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untitled (5318)

Naam Klas Datum

August Macke, untitled (5318). Publiek domein

De feiten

Kunstenaar
August Macke wikioo.org/nl/artists/august-macke_nl/
Geboortedatum en -overlijden kunstenaar
1887 – 1914
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

In context

untitled (5318) — August Macke

Wanneer zou dit geschilderd kunnen zijn?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the year. Row below: the artist's age in that year.

Shaded: het leven van August Macke (1887–1914)

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wikioo.org/nl/art/similar/august-macke-untitled-5318-9GET6F-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #d8e8d7

    Gecatalogiseerd palet

    • #D8E8D7
    • #D6AC5D
    • #7B99C0
    • #3D4D54
    Palet
    Pastels De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all.

    The ten leading countries

    1. 1 China 44,1%
    2. 2 Verenigde Staten van Amerika 5,8%
    3. 3 Mexico 5,1%
    4. 4 Duitsland 4,7%
    5. 5 Spanje 4,1%
    6. 6 Frankrijk 3,4%
    7. 7 Hongkong 3,4%
    8. 8 Zuid-Korea 3,4%
    9. 9 Colombia 2,4%
    10. 10 India 2,0%
    11. · 30 other countries 21,6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Vrouw in een groene jas, 1913 37,8%
    2. 2 Landschap met koeien en kameel, 1914 5,0%
    3. 3 Market in Tunis II 2,9%
    4. 4 Bathing Girls with Town in Background, 1913 2,4%
    5. 5 De Hut, 1913 1,8%
    6. 6 Still life hyacinths carpet, 1910 1,8%
    7. 7 Milliner 1,5%
    8. 8 Little Walter, 1912 1,2%
    9. 9 Three girls in yellow straw hats I, 1913 1,2%
    10. 10 Inner courtyard of house in St. Germain, 1914 1,2%
    11. 11 Man Reading in a Park, 1914 0,9%
    12. 12 Portrait of Franz Marc, 1910 0,9%
    13. 13 At the Garden Table, 1914 0,9%
    14. 14 Red house in park, 1914 0,9%
    15. 15 Church with Flags, 1914 0,9%
    16. 16 Sailing boat on the Tegernsee, 1910 0,9%
    17. 17 Promenade, 1913 0,9%
    18. 18 Hat Shop, 1914 0,9%
    19. 19 untitled (5318) this painting 0,9%
    20. 20 Garden on Lake Thun (Pomegranate Tree and Palm in the Garden), 1914, 1914 0,6%

    Together these works take 65,5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 116 were looked at at least once. This painting ranks 19 of them, with 0,9% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Kunstenaar en museum

    Kunstenaar

    August Macke

    Geboren in Meschede, Duitsland

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name inextricably linked to the brief but intensely vibrant flowering of German Expressionism, lived a life tragically curtailed by the horrors of the First World War. Born in 1887 in Meschede, a small town nestled within the Westphalian countryside, his artistic journey was one of rapid evolution and profound exploration – a relentless pursuit of capturing not just what he saw, but how he felt about it. Macke’s early years were marked by a restless spirit and an insatiable curiosity, qualities that would shape his distinctive approach to art. Moving with his family to Bonn, he quickly discovered a passion for drawing, abandoning formal schooling at the tender age of seventeen to dedicate himself entirely to his burgeoning talent. This decision, defying societal expectations, laid the foundation for a career defined by artistic freedom and a willingness to challenge conventional norms.

    Early Influences and Artistic Beginnings

    Macke’s formative years were deeply influenced by the artistic currents swirling around him. Initially drawn to the Impressionist movement – captivated by its exploration of light and color—he spent his early days meticulously studying the works of Monet, Renoir, and Pissarro. However, he soon recognized that a purely representational approach wasn't enough to satisfy his creative impulses. Seeking new avenues for expression, Macke enrolled at the Düsseldorf Art Academy in 1904, hoping to refine his skills under the guidance of Adolf Maennchen. Yet, the academy’s rigid curriculum and emphasis on historical accuracy proved stifling to his innovative spirit. He found himself increasingly frustrated by the prevailing artistic dogma, yearning for a more personal and expressive voice. Supplementing his formal training with stage design work – a surprisingly demanding profession—he honed his compositional skills and developed a keen eye for color and form. It was during this period that he began experimenting with bold, non-naturalistic colors, foreshadowing the vibrant palette that would become his signature style.

    The Parisian Awakening: Orphism and Beyond

    A pivotal moment in Macke’s artistic development arrived in 1907 when he traveled to Paris – a city teeming with artistic innovation and intellectual ferment. There, he encountered Robert Delaunay, a leading proponent of Orphism—a radical branch of Cubism focused on pure abstraction and the harmonious interplay of colors. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and fundamentally altering his approach to composition. He began to break down forms into fragmented planes of color, creating dynamic and visually arresting images that seemed to vibrate with energy. Simultaneously, he forged a deep friendship with Franz Marc, a fellow artist and member of Der Blaue Reiter—a group dedicated to exploring the spiritual dimensions of art. Marc’s influence encouraged Macke to embrace abstraction and experiment with symbolic imagery, while also fostering a sense of camaraderie and shared artistic vision. His time in Paris was not just about absorbing new techniques; it was about fundamentally reshaping his understanding of what art could be—a vehicle for expressing emotion, spirituality, and the beauty of the natural world.

    Der Blaue Reiter and the Pursuit of Harmony

    Macke’s membership in Der Blaue Reiter marked a crucial turning point in his career. The group, founded by Wassily Kandinsky and Franz Marc, provided a platform for artists to challenge conventional artistic norms and explore new modes of expression. Macke contributed significantly to the group's exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he remained true to his own unique vision, refusing to be confined by any single stylistic category. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings—such as Bathing Girls with Town in the Background—exemplify this approach: vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. His exploration of color was particularly profound; he didn’t simply replicate the hues of nature but used them to evoke specific emotions and create a sense of atmosphere.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914, tragically losing his life just weeks later on September 26th at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Despite his untimely death, August Macke’s legacy endures. His paintings—characterized by their vibrant colors, dynamic compositions, and optimistic vision—continue to captivate and inspire viewers today. He remains a significant figure in the history of Expressionism, celebrated for his ability to infuse ordinary subjects with extraordinary beauty and emotion. His work serves as a powerful reminder of the transformative potential of art and the enduring human need for connection, joy, and meaning. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van untitled (5318)

    wikioo.org/nl/art/download/august-macke-untitled-5318-9GET6F-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Macke, August. untitled (5318). n.d., https://wikioo.org/nl/art/august-macke-untitled-5318-9GET6F-en/
    APA
    Macke, August (n.d.). untitled (5318) [Painting]. https://wikioo.org/nl/art/august-macke-untitled-5318-9GET6F-en/
    Chicago
    August Macke. untitled (5318). n.d. https://wikioo.org/nl/art/august-macke-untitled-5318-9GET6F-en/
    Harvard
    Macke, August (n.d.) untitled (5318). Available at: https://wikioo.org/nl/art/august-macke-untitled-5318-9GET6F-en/

    Bekijk het van dichtbij

    untitled (5318) — August Macke

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Vrouw in een groene jas (1913), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Hoe kan ik een print van "untitled (5318)" door August Macke verkrijgen?

    Om een print van "untitled (5318)" door August Macke te bemachtigen, kunt u deze eenvoudig bestellen op deze pagina: een fine art print op katoenen canvas of archiefwaardig canvaspapier.

    Kan ik een olieverfreproductie van "untitled (5318)" bestellen?

    U kunt een met de hand geschilderde reproductie van "untitled (5318)" door August Macke rechtstreeks bestellen op deze pagina: een met de hand geschilderde olieverfreproductie op linnen canvas, op bestelling vervaardigd.

    Welke kleurverzadiging heeft "untitled (5318)" door August Macke?

    De kleuren van "untitled (5318)" door August Macke hebben een Balanced Soft verzadiging. Verzadiging beschrijft hoe levendig of gedempt de kleuren zijn.

    Hoe sterk is het contrast in "untitled (5318)" door August Macke?

    Het contrastniveau van "untitled (5318)" door August Macke is Statement.

    Hoeveel licht lijken de kleuren van "untitled (5318)" te reflecteren?

    De luminantie die is vastgesteld voor "untitled (5318)" door August Macke is Bright Balance.

    Behoort "untitled (5318)" van August Macke tot het publiek domein, en zo ja, waarom?

    "untitled (5318)" door August Macke is bevindt zich in het publiek domein - de auteursrechten zijn verlopen. De auteursrechtelijke bescherming loopt vanaf het overlijden van de kunstenaar, dat plaatsvond in 1914.

    Wie is de kunstenaar achter "untitled (5318)"?

    "untitled (5318)" is gemaakt door August Macke. De informatie op deze pagina beschrijft het originele werk van August Macke.