Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 56 Sassetta darbai mūsų kataloge
Santrauka
According to this ranking, Madonna of Humility (1432) is the most famous painting by Sassetta; the Staatliche Museen zu Berlin, Berlinas, holds it. It is followed by Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437). This list draws on the 56 works by Sassetta in the catalogue and records the 56 most famous, with date, holding museum and description for each entry.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
St. Nicholas of Bari1430
12
Madonna of the Snow Altarpiece1432
13
St Anthony the Hermit Tortured by the Devils1423
14
The Ecstasy of St Francis (detail)1437 · Villa i Tatti
15
The Procession to Calvary1441 · Detroito meno institutas
16
The Betrayal of Christ1437 · Detroito meno institutas
17
Madonna of Humility1437 · National Gallery of Art
18
St. Anthony of Padua1450
19
Madonna and Child with Angels1437
20
St Matthew1437 · Collezione Vittorio Cini
21
Assumption of Mary with Angel Choirs1450 · Gemäldegalerie
22
The Wolf of Gubbio1450 · National Gallery
23
Virgin of Humility1440 · Collezione Vittorio Cini
24
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
25
Damnation of the Soul of the Miser of Citerna1437 · Liuvro muziejus
26
The Ecstasy of St Francis1437 · Villa i Tatti
27
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
28
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
29
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
30
Miracle of the Eucharist1423 · Bowes Museum
31
Death of the Heretic on the Bonfire1423 · Nacionalinė Viktorijos galerija
32
St Jerome (detail)1423 · Pinacoteca Nazionale
33
Founding of Santa Maria Maggiore1430
34
The mystical marriage of Saint Francis of Assisi1444
35
The Annunciation "1435 · Metropolitano meno muziejus
36
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
37
The Stigmatisation of St Francis1437 · National Gallery
38
The Blessed Ranieri Frees the Poor from a Prison in Florence1437 · Liuvro muziejus
39
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
40
Virgin and Child with Saints1437 · Liuvro muziejus
41
The Blessed Ranieri Frees the Poor from a Jail in Florence1444 · Liuvro muziejus
42
St Thomas Before the Cross1423 · Vatikano Pinakoteka
43
The Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream1444 · Staatliche Museen zu Berlin
44
St. Francis Kneeling before Christ on the CrossCleveland Museum of Art
45
The Last Supper1423 · Pinacoteca Nazionale
46
St Anthony the Hermit Tortured by the Devils1423 · Pinacoteca Nazionale
47
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
48
Madonna and Child with AngelsMetropolitano meno muziejus
49
The Annunciation
50
The Meeting of St. Anthony and St. PaulNational Gallery of Art
51
The Journey of the Magi1435 · Metropolitano meno muziejus
52
Marriage of St Francis to Lady Poverty1437 · Condé muziejus
53
Saint Francis renounces his Earthly Father1437 · National Gallery
54
St. Anthony Beaten by Devils1423 · Pinacoteca Nazionale
55
Madonna of Humility with Four Saints1435 · Museo Diocesano
56
The Virgin and Child with Saints1430 · Galleria degli Uffizi
The four subjects most frequently represented among these works, each with its best-known example.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Sassetta darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 National Gallery |
Londonas | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 Szépművészeti Múzeum |
Budapeštas | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
Kortona | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 National Gallery of Art |
Vašingtonas | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 Liuvro muziejus |
Paryžius | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
Siena | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 Detroito meno institutas |
Detroitas | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 Metropolitano meno muziejus |
Niujorkas | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
Select a decade to display its principal painting.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
Madonna of Humility (1432), Staatliche Museen zu Berlin, Berlinas. The following entries are Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437).
40 years: Sassetta was born in 1392 and Madonna of Humility is dated 1432.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret ir Saint Apollonia. The list above records the date and holding museum of each.
The catalogue records 56 works by Sassetta, dated between 1412 and 1450.
Principally in National Gallery (Londonas), Szépművészeti Múzeum (Budapeštas) ir Museo Diocesano (Kortona). The museum table above gives the full distribution.
In 1430s: 27 of the 56 works listed on this page are dated to that period, including Madonna of Humility.
The earliest dated work listed here is Saint John the Evangelist (1412); the latest is Saint Francis before the Sultan (1450).
People (7), Saints (6) ir Religious scene (6), out of the 56 works listed on this page.
Tempera On Panel, in 16 of the 56 works listed on this page.
Early renaissance, as documented by the works on this page.
Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis ir Saint Francis before the Sultan are among the 6 works on this page in the collection of the National Gallery, Londonas.
Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.
Šviesioje Italijos Quattrocento eroje nedarbingai mažai kuris vardas sukelia tokį jautrų prisiminimą apie švelnų perėjimą nuo viduramžių prie modernumo kaip Stefano di Giovanni, kurio istorija labiau švelniai vadina Sassetta. Kaip siejiamos mokyklos svarbi veikla, jo meistrybė atstovauja gilią tiltą tarp vėlyvųjų gotikos laikotarpio dekoratyvinio elegancijos ir pradedančiojo renesanso realizmo. Nors tikrosios jo gyvenimo kilmės lieka slėptos laiko miglose – mokslininkai vis dar debatuoja, ar jis gimė Sienoje, ar galbūt Kortونوje – jo buvimas Toskanos kraštlandyje yra neabejingas. Jo kūrinys neša ritminę, lyrišką Sienos sielą, tačiau kartu kvėpuoja nauja, stebėjimo vitalybe, kuri sufleruoja apie menininką, giliai įsipindulėjusį į kintančius savo amžiaus vėjus.
Sassetta kūrybinė kelionė buvo iš sofisticuotos sintezės. Jis turėjo retą gebėjimą gerbti tradicinį sienos stilių – pasižymintį sudėtingais detalėmis ir dvasine galybe – kartu absorbuodamas revoliucines naujoves, kylančias iš Firenos. Tokių meistrų įtaka kaip Masaccio, Masolino ir Gentile da Fabriano jautiamas jo evoliucioniu maîtrise už pleninės erdvės santykius ir šviesos naudojimą. Jis ne tiesiog kopijavo šias naujas technikas; priešinga, jis integruojo jas, kad suteiktų savo figūroms natūralaus spindulio, leisdamas šviesai įtikėtinai išformuoti jų formas ir sukurti vientisos, kvėpuojančios erdvės pojūtį savo kompozicijose.
Sassetta kūryba yra įrodymas apie jo meistriškumą naratyviniame tapybos menėje, kur kiekvienas traukės tarnauja aukštesniam dvasiniam tikslui. Jo darbai dažnai veikia kaip langai į dieviškumą, naudojant sudėtingą spalvų paletę ir ritmines kompozicijas, kad vedtų žiūrovą per šventines istorijas. Tokiuose šedevruose kaip Padavimai, jis demonstruoja išskirtinį gebėjimą įamžinti sudėtingas emocines būsenas, naudojdamas žemės tonus ir kruopščią perspektyvą, kad gili religinė naracija būtų įtvirtinta tampriamo, rimto realybės pagrindu. Jo gebėjimas subalansuoti ornamentinę gotikos tradicijos grožį su pradinio žmogaus dramos pojūčiu daro jo panelės unikaliai įtraukiančios.
Be mažesnių panelės skolos, Sassetta pasiekė didelę šlovę per svarbius altarijų paveikslus ir poliptikus, kurie apibrėžė jo laikotarpio religinį kraštotakią. Kai kurie jo pastebimiausi meniniai pasiekimai apima:
Istorinė Sassetta reikšmė slypi jo vaidmenyje kaip saugotojo ir inovatoriaus. Jis užtikrino, kad unikali Sienos mokyklos tapatybė neišnyktų susidūrę su Firenos dominavimu, o priešinga evoliucionuotų įtraukdama naująją realizmo ir gylio kalbą. Jo paveikslai nėra tik praėjusio laikotarpio relikvijos; jie yra gyvi dialogai tarp senojo ir naujo pasaulio. Per jį švelnų šviesos valdymą, simbolinę ikonografiją ir gilią empatiją savo temoms, Sassetta paliko neištriniamą žymą Italijos meno istorijoje, užsitikrindamas savo vietą kaip vienas svarbiausių Sienos renesanso atstovų.
