Portret van Lam Qua

Lam Qua: De 30 bekendste schilderijen, gedocumenteerd

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 30 werken van Lam Qua in onze catalogus

Samenvatting

Volgens deze ranglijst is Case No.3790 (1837) het beroemdste schilderij van Lam Qua; het wordt bewaard in het Gordon Museum in London. Daarop volgen Case No.4605 (1837) en Case No.4849 (1838). Deze lijst is gebaseerd op de 30 werken van Lam Qua in de catalogus en bevat de 30 bekendste werken, inclusief datum, museum en beschrijving voor elk item.

1801 – 1860, Guangzhou Meeste werken: Gordon Museum

Lam Qua: de top 10 resultaten van de lijst

1
Case No.3790 (1837) door Lam Qua

Case No.3790

1837 · Oil · Gordon Museum, London

The gaze of the subject in Case No.3790 meets the viewer directly, pulling us into a moment frozen in 1837. Painted by Lam Qua, this portrait captures a person whose physical presence is defined by a strikingly elongated neck and a large, prominent chin. The subject wears a blue garment, a traditional Chinese-style shirt or robe that holds the light against a muted, yellowish background. Every brushstroke on the fabric…

Lam Qua: lijst vervolgd, 11 tot 30

Belangrijkste onderwerpen in het werk van Lam Qua

De vier onderwerpen die het meest frequent in deze werken worden afgebeeld, elk met zijn bekendste voorbeeld.

Lam Qua: musea die werken bezitten

De 4 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Lam Qua Schilderijen uit deze lijst
Gordon Museum, LondonGordon Museum London 23 Case No.3790, Case No.4605, Case No.4849
Peabody Essex Museum, SalemPeabody Essex Museum Salem 1 Mouqua
New York Historical Society, New York CityNew York Historical Society New York City 1 Hevlyn Benson (1805–1858)
Hong Kong Maritime Museum, Hong KongHong Kong Maritime Museum Hong Kong 1 Portrait of Keying (Qiying)

Lam Qua per jaar: de beroemdste schilderijen

Ongeveer een decennium, van 1835 tot 1844: de periode van de gedateerde werken van Lam Qua op deze pagina, hieronder jaar voor jaar weergegeven.

Werken per jaar

Selecteer een jaar om de belangrijkste schilderijen te bekijken.

Lam Qua: vragen en gedocumenteerde antwoorden

Welk schilderij van Lam Qua staat bovenaan de lijst met de beroemdste werken?Toon het antwoord

Case No.3790 (1837), Gordon Museum, London. De volgende werken zijn Case No.4605 (1837) en Case No.4849 (1838).

Hoe oud was Lam Qua toen Case No.3790 werd geschilderd?Toon het antwoord

36 jaar: Lam Qua werd geboren in 1801 en Case No.3790 dateert uit 1837.

Welke werken vormen de top 10 van Lam Qua?Toon het antwoord

Case No.3790, Case No.4605, Case No.4849, Case No.1675, Case No.3438, Mouqua, Dr. Peter Parker., Hevlyn Benson (1805–1858), Case No.2152 (after) en Case No.5331. De bovenstaande lijst bevat de datum en het museum waar elk werk wordt bewaard.

Hoeveel werken van Lam Qua zijn geregistreerd?Toon het antwoord

De catalogus bevat 30 werken van Lam Qua, gedateerd tussen 1835 en 1844.

In welke collecties bevinden zich de bekendste werken van Lam Qua?Toon het antwoord

Voornamelijk in Gordon Museum (London), Peabody Essex Museum (Salem) en New York Historical Society (New York City). De bovenstaande museumtabel geeft de volledige verdeling weer.

Wanneer werden de beroemdste werken van Lam Qua geschilderd?Toon het antwoord

In 1837: 7 van de 30 werken op deze pagina dateren uit die periode, waaronder Case No.3790.

Welke gedateerde werken van Lam Qua zijn hier de vroegste en de meest recente?Toon het antwoord

Het vroegste gedateerde werk in deze lijst is Case No.446 (1835); het laatste is Portrait of Keying (Qiying) (1844).

Welke onderwerpen komen het meest voor in het werk van Lam Qua?Toon het antwoord

Portrait (4) en Illness (2), van de 30 werken die op deze pagina worden vermeld.

Welke werken van Lam Qua zijn in het bezit van het Gordon Museum?Toon het antwoord

Case No.3790, Case No.4605 en Case No.4849 behoren tot de 23 werken op deze pagina in de collectie van het Gordon Museum, London.

Lam Qua: leven en werk

The Visionary of the Qing Dynasty: The Life and Legacy of Guan Qiaochang Lamqua

In the twilight of the Qing Dynasty, a period often characterized by rigid tradition and cultural isolation, there emerged an artist whose brush dared to bridge the gap between East and West. Guan Qiaochang Lamqua (1801–1860) was not merely a painter but a profound innovator who challenged the established boundaries of Chinese aesthetics. Born into a prosperous family in Shandong Province, Lamqua’s early artistic foundations were laid through the classical discipline of traditional ink painting, a craft he mastered under the watchful eye of his father, a distinguished scholar and artist. Yet, beneath this veneer of classical training lay a restless, inquisitive spirit that would eventually lead him toward a revolutionary embrace of European oil painting techniques.

The trajectory of Lamqua’s career was irrevocably altered during his formative years at Peking University. It was here that he encountered the profound influence of Jesuit missionaries, who introduced him to the burgeoning realism and anatomical precision of Western art. This encounter ignited a lifelong fascination with the physical reality of the human form. Unlike many of his contemporaries who sought beauty in idealized, ethereal figures, Lamqua pursued a scientific truth. He famously engaged in the meticulous study of human anatomy—a practice as controversial as it was daring for the era—dissecting cadavers to grasp the intricate complexities of musculature and bone structure. This dedication to anatomical accuracy allowed him to translate the weight and texture of life onto canvas with an unprecedented level of realism.

A Master of Light, Shadow, and Human Suffering

Lamqua’s body of work is defined by a haunting ability to capture the intersection of physical deformity and psychological depth. He became a master of chiaroscuro, utilizing dramatic contrasts between light and shadow to sculpt faces out of the darkness, lending his portraits an almost tactile, three-dimensional presence. His fascination with the macabre and the visceral is perhaps most poignantly expressed in his celebrated oil paintings, which often serve as windows into the human condition's more difficult realities.

His most iconic contributions to the art world include works that explore themes of hardship and transformation:

  • Case No.1675 (1836): A masterpiece of symbolic depth, this unsettling portrait depicts a man afflicted with a tumor. Through masterful lighting, Lamqua captures not just the physical contours of the ailment but the profound psychological torment of the subject, creating a work that is both beautiful and deeply disturbing.
  • Case No.4849 (1838): A hauntingly realistic exploration of human vulnerability, this piece continues his investigation into the visceral realities of the flesh, showcasing his unparalleled skill in rendering texture and emotion.
  • Case No.3438 (1837): This work exemplifies his use of dramatic lighting to highlight anatomical precision, serving as a poignant testament to the artist's ability to find gravity and meaning within moments of intense suffering.

Historical Significance and Artistic Innovation

The historical importance of Guan Qiaochang Lamqua lies in his role as a cultural conduit. At a time when the boundaries between Chinese ink traditions and Western oil techniques were strictly delineated, Lamqua synthesized them into a singular, visionary language. He did not simply copy Western styles; he adapted them to express a unique perspective that resonated with the complexities of 19th-century China. His work represents a rare moment of artistic hybridization, where the scientific rigor of European realism met the profound symbolic traditions of the East.

Today, Lamqua remains an enigmatic figure whose portraits continue to captivate modern scholars and collectors. His legacy is found in his courage to look closely at the world—even its most unsettling aspects—and his ability to find a haunting, sculptural beauty within the shadows of human existence. Through his innovative use of medium and his unflinching gaze, he forever altered the landscape of Chinese portraiture, leaving behind a body of work that stands as a testament to the power of artistic evolution.