Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 189 Bronzinas darbai mūsų kataloge
Santrauka
According to this ranking, Venera, Kupidas ir laikas (Ėrotikos alegorija) (1540) is the most famous painting by Bronzinas; the National Gallery, Londonas, holds it. It is followed by Portrait of Eleonora da Toledo (1555) and Venus, Cupido and Satyr. This list draws on the 189 works by Bronzinas in the catalogue and records the 100 most famous, with date, holding museum and description for each entry.
Agnolo Bronzino drobė „Venera, Kūpičas ir Laikas“ (Allegory of Lust) – tai neatsiejamas XVI amžiaus manierizmo stilius, kuriame susijungia mitologinis pasakojimas su inovatyvia menine technika. Šis išskirtinis kūrinys kviečia žiūrovą pasinerti į turtingą simbolizmą, sodrią spalvų paletę ir dinamišką kompoziciją, todėl jis tampa nesenstančiu priekuriu bet kuriai meno kolekcijai ar stilingam interjerui.
To gaze upon Agnolo Bronzino's Portrait of Eleonora da Toledo is to step directly into the rarefied atmosphere of High Renaissance Florence. This painting, executed in 1555, transcends a mere likeness; it is a carefully constructed monument to status, power, and exquisite refinement. The subject, Eleonora da Toledo, radiates an almost palpable aura of aristocratic dignity. Bronzino captures her not just as a woman, but as a symbol of Medici…
A pale, reclining figure occupies the center of the frame, her skin possessing the cool, polished sheen of marble. This is Venus, the goddess of love, draped in a way that emphasizes the tension between soft flesh and the hard edges of the composition. Beside her, Cupid clings to her form, a small, fleshy presence that embodies the sudden, sharp sting of passion. Their limbs are elongated, stretching toward one…
In the grand theater of the Italian Mannerist period, few images command the eye with such authoritative grace as Agnolo Bronzino’s Portrait of Andrea Doria as Neptune. This is not merely a portrait of a man, but a profound exercise in political allegory and divine projection. The subject, the legendary Genoese admiral Andrea Doria, is stripped of the heavy silks and velvet doublets typical of sixteenth-century aristocratic portraiture. Instead, Bronzino…
The figure of St. John the Baptist emerges from the shadows, rendered with a muscular intensity by the Florentine master Bronzino. This depiction captures the patron saint of Florence in a moment of profound spiritual tension. Created about 1542 - 1545, the work possesses a striking verticality that speaks to its original purpose. It does not exist in isolation but remains a fragment of a larger sacred narrative, having once…
“Deposition,” painted in 1565 by the Florentine master Agnolo Bronzino, is not merely a religious scene; it's a meticulously crafted tableau of restrained emotion and profound psychological depth. Commissioned for the Observant Monastery in Cosmopoli, this work transcends simple narrative to become a meditation on grief, loss, and the delicate balance between earthly sorrow and divine grace. Bronzino, renowned for his “reserved elegance,” achieved this through an almost unnervingly controlled…
To gaze upon this portrait is to step directly into the rarefied atmosphere of mid-sixteenth-century Florence, a world governed by the subtle power plays and exquisite tastes of the Medici court. Agnolo Bronzino, the master chronicler of such elite circles, captured not merely a likeness, but an entire social stratum. The sitter, though anonymous to us today, embodies the controlled elegance expected of those who moved within the gilded cage…
The gaze of the Grand Duke of Tuscany, Cosimo I de' Medici, meets the viewer through the work titled Cosimo de Medici in Armour. Created by the Florentine artist Bronzino, this portrait captures the ruler in a moment of poised authority. The image emerges from the mid-16th century, dated about 1545, and presents a commanding presence through its structured composition. It exists as a significant version of the painting held…
In this portrait, we encounter Cosimo I de' Medici, not merely as a ruler, but as the mythological musician Orpheus. He is positioned in a three-quarter view from behind, turning his gaze back toward us with a sense of psychological alertness. His body, rendered with a polished, marble-like texture, possesses an idealized beauty that speaks to the High Mannerist style. A single splash of crimson red drapery provides a sharp…
In this vertical half-length portrait, we encounter the Duchess of Florence, Eleonora of Toledo, and her son, Francesco de' Medici. The composition is defined by a controlled, almost sculptural stillness. Eleonora stands slightly behind the young boy, her hand resting upon his shoulder in a gesture that is both protective and formal. There is a certain aristocratic detachment in their expressions, a cool composure that characterizes the Florentine Mannerist style.…
Portrait of Eleonora di Toledo, Bust1560 · Staatliche Kunstsammlungen Dresden
12
Eleonora di Toledo1560 · National Gallery of Art
13
Venus cupid timeNational Gallery
14
Pierantonio Bandini1555 · Kanados Nacionalinė galerija
15
Deposition from the Cross1545
16
Holy Family1540 · Galleria degli Uffizi
17
Eleonora di Toledo1543 · Narodinis galerija
18
Portrait of Lucrezia Panciatichi1540 · Galleria degli Uffizi
19
Allegorical Portrait of Dante1530
20
Ugolino Martelli1535
21
Cosimo I de' Medici in Armour1550 · Museo degli Argenti
22
Pope Leo X1555 · Galleria degli Uffizi
23
Saint Sebastian1533 · Salvador Dalí muziejus
24
Venus, Cupid and Jealousy1550 · Szépművészeti Múzeum
25
Eleonora of Toledo with her son Giovanni de' Medici1544 · Galleria degli Uffizi
26
Venus, Cupid and Time (detail)1540 · National Gallery
27
Don Garcia de' Medici1550 · Museo del Prado
28
Eleonora da Toledo1543 · Nacionalinė galerija Praha
29
Portrait of Eleanora di Toledo1560 · National Gallery of Art
30
Miracle of the Brazen Serpent1542 · Palazzo Vecchio
31
Portrait of Lucrezia Panciatichi (detail)1540 · Galleria degli Uffizi
32
Portrait of a Young Man1540 · Metropolitano meno muziejus
33
Martyrdom of St Lawrence1569 · San Lorenzo
34
Adoration of the Shepherds1539 · Szépművészeti Múzeum
35
Eleonora da Toledo1562
36
The Miracle of the Spring1543 · Palazzo Vecchio
37
Gathering of the Manna1543 · Palazzo Vecchio
38
Galatea and Pygmalion1530
39
Portrait of Ludovico Capponi1551 · The Frick Collection
40
Portrait of Cosimo I de' Medici1545 · Galleria degli Uffizi
41
Costanza da Sommaia1540 · Detroito meno institutas
42
Crossing of the Red Sea1542 · Palazzo Vecchio
43
St John the Baptist1550 · Galleria Borghese
44
Portrait of a Lady in Red (detail)1530 · Städelsche Kunstinstitut Und Städtische Galerie
45
Portrait of a boy1540 · Bode Museum
46
The Feast Given by Joseph for His Brothers1550 · Walters Art Museum
47
Portrait of a Man, presumably a member of the Medici Family1545 · Statens Museum For Kunst
48
Portrait of a Lady with a Puppy1534
49
Don Giovanni de’Medici1551 · Toledo meno muziejus
50
Portrait of an Elderly Lady1540 · Fine Arts Museums of San Francisco
51
Portrait of Lorenzo the Magnificent1560
52
Portrait of a Young Man1550 · National Gallery
53
Madonna and Child with Saint John the Baptist1540 · Detroito meno institutas
54
Portrait of a Lady in Green1530 · Royal Collection
55
Virgin and Child with the Young Saint John the Baptist1528 · Art Institute of Chicago
56
Portrait of a young Man in black with a book1526
57
portrait of a gentleman with his dog1527
58
Portrait of Francesco I de Medici1527
59
Madonna and Child with St. John the Baptist1530 · National Museum in Wrocław
60
Guidobaldo della Rovere1531
61
Eleonora di Toledo with her son Francesco1549
62
Portrait of a Baby Boy1540 · Walters Art Museum
63
Portrait of Cosimo I de' Medici in armour1545 · The National Museum in Poznań
64
View of the Chapel of Eleonora da Toledo1440 · Palazzo Vecchio
65
Portrait of Giovanna Chevara and Giovanni Montalvo1562 · Worcester Art Museum
66
Portrait of the dwarf Nano Morgantе (Back)1552
67
Descent of Christ Into Limbo1552
68
Portrait of a Woman1550 · Cleveland Museum of Art
69
Portrait of Cosimo I de' Medici, Grand Duke of Tuscany1550 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
70
Portrait of a Young Man1560 · Gemäldegalerie
71
Piero de Medici il Gottoso1560 · National Gallery
72
Portrait of Francesco I de' Medici1551
73
Portrait of Bartolomeo Panciatichi1540 · Galleria degli Uffizi
74
Portrait of a man (copy)1700 · Amsterdam Museum
75
Moses strikes water from the wall rocks1544
76
Altarpiece1540 · Palazzo Vecchio
77
The Dead Christ with the Virgin and St. Mary Magdalene1530
78
Venus, Cupid and Envy1548 · Szépművészeti Múzeum
79
Saint John the Baptist1553
80
Portrait of a Lady in Green1530 · Royal Collection
81
Portrait of Pope Clement VII1564 · Galleria degli Uffizi
82
untitled (4490)1532
83
The Holy Family1545
84
Portrait of Francesco de’ Medici1560 · USC Fisher Museum of Art
85
Lucrezia Panciatichi1540
86
Adoration of the Shepherds (detail)1539 · Szépművészeti Múzeum
87
A Young Woman and Her Little Boy1540 · National Gallery of Art
88
The Holy Family1528 · National Gallery of Art
89
St Matthew1525
90
Portrait of Lorenzo Lenzi1528
91
St Mark1525
92
Scenes of allegories of the cardinal virtues1544
93
Adoration of the Shepherds (detail) (11)1539 · Szépművészeti Múzeum
94
The Israelites crossing the Red Sea1542
95
Christ in Limbo1552
96
Portrait of Nano Morgante1552
97
The Crossing of the Red Sea1555
98
The Panciatichi Holy Family (detail)
99
Portrait of Guidubaldo della Rovere1532 · Galleria Palatina
100
Stigmatization of St. Francis1544
The four subjects most frequently represented among these works, each with its best-known example.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Bronzinas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Galleria degli Uffizi |
Florencija | 18 | Holy Family, Portrait of Lucrezia Panciatichi, Pope Leo X |
 Palazzo Vecchio |
Florencija | 11 | Miracle of the Brazen Serpent, The Miracle of the Spring, Gathering of the Manna |
 Szépművészeti Múzeum |
Budapeštas | 8 | Venus, Cupid and Jealousy, Adoration of the Shepherds, Venus, Cupid and Envy |
 National Gallery |
Londonas | 5 | Venera, Kupidas ir laikas (Ėrotikos alegorija), Venus cupid time, Venus, Cupid and Time (detail) |
 National Gallery of Art |
Vašingtonas | 4 | Eleonora di Toledo, Portrait of Eleanora di Toledo, A Young Woman and Her Little Boy |
 Detroito meno institutas |
Detroitas | 2 | Costanza da Sommaia, Madonna and Child with Saint John the Baptist |
 Walters Art Museum |
Baltimore | 2 | The Feast Given by Joseph for His Brothers, Portrait of a Baby Boy |
 Royal Collection |
Londonas | 2 | Portrait of a Lady in Green, Portrait of a Lady in Green |
Select a decade to display its principal painting.
In this Mannerist oil painting, three figures occupy a vertical, tightly cropped arrangement against a dark, near-black background. The Virgin Mary is positioned centrally, her form defined by elongated lines and a graceful neck. She holds the Christ Child upon her lap. Beside them, the young Saint John the Baptist is present within the immediate group. The skin of the subjects appears smooth and porcelain-like, creating a contrast against the…
In this portrait, we encounter Cosimo I de' Medici, not merely as a ruler, but as the mythological musician Orpheus. He is positioned in a three-quarter view from behind, turning his gaze back toward us with a sense of psychological alertness. His body, rendered with a polished, marble-like texture, possesses an idealized beauty that speaks to the High Mannerist style. A single splash of crimson red drapery provides a sharp…
Agnolo Bronzino drobė „Venera, Kūpičas ir Laikas“ (Allegory of Lust) – tai neatsiejamas XVI amžiaus manierizmo stilius, kuriame susijungia mitologinis pasakojimas su inovatyvia menine technika. Šis išskirtinis kūrinys kviečia žiūrovą pasinerti į turtingą simbolizmą, sodrią spalvų paletę ir dinamišką kompoziciją, todėl jis tampa nesenstančiu priekuriu bet kuriai meno kolekcijai ar stilingam interjerui.
To gaze upon Agnolo Bronzino's Portrait of Eleonora da Toledo is to step directly into the rarefied atmosphere of High Renaissance Florence. This painting, executed in 1555, transcends a mere likeness; it is a carefully constructed monument to status, power, and exquisite refinement. The subject, Eleonora da Toledo, radiates an almost palpable aura of aristocratic dignity. Bronzino captures her not just as a woman, but as a symbol of Medici…
“Deposition,” painted in 1565 by the Florentine master Agnolo Bronzino, is not merely a religious scene; it's a meticulously crafted tableau of restrained emotion and profound psychological depth. Commissioned for the Observant Monastery in Cosmopoli, this work transcends simple narrative to become a meditation on grief, loss, and the delicate balance between earthly sorrow and divine grace. Bronzino, renowned for his “reserved elegance,” achieved this through an almost unnervingly controlled…
Venera, Kupidas ir laikas (Ėrotikos alegorija) (1540), National Gallery, Londonas. The following entries are Portrait of Eleonora da Toledo (1555) and Venus, Cupido and Satyr.
37 years: Bronzinas was born in 1503 and Venera, Kupidas ir laikas (Ėrotikos alegorija) is dated 1540.
Venera, Kupidas ir laikas (Ėrotikos alegorija), Portrait of Eleonora da Toledo, Venus, Cupido and Satyr, Portrait of Andrea Doria as Neptune, St. John the Baptist, Deposition, Portrait of a Young Man, Cosimo de Medici in Armour, Portrait of Cosimo I de' Medici as Orpheus ir Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici. The list above records the date and holding museum of each.
The catalogue records 189 works by Bronzinas, dated between 1525 and 1569.
Principally in Galleria degli Uffizi (Florencija), Palazzo Vecchio (Florencija) ir Szépművészeti Múzeum (Budapeštas). The museum table above gives the full distribution.
In 1540s: 36 of the 100 works listed on this page are dated to that period, including Venera, Kupidas ir laikas (Ėrotikos alegorija).
The earliest dated work listed here is St Matthew (1525); the latest is Martyrdom of St Lawrence (1569).
Renaissance (34), Portrait (16) ir Woman (11), out of the 100 works listed on this page.
Oil On Panel, in 25 of the 100 works listed on this page.
Manierizmas, as documented by the works on this page.
Holy Family, Portrait of Lucrezia Panciatichi ir Pope Leo X are among the 8 works on this page in the collection of the Galleria degli Uffizi, Florencija.
Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.
