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Gids voor studentenkunst

William Plomer

Naam Klas Datum

edward wolfe, William Plomer (1929). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
edward wolfe wikioo.org/nl/artists/edward-wolfe/
Geboortedatum en -overlijden kunstenaar
1897 – 1982
Geschilderd
1929
Afmetingen origineel werk
142 x 99 cm

In context

William Plomer — edward wolfe

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 142 × 99 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Shaded: het leven van edward wolfe (1897–1982) ▲ dit werk, 1929

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wikioo.org/nl/art/similar/edward-wolfe-william-plomer-AQTVGC-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #2a1320

    Gecatalogiseerd palet

    • #2A1320
    • #A5423F
    • #E2CFBD
    • #5A5078
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    William Plomer — edward wolfe

    The painting William Plomer by Edward Wolfe is a remarkable piece of art that showcases the artist's skill in capturing the essence of his subject. Created in 1929, this oil on canvas painting measures 142 x 99 cm and is currently housed at the National Portrait Gallery in the United States.

    The Artist and His Style

    Edward Wolfe was a talented artist known for his portraits, and William Plomer is one of his notable works. The painting features a man sitting in a chair with his legs crossed, wearing glasses and having a serious expression on his face. The room he is in has a fireplace, two couches, and a vase, adding warmth and coziness to the scene. Key Features of the painting include:

    The use of oil on canvas, which gives the painting a rich and vibrant texture

    The attention to detail in the subject's facial expression and clothing

    The warm and inviting atmosphere of the room

    Similar Artists and Paintings

    Other notable artists and paintings on AllPaintingsStore.com include Bolesław Barbacki and his painting, as well as Paolo Di Matteis and his Drawing. These artists and their works can be found on the website, along with other masterpieces like Pavel Filonov's The Narva Gates. Discover more about these artists and their paintings by visiting Discover the Museum Musée Lambinet (France) and its Masterpieces on AllPaintingsStore.com.

    The National Portrait Gallery is also home to many other notable portraits, making it a must-visit destination for art enthusiasts. With its rich history and stunning collection of artworks, the gallery is an ideal place to explore and learn about the world of art.

    Kunstenaar en museum

    Kunstenaar

    edward wolfe

    The Vibrant Legacy of Edward Wolfe

    Edward Wolfe (1897–1982) stands as a significant figure in British art of the early 20th century, inextricably linked to the intellectual currents of the Bloomsbury Group and the experimental spirit of the Omega Workshops. Born in London, Wolfe possessed an innate talent for capturing visual beauty with remarkable precision, imbuing his canvases with a distinctive emotional resonance that cemented his place amongst the leading artists of his time. His artistic journey unfolded against a backdrop of shifting cultural landscapes, mirroring the broader anxieties and aspirations of the era while simultaneously forging a path toward innovative stylistic approaches.

    Wolfe’s formative years were marked by exposure to influential thinkers and artists—figures like Virginia Woolf and Roger Fry who championed modernist ideals. He studied at the prestigious Slade School of Fine Art, where he honed his skills in draughtsmanship and mastered traditional techniques before eventually embracing the transformative impact of Fauvist painting. This evolution from classical precision to a more liberated use of color defines much of his enduring appeal.

    A Convergence of Modernist Visions

    The trajectory of Wolfe’s career was profoundly shaped by his association with the Bloomsbury Group, a collective of writers and artists that prioritized aesthetic experimentation alongside philosophical inquiry. This environment provided the perfect crucible for challenging long-held artistic conventions. A pivotal catalyst in Wolfe’s stylistic evolution was the advocacy of Roger Fry, whose promotion of Henri Matisse’s bold, non-naturalistic use of color encouraged Wolfe to move beyond mere representation toward a more expressive, emotive palette.

    Recognizing the importance of collaborative artistic endeavors, Wolfe joined the Omega Workshops alongside luminaries such as Vanessa Bell and Duncan Grant. This collective aimed to revitalize British craftsmanship and elevate the decorative arts through innovative designs—a direct response to the perceived decline of artistic standards following the devastation of World War I. Through this work, Wolfe helped bridge the gap between fine art and functional design, contributing to a movement that sought to integrate beauty into the very fabric of daily life.

    Mastery of Color and Form

    Wolfe’s oeuvre encompasses a diverse range of subjects, yet a consistent thread of vibrant energy runs through his entire body of work. He was particularly renowned for his ability to breathe life into various genres:

    Still Lifes: His still lifes, such as the celebrated Fruit and Flowers (1924), serve as masterclasses in Fauvist expression, bursting with saturated colors and rich textures that celebrate the tactile nature of the subject matter.

    Portraits: Wolfe possessed a sensitive touch in his portraiture, capturing the psychological depth and character of his sitters through a modern lens.

    Landscapes and Travel Paintings: His explorations of the natural world and his travels allowed him to experiment with light and atmosphere, often translating foreign landscapes into rhythmic patterns of color.

    The historical significance of Edward Wolfe lies in his role as a bridge between traditional British academic training and the radical modernism sweeping across Europe. By synthesizing the structural discipline learned at the Slade with the liberated spirit of the Fauves, he helped create a uniquely British modernism—one that was both intellectually rigorous and visually intoxicating. Today, his work remains held in major UK collections, serving as a testament to a period of unparalleled creative ferment.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van William Plomer

    wikioo.org/nl/art/download/edward-wolfe-william-plomer-AQTVGC-en/

    Bronvermelding voor dit kunstwerk

    MLA
    wolfe, edward. William Plomer. 1929, https://wikioo.org/nl/art/edward-wolfe-william-plomer-AQTVGC-en/
    APA
    wolfe, edward (1929). William Plomer [Painting]. https://wikioo.org/nl/art/edward-wolfe-william-plomer-AQTVGC-en/
    Chicago
    edward wolfe. William Plomer. 1929. https://wikioo.org/nl/art/edward-wolfe-william-plomer-AQTVGC-en/
    Harvard
    wolfe, edward (1929) William Plomer. Available at: https://wikioo.org/nl/art/edward-wolfe-william-plomer-AQTVGC-en/

    Bekijk het van dichtbij

    William Plomer — edward wolfe

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Madge Garland (d.1990) (1926), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. edward wolfe was ongeveer 32 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.