainLandscape (Blue)1906 17Landscape near Chatou (1904) aut. André DerainLandscape near Chatou1904 18Landscape at Collioure (1905) aut. André DerainLandscape at Collioure1905 19The Dance (1906) aut. André DerainThe Dance1906 20Still Life with Fruit (1940) aut. André DerainStill Life with Fruit1940 · Harris Museum - Art Gallery 21Cassis aut. André DerainCassis 22Road to Castel Gandolfo aut. André DerainRoad to Castel Gandolfo 23Music (1904) aut. André DerainMusic1904 24The Houses of Parliament and Westminster Bridge (1906) aut. André DerainThe Houses of Parliament and Westminster Bridge1906 25Head of a Young Woman (1923) aut. André DerainHead of a Young Woman1923 · Statens Museum For Kunst 26Sorrowful Landscape (1946) aut. André DerainSorrowful Landscape1946 27Landscape at Cadaques (1913) aut. André DerainLandscape at Cadaques1913 28Collioure (1905) aut. André DerainCollioure1905 29Jane keeping an apple (1938) aut. André DerainJane keeping an apple1938 30Martigues (1908) aut. André DerainMartigues1908 31Harlequin (1923) aut. André DerainHarlequin1923 · Statens Museum For Kunst 32Sitting Female Model, Semi-Nude (1933) aut. André DerainSitting Female Model, Semi-Nude1933 · Statens Museum For Kunst 33Boy's Head (1914) aut. André DerainBoy's Head1914 · Statens Museum For Kunst 34Portrait of Lucien Gilbert (1906) aut. André DerainPortrait of Lucien Gilbert1906 35The Two Sisters, Statens Museum för Kunst, Cope (1913) aut. André DerainThe Two Sisters, Statens Museum för Kunst, Cope1913 · Statens Museum For Kunst 36Landscape near Chatou (1904) aut. André DerainLandscape near Chatou1904 37The beautiful model (1923) aut. André DerainThe beautiful model1923 38Fishing Boats, Colioure (1905) aut. André DerainFishing Boats, Colioure1905 · Metropolitano meno muziejus 39View from the window (The Calvary) (1912) aut. André DerainView from the window (The Calvary)1912 · Kunstmuseum Basel 40Knight on a white horse aut. André DerainKnight on a white horse 41Boats at Colliure aut. André DerainBoats at Colliure 42The Lighthouse at Collioure (1905) aut. André DerainThe Lighthouse at Collioure1905 · Musée d’Art Moderne de la Ville de Paris 43Nude with Folded Arms (1924) aut. André DerainNude with Folded Arms1924 · Statens Museum For Kunst 44Golden age (1940) aut. André DerainGolden age1940 45Madame Matisse in a Kimono (1905) aut. André DerainMadame Matisse in a Kimono1905 46The Gavotte (1906) aut. André DerainThe Gavotte1906 47Portrait of Iturrino, Musée National d'Art Mode (1914) aut. André DerainPortrait of Iturrino, Musée National d'Art Mode1914 48The Gypsy (1926) aut. André DerainThe Gypsy1926 · Musée d’Art Moderne de la Ville de Paris 49Portrait of Madame Derain (1923) aut. André DerainPortrait of Madame Derain1923 · Statens Museum For Kunst 50Head of a Woman (1923) aut. André DerainHead of a Woman1923 · Gothenburg Museum of Art 51Nude (1923) aut. André DerainNude1923 52Head of a Girl With Black Hair (Femme avec cheveux noir) from Metamorphoses (1927) aut. André DerainHead of a Girl With Black Hair (Femme avec cheveux noir) from Metamorphoses1927 53Dikran G. Kelekian (1924) aut. André DerainDikran G. Kelekian1924 54Rita van Leer (1928) aut. André DerainRita van Leer1928 55Marie Harriman (1935) aut. André DerainMarie Harriman1935 56Fishing Boats, Collioure (1905) aut. André DerainFishing Boats, Collioure1905 · MOMA - Moderniosios menų muziejus 57Landscape (1907) aut. André DerainLandscape1907 58Still Life with Pipe (1911) aut. André DerainStill Life with Pipe1911 · Statens Museum For Kunst 59Pinewood near Sausset-les-Pins (1913) aut. André DerainPinewood near Sausset-les-Pins1913 · Statens Museum For Kunst 60Le Phare de Collioure aut. André DerainLe Phare de Collioure 61The Last Supper (1911) aut. André DerainThe Last Supper1911 · Art Institute of Chicago 62Jeune Fille aut. André DerainJeune Fille 63Woman in a Chemise aut. André DerainWoman in a Chemise 64Martigues Landscape (1908) aut. André DerainMartigues Landscape1908 65The road (1932) aut. André DerainThe road1932 66Bacchus dance (1906) aut. André DerainBacchus dance1906 67The Estaque aut. André DerainThe Estaque 68Road in the mountains aut. André DerainRoad in the mountains 69The river aut. André DerainThe river 70Back aut. André DerainBack 71untitled (9936) aut. André Derainuntitled (9936) 72L'Estaque (1906) aut. André DerainL'Estaque1906 73Boats at Collioure (1905) aut. André DerainBoats at Collioure1905 74Landscape in the Ile-de-France (1904) aut. André DerainLandscape in the Ile-de-France1904 75Harlequinas ir Pierrotas (1924) aut. André DerainHarlequinas ir Pierrotas1924 · Musée de l'Orangerie 76The Church near Carrières-sur-Seine (1909) aut. André DerainThe Church near Carrières-sur-Seine1909 · Statens Museum For Kunst 77Portrait of a Man With a Newspaper (1913) aut. André DerainPortrait of a Man With a Newspaper1913 · Ermitažas 78Portrait of Alice Derain (1921) aut. André DerainPortrait of Alice Derain1921 79Bougival (1904) aut. André DerainBougival1904 80Landscape by the Sea: the Côte d'Azur near Agay (1905) aut. André DerainLandscape by the Sea: the Côte d'Azur near Agay1905 · Kanados Nacionalinė galerija 81Lucien Gilbert (1905) aut. André DerainLucien Gilbert1905 · Metropolitano meno muziejus 82Baker's hotel (1904) aut. André DerainBaker's hotel1904 83Bal des soldats à Suresnes, Saint Louis Art Mus (1903) aut. André DerainBal des soldats à Suresnes, Saint Louis Art Mus1903 84Fishing Port, Collioure (1905) aut. André DerainFishing Port, Collioure1905 85Funeral (1899) aut. André DerainFuneral1899 86The Bridge, view on the river (1905) aut. André DerainThe Bridge, view on the river1905 · Thyssen-Bornemisza muziejus 87Still Life, Bread and Fruit aut. André DerainStill Life, Bread and Fruit 88Three Trees, L’Estaque (1906) aut. André DerainThree Trees, L’Estaque1906 · Izraelio muziejus 89The Red Sails (1906) aut. André DerainThe Red Sails1906 90Cagnes (1910) aut. André DerainCagnes1910 · Art Institute of Chicago 91Landscape aut. André DerainLandscape 92The salt ponds of Martigues (1908) aut. André DerainThe salt ponds of Martigues1908 93Seated Nude, Back Turned aut. André DerainSeated Nude, Back Turned 94Portrait-of-the-Artist aut. André DerainPortrait-of-the-Artist 95Head of a Woman from the portfolio Metamorphoses aut. André DerainHead of a Woman from the portfolio Metamorphoses 96Woman Resting Her Head on Her Hand from the portfolio Metamorphoses 2 aut. André DerainWoman Resting Her Head on Her Hand from the portfolio Metamorphoses 2 97The Sunken Path, L'Estaque (1906) aut. André DerainThe Sunken Path, L'Estaque1906 98untitled (4464) aut. André Derainuntitled (4464) 99untitled (4767) aut. André Derainuntitled (4767) 100The Old Bridge aut. André DerainThe Old Bridge

André Derain: works by period

Principal subjects in the work of André Derain

The four subjects most frequently represented among these works, each with its best-known example.

André Derain: holding museums

8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas André Derain darbai Šiojo sąrašo paveikslai
Statens Museum For Kunst, KopenhagaStatens Museum For Kunst Kopenhaga 17 Head of a Young Woman, Harlequin, Sitting Female Model, Semi-Nude
Metropolitano meno muziejus, NiujorkasMetropolitano meno muziejus Niujorkas 4 Houses of Parliament at Night, London, Fishing Boats, Colioure, Lucien Gilbert
Musée d’Art Moderne de la Ville de Paris, ParyžiusMusée d’Art Moderne de la Ville de Paris Paryžius 7 The Lighthouse at Collioure, The Gypsy
MOMA - Moderniosios menų muziejus, NiujorkasMOMA - Moderniosios menų muziejus Niujorkas 4 London Bridge, Fishing Boats, Collioure
Art Institute of Chicago, ČikagosArt Institute of Chicago Čikagos 3 The Last Supper, Cagnes
National Gallery of Art, VašingtonasNational Gallery of Art Vašingtonas 2 Charing Cross from sw
Musee d'Art Moderne de Troyes, TroyesMusee d'Art Moderne de Troyes Troyes 2 Hyde Park
Pushkinio valstybinis dailės muziejus, MaskvaPushkinio valstybinis dailės muziejus Maskva 2 Drying the Sails

Decade index: the principal André Derain painting of each

Darbai pagal dešimtmečius

Select a decade to display its principal painting.

Questions frequently consulted on André Derain's paintings

What is the best-known work of André Derain?Display the answer

bathers (1907). The following entries are London Bridge (1906) and Charing Cross from sw (1906).

How old was André Derain in the year of bathers?Display the answer

27 years: André Derain was born in 1880 and bathers is dated 1907.

What are the ten best-known works by André Derain?Display the answer

bathers, London Bridge, Charing Cross from sw, Landscape at L'Estaque, Hyde Park, The Turning Road, L'Estaque - (129.5x195), Cypresses, Portrait of Madame Paul Guillaume with a large hat, Drying the Sails ir Mountains at Collioure. The list above records the date and holding museum of each.

How many works by André Derain does the catalogue record?Display the answer

The catalogue records 354 works by André Derain, dated between 1899 and 1946.

Where are the principal works of André Derain held?Display the answer

Principally in Statens Museum For Kunst (Kopenhaga), Metropolitano meno muziejus (Niujorkas) ir Musée d’Art Moderne de la Ville de Paris (Paryžius). The museum table above gives the full distribution.

During which period did André Derain produce the best-known works?Display the answer

In 1900s: 45 of the 100 works listed on this page are dated to that period, including bathers.

What are the earliest and latest best-known works by André Derain?Display the answer

The earliest dated work listed here is Funeral (1899); the latest is Sorrowful Landscape (1946).

What subjects did André Derain treat most often?Display the answer

Landscape (17), Trees (12) ir Boats (10), out of the 100 works listed on this page.

What medium did André Derain employ most often?Display the answer

Oil On Canvas, in 46 of the 100 works listed on this page.

To which art movement is André Derain attributed?Display the answer

Fauvism, as documented by the works on this page.

Which paintings by André Derain does the Statens Museum For Kunst hold?Display the answer

Head of a Young Woman, Harlequin ir Sitting Female Model, Semi-Nude are among the 10 works on this page in the collection of the Statens Museum For Kunst, Kopenhaga.

Can reproductions of André Derain's works be ordered?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Biography of André Derain

Ankstyvas gyvenimas ir Fauvizmo sėklos

André Derainas, gimęs 1880 metais žavingame Šatuo kaime netoli Paryžiaus, iš pradžių nebuvo lemta gyventi tapybai ir drobėms. Priešingai nei kartais pasakojama apie staigų artistinį pabudimą susitikimų su tokiais dailininkais kaip Vlaminck ar Matisse dėka, Derainas ėmėsi meno kelio savarankiškai maždaug 1895 metais. Šios pirmosios patirtys dažnai vykdavo kartu su tėvu Jacominu ir jo sūnumis kaimo ekskursijų metu – formacinis įvykis, suteikęs gilų natūralaus pasaulio supratimą. Trumpai studijavęs inžineriją Camillo akademijoje 1898 metais, jis lemtingai susitiko su Henri Matisse, pradėdamas svarbiausią artistinę partnerystę. Tolimesnės studijos po Eugène Carrière ugdė pagrindinius įgūdžius, tačiau karinė tarnyba nuo 1901 iki 1904 metų laikinai nutraukė jo klestėjantį darbą. Grįžęs, įtikintas Matisse tvirto tikėjimo, Derainas ryžtingai atsisakė inžinerijos ir visiškai pasišventė tapybai, tęsdamas studijas Julian akademijoje. Šis sprendimas buvo lūžio taškas, nukreipęs jį į vieno modernaus meno revoliucingiausių judėjimų centrą.

Sprogus spalvų gimimas: Fauvizmas

1905 metų vasara tapo sprogiu momentu Derainui ir Matisse, bendradarbiaujant saulės spinduliuose nušviestame Koljūro pakrantės kaime. Šis laikotarpis pagimdė darbus, tokius kaip „Kalnai Koljūre“, kuriuos apibūdino radikali atsiskyrimas nuo reprezentacinės spalvos. Kraštovaizdžiai nebuvo tik vietų vaizdai; tai buvo jausmų išreiškimai, perteikti intensyviais, nenatūraliais atspalviais. Kai jų darbai buvo eksponuoti tame pačiame 1805 metais Salon d'Automne, jie sukėlė pasipiktinimą ir nuostabą. Kritikas Louis Vauxcelles garsiai juos pavadino „Les Fauves“ – laukiniais žvėrimis – vardas iš pradžių buvo skirtas pajuokai, tačiau vėliau patys menininkai jį priėmė. Deraino indėlis į šį judėjimą nebuvo tik stilistinis; jis turėjo unikalų gebėjimą versti emocinį intensyvumą gryna spalva. 1906 metais Ambroise Vollard pavedė jam nutapyti Londoną, sukuriant įspūdingų drobelių seriją, vaizduojančią Temzę ir Tower Bridge. Tai nebuvo įprasti miesto peizažai; tai buvo drąsios interpretacijos, užfiksuojančios Londono energiją ir atmosferą netradiciniu požiūriu – Deraino novatoriškos vizijos liudijimas. Įkvėptas tokių menininkų kaip Van Goghas ir Cézanne, jis stumtelėjo spalvų ir formų ribas, padėdama pamatus būsimoms ekspresionistų kartoms.

Už Fauvizmo: Besikeičianti estetika

Pradinė Fauvizmo ugnis neapibrėžė viso Deraino artistinio kelio. Maždaug 1907 metais jo stilius pradėjo reikšmingai keistis, pereinant nuo nerūdomo chromatinio puotų prie subtilesnių tonų ir didesnio dėmesio formai. Šis laikotarpis, dažnai vadinamas jo „gotikos“ faze (1911–1914 metais), atspindėjo augantį susidomėjimą struktūra ir kompozicija. Jis pasinėrė į Senųjų meistrų studijas, įtraukdamas kubizmo elementus, tuo pat metu ieškodamas įkvėpimo klasikinėmis formomis. Tai nebuvo atsisakymas nuo ankstesnio darbo, o greičiau jo artistinio žodyno plėtimasis. Deraino universalumas apėjo tapybą; 1919 metais jis sukūrė baletą „La Boutique Fantasque“ Sergejaus Diagilevo Ballets Russes, pademonstruodamas savo teatrinio dizaino talentą ir toliau rodydamas įvairiapusį talento spektrą. Pagrindiniai šios epochos darbai, tokie kaip „Harlekinas ir Pierrot“ ir monumentalus muralas „Ulisso grįžimas“, pavyzdžioja šį stilistinį poslinkį – perėjimą prie labiau valdomo ir intelektualiai griežto meno kūrimo būdo.

Palikimas ir sudėtingumas

André Deraino vieta meno istorijoje yra užtikrinta kaip Fauvizmo įkūrėjo, judėjimo, kuris nesugriaunamai pakeitė modernios tapybos eigą. Jo unikali Londono vizija, užfiksuota ryškiuose drobiniuose, pasiūlė šviežią požiūrį į ikoninį miestą. Po Pirmojo pasaulinio karo jis sulaukė naujo pripažinimo už savo indėlį klasicizmo atgaivinimui, pademonstruodamas savo prisitaikymo gebėjimą ir nuolatinį artistinį aktualumą. Tačiau vėlesnis Deraino gyvenimas buvo pažymėtas kontroversijomis. Jo buvimas Vokietijoje Antrojo pasaulinio karo metais sulaukė kritikos, po karo kai kurių buvusių rėmėjų atsisakymo. Nepaisant šios šešėlio, jo įtaka vėlesnėms kartoms menininkų išlieka neabejotina. Jis mirė 1954 metais, palikęs kūrinių rinkinį, kuris ir toliau žavi ir įkvepia. Jo palikimas yra ne tik drąsių spalvų ir ekspresyvių potepių palikimas, bet ir menininko, nuolat save iššūkių ieškodamas, tyrinėjusio naujas raiškos galimybes ir padariusio neišdildomą įspūdį modernaus meno kraštovaizdyje. Jis yra tikras artistinės inovacijos galios liudijimas ir sudėtingumas, susijęs su sparčiai besikeičiančiame pasaulyje. Deraino kelionė primena mums, kad tikra meninė meistrybė slypi ne vieno stiliaus laikymesi, o nuolatinėje kūrybinės tiesos paieškoje.

Visi 354 André Derain darbai →