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Going Ashore

Naam Klas Datum

Thomas Birch, Going Ashore (1843). Publiek domein

De feiten

Kunstenaar
Thomas Birch wikioo.org/nl/artists/thomas-birch_nl/
Geboortedatum en -overlijden kunstenaar
1779 – 1851
Geschilderd
1843

In context

Going Ashore — Thomas Birch

Wanneer is dit geschilderd?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840
  9. 1850

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 64. The artist lived to 72. 13 of the 16 dated works by this artist in our catalogue came earlier.

Shaded: het leven van Thomas Birch (1779–1851) ▲ dit werk, 1843

First works: up to 1830 Main working years: 1830–1840 Late works: from 1840

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wikioo.org/nl/art/similar/thomas-birch-going-ashore-8CEGWN-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #e4e3d8

    Gecatalogiseerd palet

    • #E4E3D8
    • #71614F
    • #31251F
    • #C0B39F
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Thomas Birch over the last twelve months — 4 countries in all.

    The ten leading countries

    1. 1 China 90,3%
    2. 2 Canada 3,2%
    3. 3 Noord-Macedonië 3,2%
    4. 4 Verenigde Staten van Amerika 3,2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Thomas Birch

    1. 1 Sailing along the Shore, 1825 8,6%
    2. 2 Battle of Lake Erie 5,7%
    3. 3 The Loss of the Schooner 'John S. Spence', 1833 5,7%
    4. 4 Longships Lighthouse, Land's End, 1849 5,7%
    5. 5 he Upper Ferry Bridge over the River Schuylkill near Morris Street in the county of Philadelphia 5,7%
    6. 6 American Merchant Ship Entering Marseilles 5,7%
    7. 7 Winter Scene 5,7%
    8. 8 The Steamsailor Benjamin Franklin 5,7%
    9. 9 Pennsylvania Winter Scene, 1842 2,9%
    10. 10 High Street, from the country marketplace Philadelphia. with the procession in commemoration of the death of General George Washington 1 2,9%
    11. 11 Naval Battle Between the United States and the Macedonian on Oct. 30, 1812 2,9%
    12. 12 Philadelphia Winter Landscape, 1847 2,9%
    13. 13 Figures with Docked Boat at Shoreline, 1838 2,9%
    14. 14 Going Ashore, 1843 this painting 2,9%
    15. 15 View of New York Harbor, 1835 2,9%
    16. 16 Second Street north from Market St. wth. Christ Church. Philadelphia 2,9%
    17. 17 High Street, with the First Presbyterian Church. Philadelphia 2,9%
    18. 18 Bank of the United States, in Third Street Philadelphia 2,9%
    19. 19 Loss of the Schooner John S. Spence at Norfolk Virginia 2,9%
    20. 20 Bank of Pennsylvania, South Second Street Philadelphia 1 2,9%

    Together these works take 83,3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 88 works by this artist, of which 26 were looked at at least once. This painting ranks 14 of them, with 2,9% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Kunstenaar en museum

    Kunstenaar

    Thomas Birch

    Geboren in Londen, Verenigd Koninkrijk

    A Transatlantic Vision: The Life and Art of Thomas Birch

    Thomas Birch, born in London, England, in 1779, embarked on a remarkable artistic journey that ultimately led him to become one of the most significant figures in American marine painting. His story is not merely about an artist’s evolution; it's a tale interwoven with transatlantic influences, familial legacy, and the burgeoning spirit of a young nation eager to define its identity through art. In 1794, at the tender age of fifteen, Birch immigrated to Philadelphia alongside his family, joining a vibrant wave of artisans and entrepreneurs seeking opportunity within the United States’ rapidly expanding frontier. His father, William Russell Birch – an accomplished engraver and miniaturist – laid the foundation for Thomas's artistic development, fostering a deep appreciation for meticulous detail and skillful craftsmanship. Their collaborative venture, “Birch’s Views of Philadelphia” (1800), quickly established them as respected artists within the city’s cultural landscape, capturing the dynamic essence of an urban center undergoing rapid transformation. This early project instilled in Thomas Birch a keen eye for composition and perspective – skills that would later become hallmarks of his celebrated marine scenes.

    From Portraits to the Power of the Sea

    Initially, Birch followed in his father's footsteps, dedicating himself to portraiture. He skillfully rendered likenesses of prominent figures, demonstrating an aptitude for capturing personality and conveying subtle nuances of expression. However, by 1807, a profound shift occurred within his artistic trajectory. Drawn to the dramatic spectacle and inherent dynamism of maritime life, Birch decisively turned his attention towards marine painting – a genre that would ultimately define his career and solidify his place in American art history. This transition wasn’t driven by mere whim; it reflected both a deeply personal fascination with the boundless ocean and a growing national awareness of naval power, particularly as tensions escalated leading up to the War of 1812. Birch's early marine works reveal an evolving style, profoundly influenced by the traditions of the Dutch masters – Jacob van Ruisdael and Jan van Goyen foremost among them. He meticulously studied their techniques, absorbing their mastery of atmospheric perspective, their ability to capture the subtle interplay of light on water, and their overall sense of realism. Yet, Birch wasn’t simply a diligent imitator; he skillfully synthesized these European influences with an emerging American sensibility, imbuing his paintings with a distinctly patriotic fervor that resonated deeply with audiences eager for artistic expressions of national pride.

    Naval Battles and National Identity

    Birch's name became inextricably linked with depictions of naval engagements during the War of 1812. His paintings weren’t merely historical records; they were powerful visual narratives that celebrated American courage, resilience, and burgeoning maritime strength. USS United States and HMS Macedonian, perhaps his most iconic work, immortalized a pivotal clash between American and British frigates – a moment etched in the nation's memory. The painting’s dramatic composition, meticulous detail, and vibrant colors captured the intensity of battle while simultaneously conveying a potent sense of American triumph. Remarkably, this very canvas hung in the Oval Office during John F. Kennedy’s presidency, a testament to its enduring symbolic power and relevance. Another significant work, Engagement Between the U.S. Frigate Constitution and the British Frigate Guerriere, further cemented his reputation as a master of marine painting, showcasing his ability to capture both the technical complexities of naval warfare and the emotional drama of conflict. Beyond these celebrated battle scenes, Birch also excelled at portraying tranquil harbor views – serene glimpses into American coastal life – and detailed ship portraits, demonstrating his remarkable versatility and technical skill. He was, in essence, the first American artist to truly specialize in ship portraiture, establishing a standard of accuracy and detail that would profoundly influence generations of artists to come.

    Influences and Artistic Development

    Birch’s artistic development wasn't solely shaped by Dutch masters; he also drew inspiration from the burgeoning Romantic movement sweeping across Europe. He admired the dramatic lighting and emotional intensity characteristic of Romantic landscapes, incorporating these elements into his marine scenes to evoke a sense of awe and wonder at the power of nature. Furthermore, Birch was deeply influenced by the writings of American naturalist John James Audubon, whose meticulous observations of birds and other wildlife instilled in him a profound appreciation for detail and accuracy. This influence is evident in his paintings of coastal flora and fauna – often rendered with remarkable precision and sensitivity. He also maintained close relationships with fellow artists, including Thomas Cole, who praised Birch’s atmospheric effects and masterful use of light. These collaborations fostered a vibrant artistic community in Philadelphia, contributing to the city's growing reputation as a center for American art.

    Legacy and Lasting Influence

    Thomas Birch’s contributions to American art are undeniable. He didn’t just paint ships; he captured a pivotal moment in history – the rise of a nation asserting its maritime prowess. His paintings served as both historical records and powerful symbols of national identity, reflecting America's growing confidence and aspirations on the world stage. Birch’s influence extended far beyond his immediate contemporaries; he helped establish marine painting as a significant genre within the American artistic landscape, paving the way for later artists to explore the beauty and drama of the sea. His works are now held in prestigious museum collections across the country – including the Pennsylvania Academy of the Fine Arts, the Smithsonian American Art Museum, and the Museum of Fine Arts, Boston – ensuring that his legacy will continue to inspire and captivate audiences for years to come. Elected an honorary member of the National Academy of Design in 1833, Birch’s life and art stand as a testament to the power of artistic vision and its ability to shape our understanding of history and national identity.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Going Ashore

    wikioo.org/nl/art/download/thomas-birch-going-ashore-8CEGWN-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Birch, Thomas. Going Ashore. 1843, https://wikioo.org/nl/art/thomas-birch-going-ashore-8CEGWN-en/
    APA
    Birch, Thomas (1843). Going Ashore [Painting]. https://wikioo.org/nl/art/thomas-birch-going-ashore-8CEGWN-en/
    Chicago
    Thomas Birch. Going Ashore. 1843. https://wikioo.org/nl/art/thomas-birch-going-ashore-8CEGWN-en/
    Harvard
    Birch, Thomas (1843) Going Ashore. Available at: https://wikioo.org/nl/art/thomas-birch-going-ashore-8CEGWN-en/

    Bekijk het van dichtbij

    Going Ashore — Thomas Birch

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar The Narrows, New York Bay (1812), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Thomas Birch was ongeveer 64 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Op welke leeftijd maakte Thomas Birch "Going Ashore"?

    Toen "Going Ashore" werd gemaakt in 1843, was Thomas Birch - geboren in 1779 - 64 jaar oud.

    In welk jaar werd "Going Ashore" gemaakt?

    "Going Ashore" dateert uit 1843. Deze datum plaatst het werk binnen de carrière van Thomas Birch en de betreffende tijdperk.

    Hoe kan ik "Going Ashore" door Thomas Birch bekijken als een diavoorstelling?

    Er is een diavoorstelling beschikbaar: de Diavoorstelling-pagina van "Going Ashore" door Thomas Birch.

    Welke kleurharmonie vertoont "Going Ashore" door Thomas Birch?

    "Going Ashore" door Thomas Birch vertoont een Balanced Harmony kleurharmonie.

    Kan ik "Going Ashore" in meer detail bekijken?

    "Going Ashore" kan laag voor laag worden onderzocht op de Röntgenanalyse pagina van het kunstwerk, een viewer geïnspireerd op de lichttafel van een restaurator met elf optische weergaven van de afbeelding.

    Zijn er werken die lijken op "Going Ashore"?

    Werken die lijken op "Going Ashore" staan vermeld op de Vergelijkbare werken-pagina van het kunstwerk.

    Wie is de kunstenaar achter "Going Ashore"?

    "Going Ashore" is gemaakt door Thomas Birch. De informatie op deze pagina beschrijft het originele werk van Thomas Birch.