Portret van John Cleveley The Elder

Lijst van de 35 beroemdste schilderijen van John Cleveley The Elder

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 43 werken van John Cleveley The Elder in onze catalogus

Samenvatting

Het bekendste schilderij van John Cleveley The Elder is The 'Buckingham' on the Stocks at Deptford (1752), in de collectie van het National Maritime Museum, Londen. De volgende vermeldingen zijn The 'Luxborough' Galley on Fire, 25 June 1727 (1727) en HMY 'Royal Caroline' in a Stiff Breeze. De catalogus bevat 43 werken van John Cleveley The Elder; de 35 onderstaande vermeldingen zijn de bekendste, gerangschikt op volgorde met datum, museum en beschrijving.

1712 – 1777, Southwark Meeste werken: National Maritime Museum

John Cleveley The Elder: de 10 belangrijkste schilderijen

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The 'Buckingham' on the Stocks at Deptford (1752) door John Cleveley The Elder

The 'Buckingham' on the Stocks at Deptford

1752 · Oil On Canvas · National Maritime Museum, Londen

In this oil on canvas from 1752, we find The 'Buckingham' on the Stocks at Deptford, a work by John Cleveley The Elder. The painting captures a third-rate ship positioned on the stocks at the Deptford dockyard. It is widely understood that the vessel depicted is the 'Buckingham', a ship that was launched from this very location in 1751.

John Cleveley The Elder: resultaten 11 tot 35

Belangrijkste onderwerpen in het werk van John Cleveley The Elder

De vier onderwerpen die het meest frequent in deze werken worden afgebeeld, elk met zijn bekendste voorbeeld.

John Cleveley The Elder: musea die werken bezitten

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van John Cleveley The Elder Schilderijen uit deze lijst
National Maritime Museum, LondenNational Maritime Museum Londen 14 The 'Buckingham' on the Stocks at Deptford, The 'Luxborough' Galley on Fire, 25 June 1727, The Yawl of the 'Luxborough' Galley
National Trust, AntonyNational Trust Antony 2 Dutch Ships in Choppy Seas, Dutch Ships Going before the Wind
Government Art Collection, LondenGovernment Art Collection Londen 2 Deptford Dockyard 'Les Trois Amis', A Naval Ketch
National Trust, GreenwichNational Trust Greenwich 1 HMY 'Royal Caroline' in a Stiff Breeze
New York Historical Society, New York CityNew York Historical Society New York City 1 View of a Seaport
South Shields Museum And Art Gallery, South TynesideSouth Shields Museum And Art Gallery South Tyneside 1 A Sheer Hulk, Refitting an East Indiaman
Victoria Art Gallery, BathVictoria Art Gallery Bath 1 The Landing of Princess Charlotte of Mecklenburg Strelitz at Harwich
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 A Launching at Deptford

John Cleveley The Elder: belangrijkste schilderij van elk decennium

Werken per decennium

Selecteer een decennium om het belangrijkste schilderij ervan te tonen.

Schilderijen van John Cleveley The Elder: referentievragen

Welk schilderij van John Cleveley The Elder is het meest bekend?Toon het antwoord

The 'Buckingham' on the Stocks at Deptford (1752), National Maritime Museum, Londen. De volgende werken zijn The 'Luxborough' Galley on Fire, 25 June 1727 (1727) en HMY 'Royal Caroline' in a Stiff Breeze.

Hoe oud was John Cleveley The Elder toen The 'Buckingham' on the Stocks at Deptford werd geschilderd?Toon het antwoord

40 jaar: John Cleveley The Elder werd geboren in 1712 en The 'Buckingham' on the Stocks at Deptford dateert uit 1752.

Welke tien schilderijen van John Cleveley The Elder zijn het bekendst?Toon het antwoord

The 'Buckingham' on the Stocks at Deptford, The 'Luxborough' Galley on Fire, 25 June 1727, HMY 'Royal Caroline' in a Stiff Breeze, The Yawl of the 'Luxborough' Galley, Escape from the 'Luxborough' Galley, The 'Luxborough' Galley Burnt Right Down, The Yawl of the 'Luxborough' Galley Arriving in Newfoundland, 7 July 1727, The 'Luxborough' Galley Burnt Nearly to the Water, 25 June 1727, Bombardment of Castillo de San Lorenzo by Admiral Vernon en Admiral Byng's fleet getting underway from Spithead. De bovenstaande lijst bevat de datum en het museum waar elk werk wordt bewaard.

Hoeveel werken van John Cleveley The Elder zijn gedocumenteerd?Toon het antwoord

De catalogus bevat 43 werken van John Cleveley The Elder, gedateerd tussen 1727 en 1775.

In welke musea bevinden zich de bekendste schilderijen van John Cleveley The Elder?Toon het antwoord

Voornamelijk in National Maritime Museum (Londen), National Trust (Antony) en Government Art Collection (Londen). De bovenstaande museumtabel geeft de volledige verdeling weer.

In welke periode zijn de bekendste werken van John Cleveley The Elder geschilderd?Toon het antwoord

In 1750s: 12 van de 35 werken op deze pagina dateren uit die periode, waaronder The 'Buckingham' on the Stocks at Deptford.

Wat zijn de vroegste en de meest recente werken van John Cleveley The Elder op deze lijst?Toon het antwoord

Het vroegste gedateerde werk in deze lijst is The 'Luxborough' Galley on Fire, 25 June 1727 (1727); het laatste is H M S Ulysses off the North Foreland (1775).

Welke onderwerpen komen het meest voor in het werk van John Cleveley The Elder?Toon het antwoord

18th century (3), Ship (2) en Maritime (2), van de 35 werken die op deze pagina worden vermeld.

Welke werken van John Cleveley The Elder maken deel uit van de collectie van het National Maritime Museum?Toon het antwoord

The 'Buckingham' on the Stocks at Deptford, The 'Luxborough' Galley on Fire, 25 June 1727 en The Yawl of the 'Luxborough' Galley behoren tot de 14 werken op deze pagina in de collectie van het National Maritime Museum, Londen.

John Cleveley The Elder: biografische gegevens

The Shipwright of the Canvas: The Life of John Cleveley the Elder

In the heart of eighteenth-century London, amidst the rhythmic sounds of hammers and the scent of fresh timber at the Deptford Dockyard, a unique artistic vision was being forged. John Cleveley the Elder (c. 1712 – 1777) did not emerge from the polished studios of fine art academies, but rather from the practical, gritty reality of a shipwright’s workshop. Born in Southwark, his early life was defined by the tactile mastery of wood and iron. As a carpenter belonging to His Majesty’s Navy, Cleveley possessed an intimate, structural understanding of the vessels that dominated the seas of his era. This foundational knowledge would later become the very soul of his artistry, allowing him to transcend mere illustration and achieve a profound level of maritime realism that few of his contemporaries could replicate.

Cleveley’s journey is a testament to the power of observation. Without formal academic training, he relied on an innate ability to translate the technical complexities of naval architecture into evocative oil paintings. His dual vocation—working as a carpenter while developing his painterly hand—meant that every line of a hull and every tension in a mast was informed by firsthand experience. When one gazes upon his depictions of ships under construction, such as the celebrated Sixth-Rate on the Stocks, one does not merely see a painting; one witnesses the meticulous precision of a man who understood the weight, the grain, and the engineering of the maritime world.

A Mastery of Light, Sea, and Motion

The brilliance of Cleveley’s work lies in his ability to marry technical accuracy with an atmospheric sensitivity. While his compositions are anchored by the rigid geometry of naval construction, they are brought to life through a masterful use of light and shadow. He possessed a rare talent for capturing the mercurial nature of the sea—the way sunlight dances upon a cresting wave or how a heavy mist might shroud a distant frigate. In works like The Royal Caroline, painted in 1750, Cleveley demonstrates an extraordinary command over movement; the sails are not static objects but living entities, caught in a moment of energetic propulsion across the canvas.

His stylistic development allowed him to navigate various maritime themes, from the serene majesty of royal yachts to the visceral drama of naval engagements. He could pivot from the quiet, industrious atmosphere of the dockyards to the chaotic, salt-sprayed intensity of a storm. This versatility ensured his relevance among a wide range of patrons, including naval officers who sought accurate records of their vessels and collectors enamored by the romanticism of the high seas. His brushwork often balanced the fine detail required for ship portraits with a broader, more expressive touch when rendering the elements, creating a sense of depth and dimensionality that pulls the viewer into the very heart of the ocean.

Legacy and Historical Significance

The historical significance of John Cleveley the Elder extends far beyond his individual canvases. He was a pioneer of a genre that would come to define British visual identity during an age of naval supremacy. By documenting the evolution of shipbuilding and the grandeur of the Royal Navy, he provided a vital visual record of Britain's maritime ascendancy. His influence also echoed through his family; his son, John Cleveley the Younger, and his nephew, Robert Cleveley, continued this tradition of marine excellence, further cementing the Cleveley name as a cornerstone of British maritime art.

Today, the works of Cleveley the Elder serve as much more than historical artifacts. They are emotive windows into a vanished era of sail and timber. His ability to blend the technical precision of a craftsman with the poetic vision of an artist ensures that his legacy remains vibrant. Through his eyes, we do not just observe the ships of the eighteenth century; we feel the spray of the Atlantic, sense the tension of the rigging, and respect the enduring majesty of the sea.