Papierformaat

Gids voor studentenkunst

Dollar Without Value

Naam Klas Datum

mladen stilinović, Dollar Without Value (1993). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
mladen stilinović wikioo.org/nl/artists/mladen-stilinovic/
Geboortedatum en -overlijden kunstenaar
1947 – 2016
Geschilderd
1993
Beweging
Contemporary Conceptual Art

In context

Dollar Without Value — mladen stilinović

Wanneer is dit geschilderd?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Shaded: het leven van mladen stilinović (1947–2016) ▲ dit werk, 1993

Vergelijkbare werken

  • Hands, 2006 wikioo.org/nl/art/mladen-stilinovic-hands-D7C2P9-en/
  • Sing!, 1980 wikioo.org/nl/art/mladen-stilinovic-sing-D7BNXL-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wikioo.org/nl/art/similar/mladen-stilinovic-dollar-without-value-D7BVST-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #d6d2af

    Gecatalogiseerd palet

    • #D6D2AF
    • #F2B892
    • #585A4D
    • #97977F
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    mladen stilinović

    Geboren in Belgrade, Serbia

    Mladen Stilinović (1947–2016): A Conceptual Pioneer of Yugoslav Avantgarde

    Mladen Stilinović (born April 10, 1947, Belgrade, Serbia; died July 18, 2016, Pula) was a Croatian conceptual artist and one of the foremost figures of Yugoslavia’s “New Art Practice,” marking a pivotal moment in artistic expression during the Cold War era. His formative years were steeped in intellectual ferment—influenced by thinkers like Sartre and Camus—and fueled by an unwavering fascination with cinema and literature, particularly Rimbaud, Lautréamont, Saint-John Perse, Khlebnikov, Osip Mandelstam, Mayakovsky, T. S. Eliot, Tadeusz Róžewicz—a testament to his profound engagement with the artistic currents of his time. He honed his craft within Belgrade’s vibrant cultural landscape, absorbing inspiration from experimental film and actively participating in student cinema initiatives like Pan 69. This early immersion solidified his commitment to challenging conventional artistic boundaries and exploring new avenues for conveying complex ideas.

    Early Life & Influences: Stilinović's upbringing instilled a deep appreciation for intellectual discourse and artistic experimentation. His father, Marijan Stilinović—a respected editor of Borba newspaper, ambassador to Argentina, and later director of Zagreb Museum of Contemporary Art—provided him with an environment rich in cultural stimulation. This familial legacy profoundly shaped his worldview and nurtured his passion for art as a tool for critical reflection.

    The Group of Six Artists: Stilinović’s artistic trajectory gained momentum through collaboration with fellow Belgrade artists, forming the influential Group of Six Artists (Grupa šestorice autora). Alongside Vladimir Martek, Boris Demur, Željko Jerman, Sven Stilinović and Fedor Vučemilović, they established a collective dedicated to pushing the boundaries of Yugoslav art. Their activities centered around Zagreb from 1975 to 1979, fostering an environment of radical innovation and challenging prevailing artistic conventions.

    Experimental Film & Conceptual Engagement: Recognizing the transformative potential of cinema as both medium and concept, Stilinović dedicated himself to experimental filmmaking during the late 1960s and early 1970s. He embraced techniques pioneered by Dziga Vertov and Jean Vigo, delving into the realm of montage and exploring how visual language could convey profound philosophical ideas. This commitment to conceptual art solidified his position as a vanguard artist—one who prioritized intellectual rigor alongside aesthetic experimentation.

    The Exploitation of the Dead Series & Documenta Kassel: Stilinović’s artistic output reached its zenith with “Exploitation of the Dead” (1984–1990), a series that garnered international acclaim and cemented his reputation as a provocateur of ideas. Exhibited prominently at Documenta Kassel in 2007, this project interrogated notions of mortality and remembrance through meticulously crafted photographic compositions—a striking blend of documentary observation and conceptual reflection.

    Major Achievements & Recognition

    Stilinović’s contribution to Yugoslav art extended beyond individual projects; he spearheaded initiatives that fostered artistic dialogue and promoted critical engagement with societal issues. As director of the Extended Media Gallery (1981–1991), he championed innovative approaches to visual culture, fostering a space for experimentation and intellectual exchange. Furthermore, his involvement in establishing Podroom Gallery alongside fellow artists underscored his dedication to nurturing collaborative creativity—a cornerstone of Yugoslav avant-garde practice. His work was recognized globally through prestigious exhibitions and collaborations with prominent institutions like MoMA and Centre Georges Pompidou, securing his place as one of Croatia’s most celebrated artistic voices.

    Legacy & Influence

    Mladen Stilinović's influence resonates throughout contemporary art—particularly within the realm of conceptualism and photographic exploration. His unwavering commitment to challenging conventions and confronting uncomfortable truths continues to inspire artists today. The “Exploitation of the Dead” series remains a seminal work, prompting ongoing discussions about memory, loss, and the role of art in addressing existential questions. Stilinović’s legacy extends beyond his artistic output; he served as an educator and mentor—inspiring generations of Croatian artists to pursue innovative approaches to creative expression. His unwavering belief in the power of conceptual art to provoke thought and foster social critique ensures that his vision persists as a guiding force within the evolving landscape of global art history.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Dollar Without Value

    wikioo.org/nl/art/download/mladen-stilinovic-dollar-without-value-D7BVST-en/

    Bronvermelding voor dit kunstwerk

    MLA
    stilinović, mladen. Dollar Without Value. 1993, https://wikioo.org/nl/art/mladen-stilinovic-dollar-without-value-D7BVST-en/
    APA
    stilinović, mladen (1993). Dollar Without Value [Painting]. https://wikioo.org/nl/art/mladen-stilinovic-dollar-without-value-D7BVST-en/
    Chicago
    mladen stilinović. Dollar Without Value. 1993. https://wikioo.org/nl/art/mladen-stilinovic-dollar-without-value-D7BVST-en/
    Harvard
    stilinović, mladen (1993) Dollar Without Value. Available at: https://wikioo.org/nl/art/mladen-stilinovic-dollar-without-value-D7BVST-en/

    Bekijk het van dichtbij

    Dollar Without Value — mladen stilinović

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: currency, value, washington. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar Hands (2006), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.