Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 234 Viktoras Vasnecovas darbai mūsų kataloge
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The most widely known painting by Viktoras Vasnecovas is Bogatyrs (1881), in the collection of the Tretyakov galerija, Maskva. The next entries are A Knight At the Crossroads (1878) and Christ Almighty (1896). The catalogue documents 234 works by Viktoras Vasnecovas; the 100 entries below are the best known, listed in rank order with date, holding museum and description.
The monumental canvas titled Bogatyrs (Heroes) emerges from the brush of Viktor Vasnetsov, a work that took shape through a long period of creation from 1881 until 1898. Within this vast scene, three noble warriors of Kievan Rus ride through the landscape, their presence commanding the space around them. They exist in a moment of quiet strength, appearing as guardians of a storied past. The air seems to hold its…
A Knight At the Crossroads is a painting by Viktor Vasnetsov. Created in 1878, the work captures a solitary figure at a point of decision. The knight sits upon a white horse, frozen in a moment of quiet contemplation amidst the vastness of the landscape. It is a scene of stillness and heavy choice.
In the painting Christ Almighty by Viktor Vasnetsov, the central figure of Jesus is positioned amidst a celestial landscape. He stands upon a foundation of clouds, holding a book in his hand. His gaze is directed upward toward the sky, a posture that suggests a state of contemplation or wonder. The composition places him within a setting defined by celestial elements, including clouds and stars, which surround the figure to…
Within the sacred walls of St. Vladimir's Cathedral in Kiev, Ukraine, the fresco Judgement Day unfolds in a grand display of spiritual narrative. This religious painting, created by the artist Viktor Vasnetsov, captures a moment of profound divine reckoning. The work emerges from a long period of creation, spanning from 1885 to 1896, as the artist poured his vision into the very architecture of the cathedral. One can feel the…
We are looking at Sirin and Alkonost The Birds of Joy and Sorrow, a significant work by the Russian artist Viktor Vasnetsov. Painted in 1896, this piece captures a specific moment in the artist's exploration of folklore and myth. It is an oil on canvas, rendered with a scale that commands the space it occupies.
In this work, titled Boyan, we encounter a significant piece by the Russian artist Viktor Vasnetsov. Created in 1910, the painting belongs to the Romanticism style, a movement that often sought to find meaning within the depths of myth and history. Vasnetsov, a figure central to the Russian Revivalist movement, brings a specific sense of national identity to this composition through his unique approach to historical and mythological subjects.
The Last Judgement is a significant work by the Russian artist Viktor Vasnetsov. Painted in 1904, this piece reflects a profound engagement with religious narrative and spiritual themes. It was commissioned by Yu. S. Nechayev-Maltsev, a patron who sought to bring this complex theological vision to life through the medium of oil on canvas.
The air feels heavy, thick with the scent of earth and the weight of an eternal transition. At the center of this swirling darkness, a figure moves with a quiet, divine purpose. He is a man with long hair and a beard, his presence marked by a soft halo that cuts through the gloom. He wears a simple robe, and in his hand, he carries a book or a scroll,…
In the heart of a bustling Parisian suburb, amidst the flickering glow of gaslight and the scent of sawdust, Victor Vasnetsov captures a moment of breathless intensity in his masterpiece, Acrobats (Festival in a Paris Suburb). This 1877 oil painting is not merely a depiction of a circus; it is a visceral immersion into a world of movement, drama, and human emotion. The composition pulls the viewer directly into the…
Shroud of Christ1901
12
Ivan Zarevitsh1880 · Finnish National Gallery
13
At a Bookseller shop1876
14
Seraphim1896
15
Angel with a lamp1896
16
Oleg meets wizard1899
17
Flying carpet1926
18
Pharmacist1871
19
Brousov Calendar1871
20
Grave digger1871
21
Russian proverbs and sayings1867
22
Portrait of M.V. Vasnetsov1870
23
Porters1870
24
Russian proverbs and sayings1867
25
Reaper1867
26
Portrait of Appolinary Vasnetsov1872
27
The farmer at the table1877
28
The head of the peasant1878
29
Portrait of V. Vasnetsov the Artist's Wife1878
30
News from the Front1878
31
Fallen Knight1879
32
In a suit buffoon1882
33
Portrait of Tatjana A. Mamontowa1884
34
Virgin and Child
35
Snegurochka and Lel1886
36
Mounted knights1896
37
Nestor the Chronicler1893
38
Ivan Tsarevich and the Swan1901
39
M.I. Ryazantseva1901
40
The Lake1902
41
Portrait of Mikhail Nesterov1926
42
The Unsmiling Tsarevna1926
43
The Snow Maiden
44
A Knight at the Crossroads1878
45
Sketches of ornaments painted Vladimir Cathedral1893
46
Lull1881
47
Alionushka
48
Dressed as a Buffoon
49
Russian Bishops1896
50
Away1871
51
Girl with a bast basket1870
52
Merchant family in the theater1869
53
Portrait of the Artist Arkhip Kuinji1869
54
Playmates1878
55
From Dominik1874
56
Vyatka River1878
57
Portrait of the Artist AM Vasnetsov1878
58
Acrobats (On a holiday near Paris)1877
59
Beggars singer (Pilgrims)1873
60
The farmer with a sixth (study)1877
61
Self portrait1873
62
News of the capture of Kars1878
63
Spring1882
64
Mizgir1885
65
For water1880
66
Landscape under Abramtzevo1881
67
Ochtir1879
68
Alyonushka1880
69
Kupava1885
70
Prologue1885
71
Underwater tower1884
72
Portrait of Natalia Anatolevna Mammoth1883
73
Portrait of sculptor Mark Matveevitch Antokolsky1884
74
Alenushka1881
75
Bayan (sketch)1880
76
Wise King Berendey1885
77
Maiden1885
78
Timber and Berendeys guys1885
79
Oak Grove at Abramtsevo1883
80
Edge of the spruce forest1881
81
Three princess of the Underworld1884 · Kiev National Picture Gallery
82
Jesters1885
83
Vesna Krasna1885
84
Nina Slobodka Berendeevka1885
85
Portrait of V. Mamontova1884
86
Portrait of the artist Nikolai Kuznetsov1884
87
Solitary and Bobylikha1885
88
St. Sergiy Radonezhskiy1882
89
Alyonushka(study)1881
90
Sedge1880
91
Ded Moroz1885
92
Berendeyki1885
93
The Vorya River1880
94
A Game of Preference1879
95
Pond in Ochtir1880
96
Pond in Akhtyrka1880
97
Three Tsarevnas of the Underground Kingdom1879
98
Portrait of Boris Vasnetsov, son of the artist1889
99
Baptism of Prince Vladimir1890
100
Princess Olga1893
The four subjects most frequently represented among these works, each with its best-known example.
4 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Viktoras Vasnecovas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Tretyakov galerija |
Maskva | 8 | Bogatyrs |
 Valstybinis Rusijos muziejus |
Sankt Peterburgas | 2 | A Knight At the Crossroads |
 Kiev National Picture Gallery |
Kyiv | 2 | Three princess of the Underworld |
 Finnish National Gallery |
Helsinki | 1 | Ivan Zarevitsh |
Select a decade to display its principal painting.
A Knight At the Crossroads is a painting by Viktor Vasnetsov. Created in 1878, the work captures a solitary figure at a point of decision. The knight sits upon a white horse, frozen in a moment of quiet contemplation amidst the vastness of the landscape. It is a scene of stillness and heavy choice.
The monumental canvas titled Bogatyrs (Heroes) emerges from the brush of Viktor Vasnetsov, a work that took shape through a long period of creation from 1881 until 1898. Within this vast scene, three noble warriors of Kievan Rus ride through the landscape, their presence commanding the space around them. They exist in a moment of quiet strength, appearing as guardians of a storied past. The air seems to hold its…
In the painting Christ Almighty by Viktor Vasnetsov, the central figure of Jesus is positioned amidst a celestial landscape. He stands upon a foundation of clouds, holding a book in his hand. His gaze is directed upward toward the sky, a posture that suggests a state of contemplation or wonder. The composition places him within a setting defined by celestial elements, including clouds and stars, which surround the figure to…
The Last Judgement is a significant work by the Russian artist Viktor Vasnetsov. Painted in 1904, this piece reflects a profound engagement with religious narrative and spiritual themes. It was commissioned by Yu. S. Nechayev-Maltsev, a patron who sought to bring this complex theological vision to life through the medium of oil on canvas.
In this work, titled Boyan, we encounter a significant piece by the Russian artist Viktor Vasnetsov. Created in 1910, the painting belongs to the Romanticism style, a movement that often sought to find meaning within the depths of myth and history. Vasnetsov, a figure central to the Russian Revivalist movement, brings a specific sense of national identity to this composition through his unique approach to historical and mythological subjects.
Bogatyrs (1881), Tretyakov galerija, Maskva. The following entries are A Knight At the Crossroads (1878) and Christ Almighty (1896).
33 years: Viktoras Vasnecovas was born in 1848 and Bogatyrs is dated 1881.
Bogatyrs, A Knight At the Crossroads, Christ Almighty, Judgement Day, Sirin and Alkonost The Birds of Joy and Sorrow, Boyan, The Last Judgement, Descent into Hell, God of hosts ir Acrobats (Festival in a Paris Suburb). The list above records the date and holding museum of each.
The catalogue records 234 works by Viktoras Vasnecovas, dated between 1867 and 1926.
Principally in Tretyakov galerija (Maskva), Valstybinis Rusijos muziejus (Sankt Peterburgas) ir Kiev National Picture Gallery (Kyiv). The museum table above gives the full distribution.
In 1880s: 39 of the 100 works listed on this page are dated to that period, including Bogatyrs.
The earliest dated work listed here is Russian proverbs and sayings (1867); the latest is Flying carpet (1926).
Men (19), Women (16) ir Portraits (14), out of the 100 works listed on this page.
Oil On Canvas, in 6 of the 100 works listed on this page.
Realism, as documented by the works on this page.
Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.
Viktoras Michailovičius Vasnetsovas (1848-1926) – vienas žymiausių rusų tapytojų, kurio vardas neatsiejamas nuo rusiškos mitologijos, liaudies pasakų ir istorinių epų atvaizdavimo. Jo paveikslai, persmelkti simbolikos ir gilios dvasinės prasmės, ilgam įsirėžė rusų kultūros paveldo puslapiuose. Vasnetsovo kūryba – tai unikalus realizmo ir fantastikos derinys, atspindintis Rusijos tautos sielą ir jos amžių senumo tradicijas.
Gimęs 1848 metų gegužės 12 dieną Viackoje (dabar Kirovas), Vasnetsovo vaikystė praėjo religingame šeimos rate. Jo tėvas buvo kunigas ir mėgėjas tapytojas, tad nuo mažų dienų Viktoras susidomėjo vizualiais menuis. Nors iš pradžių studijavo teologiją Viackos seminarijoje, jis greitai suprato, jog jo širdį užkariavo ne dvasinė veikla, o tapyba. 1867 metais Vasnetsovas įstojo į Imperatoriškąją Menų Akademiją Sankt Peterburge, kur susipažino su kitais žymiais rusų dailininkais ir pradėjo formuoti savo artistinį braižą.
Pradiniai Vasnetsovo darbai atspindėjo realizmo tendencijas, kurioms didelę įtaką turėjo “Peredvižnikų” (Klaidžiojančiųjų) judėjimas. Dailininkas vaizdavo paprastų valstiečių gyvenimą, stengdamasis perteikti socialinę tikrovę. Tačiau lemtingu tapo susidomėjimas rusiškuoju folkloru, mitologija ir istoriniais epais – *bylinomis*. Vasnetsovas buvo sužavėtas senosiomis legendomis, pasakomis ir didvyrių sagomis, kurios atskleidė Rusijos tautos gilią istoriją ir dvasinę kultūrą. Jam įkvėpimo šaltiniu tapo tokie menininkai kaip Isaakas Levitanas ir Ivanas Aivazovskis, tačiau Vasnetsovas sukūrė savitą stilių, apjungiantį realizmą su fantastiškais elementais. Kelionės į Vakarų Europą praplėtė jo artistinį horizontą, supažindindamos su įvairiais meno srautais, tarp jų – simbolizmu, kuris dar labiau sustiprino jo estetinę viziją.
Vasnetsovo garsiausi paveikslai vaizduoja scenas iš rusiškų pasakų, liaudies tikėjimų ir istorinių įvykių. Tarp žymiausių darbų – Riteris Kryžkelėje, Bogatyriai (Trys didvyriai), Alionuška, Ivanas Carievičius Jojantis Pilką Vilką ir jo projektai Šv. Vladimiro soborui Kijeve. Dailininko kūriniuose nuolat kartojasi herojiškumo, dvasinės jėgos, tautinio identiteto ir gamtos mistinės galios temos. Vasnetsovas dažnai atvaizdavo *bogatyrius* (didvyrius) kaip Rusijos stiprybės ir atsparumo simbolius. Jo paveikslai – tai ne tik istorinių įvykių ar mitologinių siužetų iliustracijos, bet ir gilios alegorijos, perteikiančios rusiškos tautos dvasinę būseną.
Vasnetsovas suvaidino svarbų vaidmenį rusų atgimimo judėjime, kuris siekė atrasti ir pagerbti Rusijos kultūros paveldą. Jo darbai padėjo formuoti nacionalinę artistinę tapatybę ir paskatino susidomėti rusiškuoju folkloru bei istorija. Vasnetsovas sugebėjo sujungti akademinis realizmą ir simbolizmą, sukūręs savitą stilių, kuris turėjo didelės įtakos vėlesnės kartos dailininkams. Jo projektai architektūros srityje, pavyzdžiui, Trečiakovo galerijos fasadas, parodo jo universalumą ir poveikį ne tik tapyboje. Vasnetsovo menas iki šiol rezonuoja su publika, įkūnijant Rusijos kultūros dvasią ir vaizduotę.
Vasnetsovas aktyviai kūrė visą savo gyvenimą, eksperimentuodamas su įvairiomis technikomis ir stiliais. Jis išliko ryškia figūra rusų meno pasaulyje iki pat mirties 1926 metų liepos 23 dieną Maskvoje. Jo palikimas gyvas jo ikoniškuose paveiksluose ir nuolatinėje įtaką rusiškajam artistiniam paveldui.
